Grand piano. Walnut, metal, etc. Patent Erard London. London, England, possibly

Replica of carriage. Wood, metal, etc. 20th century. Four-wheeled carriage with hood and open seat, inspired by antique models and painted in red. · Size: 210x123x175 cms. Con ba...

Upright piano. Towards the beginning of the 20th century. Upright or wall piano with a wooden body with marquetry elements on the central panel of the uppe...

This Erard parallel-strung grand piano, crafted in Paris in 1845 (serial number: 18725), has been extraordinarily well-tended, restored and maintained, enduring today as not only a spectacular example of the pinnacle of 19th Century piano design - characterized by its innovative construction and exceptional sonoral qualities - but also as a premium instrument by the most advanced modern standards, concert-ready for world-class, discriminating performers and their audiences. Erard was a renowned piano manufacturer established by Sébastien Erard, and for much of the 19th Century, the company produced some of the most exquisite and innovative European pianos of the era. The sound produced by this parallel-strung grand piano is characterized by a clarity and transparency that distinguishes it from its contemporaries. The parallel arrangement of strings contributes to a more direct transfer of sound energy, resulting in a balanced and articulate tone across the instrument's registers. This piano's tone is beloved for its sweetness in the treble range and a robust quality in the bass, while also allowing for an especially nuanced and expressive interpretation of the musical repertoire of its era. The ebony and ivory keyboard is a testament to the meticulous attention Erard paid to the tactile experience of playing. Each key is precision-weighted, providing a responsive touch that allows the pianist to articulate a wide range of dynamics and expressiveness. An interior faux tableau latches to the outer case lid in an open position for maximum concert volume, and rests in a lowered position to maintain a softer, more muted experience. The year 1845 places this Erard instrument in the heart of the Romantic era, a period marked by a surge in musical creativity and emotional expression. Composer/performers like Chopin and Liszt were drawn to Erard grand...

Antique map titled 'Warwicum, Northhamtonia, Huntingdonia, Cantabrigia, Suffolcia, Oxonium, Buckinghamia, Befordia, Harfordia, Essexia, Berceria, Middlesexia, Southhatonia, Surria, Catiu & Southsexia'. Old map of south east England. Includes London, Salisbury, Oxford, Cambridge, Leicester and Norwich and the Isle of Wight. Originates from the 1633 German edition of the Mercator-Hondius Atlas Major, published by Henricus Hondius and Jan Jansson under the title: 'Atlas: das ist Abbildung der gantzen Welt, mit allen darin begriffenen Laendern und Provintzen: sonderlich von Teutschland, Franckreich, Niderland, Ost und West Indien: mit Beschreibung der selben.' Artists and engravers: Gerard Mercator (1512 - 1594) originally a student of philosophy was one of the most renowned cosmographers and geographers of the 16th century, as well as an accomplished scientific instrument maker. He is most famous for introducing Mercators Projection, a system which allowed navigators to plot the same constant compass bearing on a flat map.