The Albert Collection: 500 Years of British and European Silver (Book)

This book was published in 1991 to coincide with an exhibition which marked Hubert de Givenchy's 40 years in fashion. It is dividing into three sections; it presents a portrait of Gi...

Two books in soft covers housed in a brown cloth covered slip case with cream lettering. One volume illustrates Louis Vuitton products through the years, the second illustrates the "...

by David A. Taylor & Jason W. Laskey This book presents hundreds of pieces of Jensen holloware which are taken from The Silver Fund's collection. The...

This is a hard backed sale catalogue with the original dust jacket, in good condition, which was produced by Christies for the sale of an important collection of furniture by some of...

Christie's Auction Catalog, 500 Years Decorative Arts Europe, October 2010 1st Ed. Softcover auction catalog, 653 lots illustrated in color and described. NPT Books, a division of ...

Picasso and the Weeping Women, the Years of Marie-Therese & Dora Maar Art Book by Judi Freeman. In a book that examines the powerful body of work in which Picasso developed his pote...

Reference Book European Porcelain – The New Danckert Handbook of European Porcelain

The definitive monograph of Oehlen's work to date. Limited to 1,000 numbered copies, each signed by Albert Oehlen. Also available: An Art Edition limited to 100 copies, each signed by the artist and accompanied by an original artwork. Often wryly funny and just as smart, Albert Oehlen’s paintings play the medium for all it’s worth and then some. After realizing that the so-called death of painting freed him to explore "the number of aspects through which one could expand painting," Oehlen started work on a wide variety of figurative and non-objective offerings, in what he has called his "post-non-figurative" art. The artist continuously challenges himself, setting up rules that force him to overcome convention and his own routine in order to arrive at a satisfying image. During his career he has chosen to paint in primary colors only or in gray, to integrate mirrors into his canvases, or to start on computer paintings when the first PCs became available. In his most recent work Oehlen expands painting through the use of advertising posters whose in-your-face aesthetics he transforms with subtle brushwork. Never without a touch of tongue-in-cheek humour, his work seems to be winking at us as it dares us to change the way we perceive an image. This XL monograph covers the entire Scope of Oehlen’s oeuvre: Roberto Ohrt discusses the early years, when Oehlen came into his own alongside Kippenberger, Bu¨ttner, and others, part of a scene that broke rules in art and rock music. Klaus Kertess examines the years from 1988 onwards, when Oehlen saw himself more self-consciously as a painter and started his first abstract works, then continued to probe the limits of the medium. Martin Prinzhorn and John Corbett...