Tom Wolfe, The Electric Kool-Aid Acid Test, Art Edition "Hollywood Acid Test"

Fiber-based gelatin silver print, 21.8 x 28.8 cm on 22.9 x 33 cm paper (8.6 x 11.8 in. on 9 x 13 in. paper); hardcover volume in a slipcase, letterpress-printed text, two different paper stocks, and tip-ins, 24 x 34 cm (9.4 x 13.4 in.), 356 pages. In 1964, famed writer Ken Kesey and his band of Merry Pranksters set off across America on a “Transcontinental Bus Tour,” headed for the New York World’s Fair. Kesey’s journey, in the company of his Merry Pranksters, lies at the heart of The Electric Kool-Aid Acid Test, an as-if-first-hand account of the group’s antics and ethos by Tom Wolfe, wunderkind of the New Journalism movement. This Art Edition presents Wolfe’s era-defining text in letterpress, along with facsimile reproductions of his manuscript pages, ephemera of the period, and photographs of the acid scene by Lawrence Schiller and Ted Streshinsky. The accompanying print, Me and My Shadow, by Lawrence Schiller, was photographed at the Hollywood Acid Test on February 25, 1966. As the first photojournalist to capture the acid scene from the inside, Schiller began with a single contact in Berkeley, California, and built a large network of young, receptive subjects who allowed him to document their experiences with LSD starting in late 1965. At first, he was a fly on the wall as groups of friends tripped in the privacy of their homes. By early 1966 he had met the Merry Pranksters and was invited to the Acid Test in Hollywood. During the Test, Kool-Aid laced with a heavy dose of LSD was served up from an industrial-sized pot. Participants turned on the Grateful Dead’s music and tuned in to the burgeoning psychedelic scene. Schiller’s image of a tripster “freaking freely” with his own shadow—long believed to be Neal Cassady—appeared in Life magazine in March 1966 in a photo essay which served to introduce the nation to the sweeping new LSD epidemic. For Flaming Lips lead singer Wayne Coyne...

In the flesh. Just months before her death, Marilyn Monroe gave a young photographer his big break, and this is his story. “You’re already famous, now you’re going to make me f...

Salgado’s masterpiece: Genesis, earth eternal. A photographic homage to our planet in its natural state. Two volumes bound in full leather, limited to five editions of 100 numbered and signed sets. Every set comes with a gelatin silver print, signed by Sebastião Salgado and printed under his personal supervision. “My love letter to the planet.” Sebastião Salgado. Art Edition C-No. 201-300. Black-browed albatrosses, Falkland Islands, 2009. Gelatin silver print. 24,5 x 33,5 cm / 10 x 13 in. (image), 30 x 40 cm / 12 x 16 in. (sheet) (Frame not included). The Art Edition comes with a book Stand designed by Tadao Ando. The Genesis book Stand was conceived by Japanese architect Tadao Ando, the only living person to have won architecture’s four most prestigious prizes. Ando’s simple and innovative design consists of two “twin” pieces of wood, bound together with leather, into which a third piece of wood can be slotted to form a sturdy, elegant display. Fine print: Genesis is printed on a traditional coated 250 gsm art paper from the German paper mill Scheufelen that is no longer available on the market and was produced specially for Taschen. The black and white pictures are reproduced in a four-color separation process, with two blacks and two shades of grey; the density of the blacks achieved rivals that of the finest silver gelatin prints. GENESIS was printed and bound in an Italian workshop utilizing traditional craftsmanship techniques that are unique worldwide in this field, using Italian Cialinen fabric for the cover. The Ando book Stand was hand made in Spain, and the leather originates from Britain. Precious cargo: The two volumes come carefully packaged along with the Stand in a robust custom-made wooden crate to preserve and protect them. Attention: total weight is 59 kg (130 lb)! Art Edition limited to 100 numbered and signed sets. Two volumes bound in full leather. Every set includes a book Stand in cheerywood veneer designed by Tadao Ando. Also included is a cloth-bound caption book. Every set comes with a gelatin silver print, signed by Sebastião Salgado and printed under his personal supervision. Delivered in a wooden cargo box...

Salgado’s masterpiece: Genesis, Earth eternal. A photographic homage to our planet in its natural state. Two volumes bound in full leather, limited to five editions of 100 numbered and signed sets. Every set comes with a gelatin silver print, signed by Sebastião Salgado and printed under his personal supervision. “My love letter to the planet.” Sebastião Salgado. Art edition D-No. 301-400. Marine iguana, Gala´pagos, Ecuador, 2004. Gelatin silver print. Measures: 33.5 x 25 cm/13 x 10 in. (image), 40 x 30 cm/16 x 12 in. (sheet). (Frame not included). The art edition comes with a book Stand designed by Tadao Ando. The Genesis book stand was conceived by Japanese architect Tadao Ando, the only living person to have won architecture’s four most prestigious prizes. Ando’s simple and innovative design consists of two “twin” pieces of wood, bound together with leather, into which a third piece of wood can be slotted to form a sturdy, elegant display. Fine print: Genesis is printed on a traditional coated 250 gsm art paper from the German paper mill Scheufelen that is no longer available on the market and was produced specially for Taschen. The black and white pictures are reproduced in a four-color separation process, with two blacks and two shades of grey; the density of the blacks achieved rivals that of the finest silver gelatin prints. GENESIS was printed and bound in an Italian workshop utilizing traditional craftsmanship techniques that are unique worldwide in this field, using Italian Cialinen fabric for the cover. The Ando book Stand was hand made in Spain, and the leather originates from Britain. Precious cargo: The two volumes come carefully packaged along with the stand in a robust custom-made wooden crate to preserve and protect them. Attention: total weight is 59 kg (130 lb)! Art Edition limited to 100 numbered and signed sets. Two volumes bound in full leather. Every set includes a book stand in cherrywood veneer designed by Tadao Ando. Also included is a cloth-bound caption book. Every set comes with a gelatin silver print, signed by Sebastia~o Salgado and printed under his personal supervision. Delivered in a wooden cargo box...

Willie Kool desk-table electric lighter. This is a beautiful electronic bar or desk lighter, created as a promotional item by the Kool Cigarette Company, back in the 1938. The sculptural and elusive electric lighter has been crafted with the iconic figure of the company Willie Kool, in color plastic with parts in metal and fitted with a long electric cord. The figural penguin is in pretty very good shape, in working condition and should be a gorgeous addition to any collection. This will be a great conversation item. Willie The Penguin Willie the penguin was introduced in 1934 by The Ted Bates Advertising Agency. During the time there were several other cartoonish spokespersons like Kellog’s Snap, Crackle & Pop, Reddy Kilowatt, and the Campbell’s Kids. Willie’s product line included salt and pepper shakers, ash trays, holders for wooden matches, lighters, and when air-conditioning was introduced, a version was created to suggest customers to enter a storefront because it was “Kool” inside. It has also been debated that a picture of Willie wearing a top hat was the inspiration for the Penguin character in Batman. Regardless, Willie appeared in his own comic books after he was licensed by Standard Comics for six issues, with the cigarette brand dropped from the title. By the ’60s, however, the company had shifted advertising focus and opted for wintry outdoor scenes to promote their business. (Miller Fenwood with thanks) Materials: Lacquered and color plastic, metal, electric cord and enamel. Year: 1934-1940. Weight: 1.5 Pounds, (0.68 Kg.). Measurements: 89 mm by 114 mm by 223 mm (3.5 x 4.25 x 8.75 Inches). Marks: "KOOL MILD MENTHOL CIGARETTES". Note: This lighter is empty of any flammable, gas or butane substances and is ready to be ship by any carrier. This lighter just need a new flint and proper lighter fluid. Was tested and is in working condition. Note: This is an electric novelty advertising lighter, is a very old vintage Tobacciana...

Willie Kool desk-table petrol lighter. This is a beautiful bar or desk petrol lighter, created as a promotional item by the Kool Cigarette Company, back in the 1938. The sculptural and elusive lighter has been crafted with the iconic figure of the company Willie Kool, in solid steel and decorated with green, black and white paint. The figural penguin is in pretty very good shape, in working condition and should be a gorgeous addition to any collection. This will be a great conversation item. Willie The Penguin Willie the penguin was introduced in 1934 by The Ted Bates Advertising Agency. During the time there were several other cartoonish spokespersons like Kellogg’s Snap, Crackle & Pop, Reddy Kilowatt, and the Campbell’s Kids. Willie’s product line included salt and pepper shakers, ash trays...

Subversion and Surrealism in the Art of Honoré Sharrer by M Melissa Wolfe, Sarah Burns and Robert Cozzolino. 1st Ed hardcover with dust jacket. Yale Univer...

An antique visual aid of a longitudinal bone cut of the elbow. Genuine bone mounted on cardboard with hand-painted structure of muscles, bursae and tendons. With German explanation. ...