Hand-hammered Sterling Sculptural Necklace or Choker by Jan Arenhill, 1969

Christopher dresser. Silver plate cruet holder. Hukin & Heath, United Kingdom, circa 1878. Silver plate. Dimension: 5 W x 3.25 D x 8.5 H inches. ...

"Starry Sky" ceiling light, Model 9068. Finland, circa 1950s. Manufactured and stamped [Idman]. Painted aluminum and metal with glass diffuser.

Marta Maas-Fjetterström. "Blå Rektangeln (Blue Rectangular)" pile carpet, Sweden, 1928. Handwoven wool. Measures: Length circa 335 cm, width circa 205 cm. Mar...

Edward Wormley, two armchairs, and four side chairs. Dunbar, USA. Mahogany and leather. Signed with applied gold rectangular metal manufacturer's label to the seat bottom [Dunb...

From the Estate of Burt Lancaster in Beverly Hills CA, hammered sterling cuff choker necklace with malachite - a stunning necklace, rigid, modern and architectural. A true statement,...

A bespoken sterling silver chocker necklace very bold design by Graziella Laffi (1923-2009), Lima, Peru, circa 1970s. The chocker features six subtly hammered roundels radiating into a trio of Axe-shaped fixed pendants, with two smaller ones flanking a large central one. The shape of the axe was often found in the Pre-Columbian art. As a bronze age tool, it symbolizes power. The necklace is not chain link but cast and joined as a solid chocker with box clasp mechanism. The design radiates a sense of history with the primitive tribal geometry in form, yet the necklace appears beyond ethnic, it exuberates a confident and bold modernistic aesthetic. The drop of the necklace on the mannequin (not included) is 11". It has an approximate 16" circumference and weighs 320 grams (10.3 troy ounces). It was tested as 900 purity with XRF analyzer. There is a Peruvian Cultural Ministry label applied and a catalog sticker on verso as shown. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

Fabulous Austrian Hungarian hammered sterling- rose diamond and sapphire cigarette and match holder. Gilded inside has a decorative monogram on the on the back.

A bespoken sterling silver jewelry suite of bold design by Graziella Laffi (1923-2009), Lima, Peru, circa 1970s. The set consists of a highly sculptural choker necklace and a pair of...