Erard Grand Piano Egyptian Revival Neoclassical Style by William Lomax Walnut

Albert Gast upright piano with a quartered, walnut case and ornate, brass candlesticks. Entire cabinet inlaid in neoclassical designs. Piano has an eighty-eight keyboard and two pedals. Front panel features inlay of a central urn surrounded by scrolling acanthus and flowers. The cabinet pilasters are carved Corinthian style with a palmette flourish. The scroll piano cheeks are carved with curlicue strapwork and inlaid with foliage and flowers. The piano legs...

Empire style, 1901, Ibach model 2 grand piano with a mahogany case and gate legs. Entire cabinet decorated with ormolu mounts depicting classical scenes of gods, goddesses and wreaths. This piano is one of 12 unique instruments made as exhibition models...

This Erard parallel-strung grand piano, crafted in Paris in 1845 (serial number: 18725), has been extraordinarily well-tended, restored and maintained, enduring today as not only a spectacular example of the pinnacle of 19th Century piano design - characterized by its innovative construction and exceptional sonoral qualities - but also as a premium instrument by the most advanced modern standards, concert-ready for world-class, discriminating performers and their audiences. Erard was a renowned piano manufacturer established by Sébastien Erard, and for much of the 19th Century, the company produced some of the most exquisite and innovative European pianos of the era. The sound produced by this parallel-strung grand piano is characterized by a clarity and transparency that distinguishes it from its contemporaries. The parallel arrangement of strings contributes to a more direct transfer of sound energy, resulting in a balanced and articulate tone across the instrument's registers. This piano's tone is beloved for its sweetness in the treble range and a robust quality in the bass, while also allowing for an especially nuanced and expressive interpretation of the musical repertoire of its era. The ebony and ivory keyboard is a testament to the meticulous attention Erard paid to the tactile experience of playing. Each key is precision-weighted, providing a responsive touch that allows the pianist to articulate a wide range of dynamics and expressiveness. An interior faux tableau latches to the outer case lid in an open position for maximum concert volume, and rests in a lowered position to maintain a softer, more muted experience. The year 1845 places this Erard instrument in the heart of the Romantic era, a period marked by a surge in musical creativity and emotional expression. Composer/performers like Chopin and Liszt were drawn to Erard grand...

Beautiful and important wooden memorial temple covered in faux marble. From the purest neoclassical form, this Grand Tour piece of furniture is a classic piece of furniture of grea...