HR Giger. Art Edition Nr. 1–100 ‘Relief + Photogravure’

Pigment print on platine archival fibre rag paper, 53.5 x 68 cm (21.1 x 26.8 in.), hardcover volume with two-fold-outs in a metal cage, 33.0 x 44.0 cm (13.0 x 17.3 in.), 334 pages. Michael Muller has carved a career out of impressive encounters. Famed for his portraits of the world’s most elite actors, musicians and sports stars, he has spent the last decade diving to ocean depths around the world to create one of the most spectacular portfolios of underwater shark...

Salgado’s masterpiece: Genesis, Earth eternal. A photographic homage to our planet in its natural state. Two volumes bound in full leather, limited to five editions of 100 numbered and signed sets. Every set comes with a gelatin silver print, signed by Sebastião Salgado and printed under his personal supervision. “My love letter to the planet.” Sebastião Salgado. Art edition D-No. 301-400. Marine iguana, Gala´pagos, Ecuador, 2004. Gelatin silver print. Measures: 33.5 x 25 cm/13 x 10 in. (image), 40 x 30 cm/16 x 12 in. (sheet). (Frame not included). The art edition comes with a book Stand designed by Tadao Ando. The Genesis book stand was conceived by Japanese architect Tadao Ando, the only living person to have won architecture’s four most prestigious prizes. Ando’s simple and innovative design consists of two “twin” pieces of wood, bound together with leather, into which a third piece of wood can be slotted to form a sturdy, elegant display. Fine print: Genesis is printed on a traditional coated 250 gsm art paper from the German paper mill Scheufelen that is no longer available on the market and was produced specially for Taschen. The black and white pictures are reproduced in a four-color separation process, with two blacks and two shades of grey; the density of the blacks achieved rivals that of the finest silver gelatin prints. GENESIS was printed and bound in an Italian workshop utilizing traditional craftsmanship techniques that are unique worldwide in this field, using Italian Cialinen fabric for the cover. The Ando book Stand was hand made in Spain, and the leather originates from Britain. Precious cargo: The two volumes come carefully packaged along with the stand in a robust custom-made wooden crate to preserve and protect them. Attention: total weight is 59 kg (130 lb)! Art Edition limited to 100 numbered and signed sets. Two volumes bound in full leather. Every set includes a book stand in cherrywood veneer designed by Tadao Ando. Also included is a cloth-bound caption book. Every set comes with a gelatin silver print, signed by Sebastia~o Salgado and printed under his personal supervision. Delivered in a wooden cargo box...

Captain's gig sternboard hardwood with rope carved border and brass lettering "Terpsichore Sandefjord" Norway. Great old sternboard from the Captain's gig from the Terpsichore. Circa...

Presented is a beautiful photogravure showing a Klamath man hunting from a dugout canoe. This image is Plate 458 from Volume 13 of Edward Curtis' epic project The North American Indian. The photogravure was published in 1923 by Suffolk Engr. Co., in Cambridge, MA. The Klamath people are from the inland region of Northern California and Southern Oregon. Their oral history records the volcanic eruption that created Crater Lake over 7000 years ago Edward S. Curtis created one of the most enduring and iconic visual records in the history of the photographic medium. He was an award-winning artist, a consummate craftsman, a visionary, an intrepid entrepreneur, and was highly regarded as a respected ethnographer and publisher. Curtis began photographing Native Americans in the mid-1890s and selling these images in his successful downtown Seattle studio. One of his earliest models was Princess Angeline, the aged daughter of chief Sealth, the Suquamish Indian after whom Seattle is named. At the National Photographic Convention of 1899 Curtis was awarded the grand prize for three of his soft-focused, sepia-toned images of Puget Sound Native Americans: Evening on the Sound, The Clam Digger, and The Mussel Gatherer. Curtis spent the summer of 1900 with George Bird Grinnell observing the Sun Dance at an encampment of Blood, Blackfeet, and Algonquin in Montana. This was a pivotal experience for Curtis, confirming his desire to study and photograph the Native tribes of North America. A trip to visit the Hopi reservation in Arizona a few months later further fueled his enthusiasm. Curtis envisioned a plan to create a massive scholarly and artistic work that would document the tribes west of the Mississippi, their ceremonies, beliefs, daily life, and landscapes. In 1906, Curtis approached railroad tycoon J.P. Morgan to request financial assistance for his project. Morgan agreed to pay him a total of $75,000, or $15,000 a year for five years. Morgan and Curtis decided that Curtis' masterwork, The North American Indian, would be a set of 20 volumes of ethnographic text illustrated with high quality photoengravings taken from his glass plate negatives. Each of these volumes would be accompanied by a portfolio of large size images, all sumptuously bound in Moroccan leather. The papers used for printing would also be of the best quality: a Dutch etching stock by Van Gelder, a Japanese vellum, and for the most discerning subscribers, a translucent Japanese tissue paper. To fund publication, Curtis would sell subscriptions at approximately $3,000 per set, with a total of 500 sets to be published. An ambitious and extensive project, Curtis spent much of his life documenting as many Native tribes as possible. The importance and the urgency of the task was clear to him, as he wrote in the introduction to his first volume of The North American Indians in 1907, "The information that is to be gathered ... respecting the mode of life of one of the great races of mankind, must be collected at once or the opportunity will be lost." In 1930, some 24 years after his initial request for funding, the last two volumes, Vol. 19 and Vol. 20, were published and The North American Indian project was finally completed. Curtis took over 40,000 photographs and made over 10,000 wax cylinder...