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Audrey Werner, Iron and 18-Karat Sterling Silver Torque, United States, 2000

$4,500
£3,461.70
€4,018.05
CA$6,346.07
A$7,108.67
CHF 3,733.73
MX$86,439.15
NOK 47,281.22
SEK 44,882.59
DKK 29,988.26

About the Item

Seamlessly mixing influences from around the world, Werner works with oft-overlooked materials--including her signature black iron--to create bold pieces of striking beauty. "I am amazed how something beautiful can be created out of something not at all precious," Werner says.
  • Creator:
    Audrey Werner (Jeweler)
  • Dimensions:
    Height: 1.25 in (3.18 cm)Width: 5 in (12.7 cm)Depth: 4.75 in (12.07 cm)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    2000
  • Production Type:
    New & Custom(Current Production)
  • Estimated Production Time:
    7-8 weeks
  • Condition:
  • Seller Location:
    New York, NY
  • Reference Number:
    Seller: WERNA 171stDibs: LU781321387412

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Audrey Werner, Anticlastic 18-Karat Sterling Silver Torque, United States, 2002
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Audrey Werner has always been interested in the different ways people around the world, and throughout history, have adorned themselves. As a child, she would make jewelry from everything she could find—from beads to rocks, wire, and seeds. In 1992 she enrolled in classes at fit with an eye toward expanding her knowledge of metal, and, from this point onward, was hooked. Later that same year, she landed an apprenticeship with the jeweler Gregg Wolf. Werner soon became his assistant, a position she would hold for the next two years while establishing her own practice. Another influence on Werner’s work came from a seemingly unexpected place. In 1996 she was sharing a studio with jeweler Philip Crangi...
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Audrey Werner, Iron and Sterling Silver Fin Ring, United States, 2003
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Audrey Werner, Anticlastic 18-Karat Sterling Silver Cuff, United States, 1996
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Audrey Werner has always been interested in the different ways people around the world, and throughout history, have adorned themselves. As a child, she would make jewelry from everything she could find-from beads to rocks, wire, and seeds. In 1992 she enrolled in classes at FIT with an eye toward expanding her knowledge of metal, and, from this point onward, was hooked. Later that same year, she landed an apprenticeship with the jeweler Gregg Wolf. Werner soon became his assistant, a position she would hold for the next two years while establishing her own practice. Another influence on Werner’s work came from a seemingly unexpected place. In 1996 she was sharing a studio with jeweler Philip Crangi...
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