Chinese Nyonya Peranakan set of belt with buckle and bracelet, ca 1900

Austro-Hungarian golden brooche, Vienna, ca 1900 An Austro-Hungarian 14 carat golden brooche with 24 emeralds and an oval cut ruby ​​in the center. The gold brooch has a hammered su...

French miniature Breton Doll furniture, ca 1900 Oak wooden set with a hand-carved classic symbols of Breton design, including pinwheels, ball and stick, and incised flowers. Britta...

African Malachite set pendants and bracelet, 1970s African Malachite pendants in various sizes and a brass bracelet with Malachite. Set of 11 pieces, of which 4 are mask shaped pen...

Bisque doll by Simon & Halbig for Kämmer Reinhardt, Germany, ca 1900 A lovely bisque doll of 60 cm long with moving eyes, giving her a flirty look. She wears an antique European lac...

Two-piece belt buckle in sterling silver. Made in Woshing Shanghai circa 1910. It depicts samurais riding on Foo Dogs/Lions on a matte textured background. Very fine details and clea...

A wide leather belt with large sterling silver buckle crafted by Graziella Laffi (1923-2009), Lima, Peru, circa 1960-70s. The bespoken sculptural silver buckle features a biomorphic motif rooted in pre-Columbian culture. Marked: PERU, 950. The buck measures 5.75 x 5 x 2 inches and weighs about 126 grams (4.0511 troy ounces). The detachable belt consists of two parts is adjustable from approximately 33 inches to 36 inches. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

Henry Matthews sterling silver and enamel belt, shoe buckles and button set for Alexander Clark Manufacturing Company, London, England.

A wide leather belt with sterling silver buckle and matching ornaments crafted by Graziella Laffi (1923-2009), Lima, Peru, circa 1965. The prominent silver articles feature the shape and motif rooted in pre-Columbian culture that inspired the artist's work. Mark on verso: PERU 950, extended size is 47 x 3 inches (119.4 x 7.6 cm) and weight is about 428 grams. Belt length adjustable between 27 to 38 inches. This lot with partially effaced Peruvian Cultural Ministry label to verso. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...