"The Big Nude" Sumo Book with Stand Helmut Newton

A cast bronze brooch by French Parisian Art Jeweler Line Vautrin (1913-1997) circa 1950s. The small lovely bronze pieces features a medallion insignia design with olive branch wreath...

Belonged to the series "Rulked by Angels" created by Parisian art Jeweler Line Vautrin (1913-1997) circa 1945-1950, this lovely and uncommon cast bronze belt buckle is called "Le Choeur de Anges...

A bespoken sterling silver chocker necklace very bold design by Graziella Laffi (1923-2009), Lima, Peru, circa 1970s. The chocker features six subtly hammered roundels radiating into a trio of Axe-shaped fixed pendants, with two smaller ones flanking a large central one. The shape of the axe was often found in the Pre-Columbian art. As a bronze age tool, it symbolizes power. The necklace is not chain link but cast and joined as a solid chocker with box clasp mechanism. The design radiates a sense of history with the primitive tribal geometry in form, yet the necklace appears beyond ethnic, it exuberates a confident and bold modernistic aesthetic. The drop of the necklace on the mannequin (not included) is 11". It has an approximate 16" circumference and weighs 320 grams (10.3 troy ounces). It was tested as 900 purity with XRF analyzer. There is a Peruvian Cultural Ministry label applied and a catalog sticker on verso as shown. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

A bespoken sterling silver necklace with five roundel bell shape of gradual sizes linked by joint chains, designed and made by Graziella Laffi (1923-2009), Lima, Peru, circa 1965. The subtly hammered roundels evoke a sense of history with the form found in pre-Columbian culture, yet the necklace appears beyond ethnic, it exuberates a confident and bold modernism. The necklace with Peruvian Cultural Ministry label to verso. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

"The Big Nude" sumo book with stand by Helmut Newton. Bound printed paper, signed and numbered to interior 'Helmut Newton'. This book is number 9,908 of 10,0...

"The Big Nude" Large Sumo Book with stand by Helmut Newton. Brand new in it's original packaging, unopened and unexposed. Bound printed paper, signed and ...

BABY SUMO, welcome to the world! The legendary Helmut Newton SUMO in a spectacular new edition The Helmut Newton SUMO was overwhelming in every respect: a ...

Experience the unparalleled grandeur of the Helmut Newton Sumo, the biggest and most expensive book production of the 20th century. This limited edition masterpiece, hand signed and numbered by Helmut Newton himself, is a testament to the influential legacy of one of the most intriguing and controversial photographers in history. Accompanying this extraordinary book is a meticulously crafted bookstand designed by Philippe Starck, adding a touch of sophistication to its display. Immerse yourself in the monumental world of SUMO, a titan of a book measuring an impressive 50 x 70 cm (20 x 27.5 in.) and weighing approximately 30 kg (66 lb.). With 464 pages, it breaks all previous records and stands as a truly unique publication. Edited by June Newton...