Yoshitomo Nara

The first complete illustrated bibliography of 1,000 iconic photobooks created by members of the renowned photo agency This fascinating in-depth survey brings Magnum's history alive through the genre of the photobook, an essential vehicle for photographers to share their work. Its pages include unpublished behind-the-scenes material, together with ephemera from the photographers' archives about the making of their books. With an introduction by Fred Ritchin and texts by Carole Naggar, this book explores the evolution of the photobook, as well as the important role that Magnum has played in the history of documentary photography. "If the photographic life were a treasure hunt, The Magnum Photobook is a rightfully vaunted treasure chest. Fred Ritchin and Carole Naggar's introduction expanded my understanding of how the photobook, as expressed early and continuously by Magnum photographers, plays a critical role in defining and expressing a photographer's voice beyond the settings of assignment-based work. Then learning about the creation of each book is the richest of rewards, made all the more so by a final section of the book that shows the early iterations of many of the photobooks. This book about books is one that I must have in the library." —Mike Davis...

Byzantine art established the images of the Christian religion that are still current today: the appearance, dress and attributes of Biblical figures all owe their invention to these early artists. The Byzantine Empire spanned the fourth to the fifteenth century, bridging the Middle Ages from the late Roman Empire to the early Renaissance, and of all the world's empires, it is most clearly defined by its art. Presenting 300 artworks from the years 240 to 1453, The Glory of Byzantium and Early Christendom encapsulates the development of art in eastern Europe and eastern Mediterranean from the very early days of Christianity to the fall of Constantinople. Even when a more secular art developed during the early Renaissance, Byzantine art lived on as the dominant style for religious art, particularly in the Orthodox East. Nevertheless, a perception of Byzantine art as purely religious is misleading: while it included the production of glorious icons, it also encompassed metalwork, architecture, sculpture, wall painting and mosaics, but secular and Christian. From architecture to jewellery, from coins to paintings, from mosaics to book illuminations, the book explores Byzantine art in all its forms. Unique not only for its extensive variety of art forms, the book also has a vast geographic Scope, including art from Britain to Syria, from Spain to Turkey, from Egypt to Georgia. An introductory essay by Antony Eastmond summarizes the essence of Byzantine and early Christian art...

From the lens of Magnum's Abbas - the mystical world of the Hindu revealed, from ancient rites to contemporary beliefs This latest in Abbas's transcendent series of books on major w...

The rebel artists of Vienna overwhelmed the artistic establishment of Europe at the end of the 19th century, having seceded from the traditional Viennese institutions of fine art and named themselves the Vienna Secession. Their works shocked a conservative public, but their daring sensibilities and dedication to the applied arts and architecture soon brought them an enthusiastic following and wealthy patronage. The boldly modernist paintings of Gustav Klimt, Egon Schiele, Oskar Kokoschka and others were matched by the buildings and applied designs of architects such as Joseph Maria Olbrich, who created the Secession Building as an architectural manifesto for the group. This classic book, now updated and with additional colour illustrations and a completely new introductory chapter, brilliantly traces the course of this influential artistic movement.

Contents and sections:

Introduction

Vienna 1900

Secession The Beginnings The First Exhibition The Dedication of the House: Second Exhibition Ver Sacrum III–VI Exhibitions The ‘Klimt Affair’ – The University Paintings Exhibitions 1900–1902 Beethoven 1902 XVI–XVIII Exhibitions, 1903 The Split within the Secession Architecture and the Applied Arts The Ringstrasse and the Architecture of Historicisim Otto Wagner, 1841–1918 Joseph Maria Olbrich, 1867–1908 Josef Hoffmann, 1870–1956 The Wiener Werkstätte Palais Stoclet – The Stoclet Frieze Kabarett Fledermaus Alfred Roller, 1864–1935 Hoffmann’s Later Work Adolf Loos, 1870–1933 Kunstschau 1908 – 1909: The Early Work of Kokoschka and Schiele Kunstschau 1908 Oskar Kokoschka, 1886–1980 Richard Gerstl, 1883–1908 Kunstschau 1909 – Vienna before the War...

Shin Azumi Nara Coat Stand was designed by Shin Azumi as way to utilise the off cuts from production of the Nara chair. The result is a sculptural obje...

Rare 18th C, Map titled "A plan of the town of Newport in the province of Rhode Island". Earliest printed plan of Newport, published for the use of the British just prior to their o...

Rare noon day gun cannon sundial by Abercrombie & Fitch circa 1910. Unique garden instrument which fires a small signal charge when the magnifying glass...

Rare oversized Stormoguide barometer by Short & Mason circa 1930. Possibly made as a store display, this barometer's 12-1/2" dial is over twice the size of the more commonly found St...