Neil Leifer Guts and Glory: The Golden Age of American Football

The classic encyclopedia of the arcane in an expanded edition. Renowned philosopher and lecturer Manly P. Hall’s masterful encyclopedia of ancient symbols, hidden rituals, and arcane practices has remained a classic since first published in 1928. Hall’s densely detailed writings explore topics ranging from Hermeticism to Tarot, Egyptian mythology to Pythagorean theory. Each chapter is accompanied by the vivid illustrations of artist J. Augustus Knapp, with additional images by Mihran Serailian found in the companion volume, each taking their own unique approach to nearly 60 artworks depicting occult subject matter. The initial concept for what became known as Hall’s “Great Book”, first began in 1923 when the young Los Angeles-based orator began a months-long trip around the globe. Circumnavigating by ship, Hall visited Egypt, China and India, immersing himself in the philosophical and religious history of each country. Upon his return he spent the next five years penning his massive compendium of philosophy and myth. Nearly a century after its release, this iconic masterwork has been reproduced for the first time from the rare and extravagant original edition. This meticulously-restored version of Hall’s “Great Book” is also accompanied by an expansive companion book, featuring condensed summaries of each chapter of The Secret Teachings, alongside newly-discovered artworks, rare photography...

“Elvis who?” was photographer Alfred Wertheimer’s response when, in early 1956, an RCA Victor publicist asked him to photograph an up-and-coming crooner from Memphis. Little did Wertheimer know that this would be the job of his life: just 21 years old, Elvis Presley was—as we now know—about to become a legend. Trailing him like a shadow, Wertheimer was given unlimited Scope to get up close and personal with Elvis; even as the singer was seducing young women in dark hallways, he allowed the photographer to record his every move. Wertheimer took nearly 3,000 photographs of Presley that year, creating a penetrating portrait of a man poised on the brink of superstardom. Extraordinary in its intimacy and unparalleled in its Scope, Wertheimer’s Elvis project immortalized a young man in the very process of making history. (Just a month after he shot Elvis recording the “Don’t Be Cruel”/“Hound Dog” record, it became the first ever to top all three Billboard charts.) This Collector’s Edition of just 1,706 numbered copies signed by Wertheimer brings together his most remarkable Elvis shots from 1956, along with a selection of his historic 1958 pictures of the star being shipped off to an army base in Germany. Though many of Wertheimer’s photos of Elvis are among the best known, nearly half of the photographs in this book have never been published before. Each chapter is illustrated with an original poster created for this book by Hatch Show Print, one of the oldest letterpress print shops in America. In business since 1879, Hatch printed posters for vaudeville, circuses, and entertainers on world tour in the early 20th century; and created many of the powerful woodblock images that helped define the look of country music in the 1940s and rock and roll (including many early Elvis posters...

Music for the eyes. The man who launched the Golden Age of album cover design. No. 101-1,600, Collector’s Edition: Limited to 1,500 numbered copies, each signed by the artist. Also...

Fiber-based gelatin silver print, 21.8 x 28.8 cm on 22.9 x 33 cm paper (8.6 x 11.8 in. on 9 x 13 in. paper); hardcover volume in a slipcase, letterpress-printed text, two different paper stocks, and tip-ins, 24 x 34 cm (9.4 x 13.4 in.), 356 pages. In 1964, famed writer Ken Kesey and his band of Merry Pranksters set off across America on a “Transcontinental Bus Tour,” headed for the New York World’s Fair. Kesey’s journey, in the company of his Merry Pranksters, lies at the heart of The Electric Kool-Aid Acid Test, an as-if-first-hand account of the group’s antics and ethos by Tom Wolfe, wunderkind of the New Journalism movement. This Art Edition presents Wolfe’s era-defining text in letterpress, along with facsimile reproductions of his manuscript pages, ephemera of the period, and photographs of the acid scene by Lawrence Schiller and Ted Streshinsky. The accompanying print, Me and My Shadow, by Lawrence Schiller, was photographed at the Hollywood Acid Test on February 25, 1966. As the first photojournalist to capture the acid scene from the inside, Schiller began with a single contact in Berkeley, California, and built a large network of young, receptive subjects who allowed him to document their experiences with LSD starting in late 1965. At first, he was a fly on the wall as groups of friends tripped in the privacy of their homes. By early 1966 he had met the Merry Pranksters and was invited to the Acid Test in Hollywood. During the Test, Kool-Aid laced with a heavy dose of LSD was served up from an industrial-sized pot. Participants turned on the Grateful Dead’s music and tuned in to the burgeoning psychedelic scene. Schiller’s image of a tripster “freaking freely” with his own shadow—long believed to be Neal Cassady—appeared in Life magazine in March 1966 in a photo essay which served to introduce the nation to the sweeping new LSD epidemic. For Flaming Lips lead singer Wayne Coyne...

Byzantine art established the images of the Christian religion that are still current today: the appearance, dress and attributes of Biblical figures all owe their invention to these early artists. The Byzantine Empire spanned the fourth to the fifteenth century, bridging the Middle Ages from the late Roman Empire to the early Renaissance, and of all the world's empires, it is most clearly defined by its art. Presenting 300 artworks from the years 240 to 1453, The Glory of Byzantium and Early Christendom encapsulates the development of art in eastern Europe and eastern Mediterranean from the very early days of Christianity to the fall of Constantinople. Even when a more secular art developed during the early Renaissance, Byzantine art lived on as the dominant style for religious art, particularly in the Orthodox East. Nevertheless, a perception of Byzantine art as purely religious is misleading: while it included the production of glorious icons, it also encompassed metalwork, architecture, sculpture, wall painting and mosaics, but secular and Christian. From architecture to jewellery, from coins to paintings, from mosaics to book illuminations, the book explores Byzantine art in all its forms. Unique not only for its extensive variety of art forms, the book also has a vast geographic Scope, including art from Britain to Syria, from Spain to Turkey, from Egypt to Georgia. An introductory essay by Antony Eastmond summarizes the essence of Byzantine and early Christian art...

Published by Schiffer Publishing, Ltd., 1st edition, 1990. Hardback with English text. Profusely illustrated with over a thousand fountain pens with full or nearly full-sized colour...

Vintage hardback coffee table book that discusses the artist’s bold experimentation with industrial materials during the mid-20th century. Essays by Pablo Picasso and other leading a...

Asia in Amsterdam: The Culture of Luxury in the Golden Age by Karina Corrigan. 1st Ed hardcover exhibition catalog. Published by Peabody Essex Museum / Yale University, 2015. Hardcov...