Perfume burner / Incense burner - oriental ottoman - brass - 18th century

Bucket burns perfume in bronze resting on three feet. The body is sculpted with a band frieze with an archaic motif. Two inverted U-shaped handles punctuate the edge. This type of bronze bucket was cast with lost wax from molds in several parts and assembled when the piece was poured, these are the traces that can be seen on the back of the bucket. . The bronze has a beautiful green and dark gray excavation patina. This perfume burner was originally to have longer feet, no doubt arched, cut very long ago since the place of the cut has the same patina as the rest of the piece. China Zhou Dynasty...

Very large lock mechanism in forged iron and handcut, formerly painted black. All the elements are riveted, some rivets are extensions of the cups This lock most likely comes from a church or castle door...

Faisandiere or Daubiere or Chaponniere, Louis XIV, oval tripod in bronze, with a crenellated lid with a U-shaped handle, from the end of the 17th / beginning of the 18th century. Su...

Superb Spanish painted and gilt wood flambeau of the 18th century The lower half of the flambeau is hand carved with vegetal and acanthus decoration and the upper part of the body i...

1950s continental incense burner in brass. The plain design testifies that it has been in use. Age consistent ware and patina are present to both the burner and pendulum chain.

This is an incredibly unique pair of incense torches from Italy that have recently been fitted with new metal bases so they may stand-up alone. Made of painted metal and wood that’s ...

Naveta. Silver. Possibly Portugal, 18th century. Base with counterweight. With hallmarks. Naveta with oval foot decorated with relief elements and moldings, balustrade foot and body with light boat shape, presenting a hinged lid in the front, a widening in the lower area towards the foot and a decoration distributed throughout the exterior base of rockery motifs and plant elements (the same theme is presented on the foot and base) on a background of chopped luster, with an angel's head on two wings in relief towards the peak, accompanied by plant elements (the which protrude from the edge of the lid). Although the shape of the piece follows in general lines the most usual prototypes in these incense containers used in the liturgy, it is necessary to indicate that it was more frequent to find them more similar to a ship. The naveta's belonging to the influence of Rococo is clear both for the lines of the object and for the decoration to which reference has already been made (pebbles, plant elements with movement, volutes with pronounced curves, contrasts between concave and convex lines ... ), as well as it is possible to find some points in common with Portuguese works (presents an auction with an angel head in relief a silver naveta with a spoon by Leandro Gagliardi made in Rome between 1744 and 1750 that is preserved in the Museum of Sao Roque of Lisbon in Portugal, compare with the silver plated censer that the same master made between 1749 and 1751 for the Chapel of San Juan Bautista of the Church of San Roque in Lisbon). The contrast marks present in the upper part of the naveta (the "capitalized" letters in a rectangular space), although it should also be noted that this work does not follow the most striking typology of navetas related to this center (naveta de 18th century silver from the Church of Alcántara de Maranhao, Brazil; naveta by Sebastiao Bernardes dos Santos, dated 1747 from Sé do Funchal, which is kept in the Museu de Arte Sacra Do Funchal in Madeira Portugal...

- Quirky bronze Chinese temple incense burner - In the shape of a dragon turtle creature out of which sprouts the cranes - Good size at over three feet tall - 96 cm - Would have p...