Tom Wolfe, The Electric Kool-Aid Acid Test, Art Edition "Hollywood Acid Test"

Fiber-based gelatin silver print, 21.8 x 28.8 cm on 22.9 x 33 cm paper (8.6 x 11.8 in. on 9 x 13 in. paper); hardcover volume in a slipcase, letterpress-printed text, two different paper stocks, and tip-ins, 24 x 34 cm (9.4 x 13.4 in.), 356 pages. In 1964, famed writer Ken Kesey and his band of Merry Pranksters set off across America on a “Transcontinental Bus Tour,” headed for the New York World’s Fair. Kesey’s journey, in the company of his Merry Pranksters, lies at the heart of The Electric Kool-Aid Acid Test, an as-if-first-hand account of the group’s antics and ethos by Tom Wolfe, wunderkind of the New Journalism movement. This Art Edition presents Wolfe’s era-defining text in letterpress, along with facsimile reproductions of his manuscript pages, ephemera of the period, and photographs of the acid scene by Lawrence Schiller and Ted Streshinsky. The accompanying print, Me and My Shadow, by Lawrence Schiller, was photographed at the Hollywood Acid Test on February 25, 1966. As the first photojournalist to capture the acid scene from the inside, Schiller began with a single contact in Berkeley, California, and built a large network of young, receptive subjects who allowed him to document their experiences with LSD starting in late 1965. At first, he was a fly on the wall as groups of friends tripped in the privacy of their homes. By early 1966 he had met the Merry Pranksters and was invited to the Acid Test in Hollywood. During the Test, Kool-Aid laced with a heavy dose of LSD was served up from an industrial-sized pot. Participants turned on the Grateful Dead’s music and tuned in to the burgeoning psychedelic scene. Schiller’s image of a tripster “freaking freely” with his own shadow—long believed to be Neal Cassady—appeared in Life magazine in March 1966 in a photo essay which served to introduce the nation to the sweeping new LSD epidemic. For Flaming Lips lead singer Wayne Coyne...

Two artists, one vision. The enigmatic and genre-defying work of Inez van Lamsweerde and Vinoodh Matadin. “It is typical of the photographic art of van Lamsweerde and Matadin that they urge their image making to de-stabilize the pristine surfaces expected of consumer culture; to this end they make use, in turn, of the Gothic, inscrutability, androgyny, comedy, eroticism, surrealism, fantasy, montage, cinema, replication, image manipulation, Pop Art, fetishism and art historical nuance.” —Michael Bracewell, from the introduction Inez van Lamsweerde and Vinoodh Matadin’s work has graced the walls and pages of some of the world’s finest galleries and fashion magazines, and if it is surprising that their photographs easily float between these worlds, it is by Virtue of their ease in creating imagery that seeks homes in both culturally elite and mainstream outlets. For some of their photographs, such as their portrait of Bjo¨rk or Campaign for Givenchy, van Lamsweerde and Matadin have worked in collaboration with the art directors M/M (Paris), who have also designed this sumptuous two-volume retrospective set that looks back at “pretty much everything” that the photographers have been working on for over two decades and has brought them to the forefront in the fields of both art and fashion. Limited Collector’s Edition of 1,000 copies, each numbered and signed by the artists. Two-volume retrospective with 666 photographs of “pretty much everything” that the photographers have been working on for over two decades. Additional reader with interviews and texts about the photographic œuvre of Inez van Lamsweerde and Vinoodh Matadin. Entire set designed by the artists’ longtime collaborators M/M (Paris) and includes original silkscreened poster, origami-folded over the top corner of the slipcase. Also available in two Art Editions of 100 copies each including two signed and numbered photographic prints. The designer: Established in Paris in 1992, M/M (Paris) is an art and design partnership consisting of Mathias Augustyniak and Michael Amzalag. They are best known for their art direction and collaborations with musicians, fashion designers, and contemporary artists, including Bjo¨rk, Madonna, Yohji Yamamoto, Balenciaga, Pierre...

Photographie mode représentant le model Edita Vilkeviciute Photographie réalisée par Bela Adler . 2018 53x65 cm avec encadrement 35 x 50 Photo seule

Striking and surreal, this original fashion photograph captures a captivating blend of bohemian spirit and avant-garde elegance. Showcasing a youthful figure with long flowing hair, ...