Hand-hammered Sterling Sculptural Necklace or Choker by Jan Arenhill, 1969

Christopher dresser. Silver plate cruet holder. Hukin & Heath, United Kingdom, circa 1878. Silver plate. Dimension: 5 W x 3.25 D x 8.5 H inches. ...

Paavo Tynell chandelier Model K2-10 Manufacture: Idman, Finland, circa 1955. Enameled steel, glass, brass. Measures: 9 diameter x 15 height inches.

Tapio Wirkkala. Set of silver pitchers and cups, 18 pieces. Kultakeskus Oy, Hämeenlinna, Finland. Marked with makers mark, Finnish assay mark, 925H, Hämeenlinna town mark, ye...

Paavo Tynell Counter Balance, model NM 348 Taito Oy brass, glass, steel wire Measures: 54 height × 7.5 diameter inches Height is adjustable. The cord could be added for length.

AMBIANIC presents Mexican Hand Hammered Sterling Silver Torc Collar Necklace Choker 4.75 w x 6 h .925 silver stamped Preowned vintage Refer to images listed please

Stunning Scandinavian Sterling Modernist Collar Necklace, Denmark C.1970. The hand hammered Necklace of large undulating slightly off set form, bezel...

Scandinavian modern silver necklace and with moving "fringe" elements ending in small balls. Made at the Eksjo studio in 1972, Sweden. Stamped on reverse. Chain total length: 24". ...

A bespoken sterling silver chocker necklace very bold design by Graziella Laffi (1923-2009), Lima, Peru, circa 1970s. The chocker features six subtly hammered roundels radiating into a trio of Axe-shaped fixed pendants, with two smaller ones flanking a large central one. The shape of the axe was often found in the Pre-Columbian art. As a bronze age tool, it symbolizes power. The necklace is not chain link but cast and joined as a solid chocker with box clasp mechanism. The design radiates a sense of history with the primitive tribal geometry in form, yet the necklace appears beyond ethnic, it exuberates a confident and bold modernistic aesthetic. The drop of the necklace on the mannequin (not included) is 11". It has an approximate 16" circumference and weighs 320 grams (10.3 troy ounces). It was tested as 900 purity with XRF analyzer. There is a Peruvian Cultural Ministry label applied and a catalog sticker on verso as shown. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...