Hasegawa Publishing – Sword and Blossom Poems, Volume II

This exquisite antique beaded handbag dates back to the Historicism period around 1880 and is a remarkable example of 19th-century craftsmanship...

This striking vintage brooch by Gianni Versace is a true collector’s item and a bold example of 1980s costume jewelry. Designed in a large, extro...

This exceptional antique cameo, likely from England and dating to around 1850, is carved from a single-colored shell—a rarer choice compared to the more common layered varieties. It ...

This exquisite reverse glass painting from the early 19th century features Saint Anne, a revered figure in Christian tradition, known as the mother of the Virgin Mary and patron sain...

1 Volume. Austen Dobson, Ballad of Beau Brocade and Other Poems. Bound by Kelliegram in full green morocco. The covers display a gilt-tooled border and a multi-color inlay figure. Th...

"The Cartier of our time." —Christies. "Exquisitely refined creations. Rosenthal made jewellery modern but infused it with the timelessness of perfection." —Telegraph. "The Faberge´ of our time." —Diane von Furstenberg. Volume I showcases a selection of the jewels made since the shop's founding in 1978 up to "The Jewels of JAR - Paris" exhibition, held at Somerset House in London (November 2002 - January 2003.) Volume II presents a selection of works created between 2002 and up to JAR's exhibition at the Metropolitan Museum of Art in 2014. About JAR Since opening JAR in 1978, with the help of his Swiss friend Pierre Jeannet, Joel Arthur Rosenthal, has become one of the world's most sought after jewellery designers. A native New Yorker, Rosenthal moved to Paris after graduating from Harvard and has lived in the city for most of his adult life. He experimented in scriptwriting and then needlepoint, opening a shop where he experimented with unusually coloured yarns. It's clientele included designers from Herme`s and Valentino. Rosenthal was one day asked if he could design a mount for a gemstone, setting his career in a new direction. His signature includes setting gems in pave arrangements, so finely wrought as to be virtually invisible. Rosenthal uses...

A superb set of poetical works by Samuel Rogers (1763 – 1855) from the esteemed library of bookseller/collector William A. Foyle. The verses in "Italy" were the fruit of Rogers' trav...

A publishing collaboration between Gagosian Gallery and Phaidon. An in-depth study of painters’ and photographers’ studios with examples from the sixteenth through the twentieth centuries. Introductory essays and catalogue entries on individual works by two experts in their respective fields—John Elderfield for In the Studio: Paintings and Peter Galassi for In the Studio: Photographs. An invaluable and unprecedented art historical resource that will also appeal to a general audience. The slipcased two-book set accompanies simultaneous exhibitions, one each on painting and photography, at Gagosian Gallery’s New York locations, open February 17 – April 18, 2015.Gagosian Gallery was founded in 1980 by Larry Gagosian. Since then, it has grown from a single exhibition space in Los Angeles to fourteen distinct spaces in eight cities around the world. Specializing in modern and contemporary art, Gagosian Gallery maintains a distinguished historical program and a roster of the world’s most acclaimed living artists. John Elderfield, a Consultant at Gagosian Gallery, is Chief Curator Emeritus of Painting and Sculpture at The Museum of Modern Art, where he directed numerous celebrated exhibitions, among them Kurt Schwitters, Henri Matisse: A Retrospective, and De Kooning: A Retrospective, and the more specialized Manet and the Execution of Maximilian and Matisse: Radical Invention, 1913–1917. He is the recipient of Harkness and John Simon Guggenheim Fellowships; of the first Mitchell Prize for an outstanding publication on twentieth-century art; and has been a visiting scholar at the Getty Research Institute and the American Academy in Rome. In 2005, Time magazine named him one of the 100 Most Influential People of the Year; and in 2006 was awarded an honorary D. Litt. from The University of Leeds, and was made Officier dans l’Ordre des Arts et des Lettres by the French Government. Peter Galassi retired from The Museum of Modern Art in 2011 after thirty years at the museum, including twenty as Chief Curator of Photography. He has devoted exhibitions and publications to the work of Henri Cartier-Bresson, Roy DeCarava...