Mid-19th Century Musical Instruments
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Period: Mid-19th Century
Erard Parallel-Strung Grand Piano, Paris, 1845
Located in Littleton, CO
This Erard parallel-strung grand piano, crafted in Paris in 1845 (serial number: 18725), has been extraordinarily well-tended, restored and maintained, enduring today as not only a spectacular example of the pinnacle of 19th Century piano design - characterized by its innovative construction and exceptional sonoral qualities - but also as a premium instrument by the most advanced modern standards, concert-ready for world-class, discriminating performers and their audiences.
Erard was a renowned piano manufacturer established by Sébastien Erard, and for much of the 19th Century, the company produced some of the most exquisite and innovative European pianos of the era.
The sound produced by this parallel-strung grand piano is characterized by a clarity and transparency that distinguishes it from its contemporaries. The parallel arrangement of strings contributes to a more direct transfer of sound energy, resulting in a balanced and articulate tone across the instrument's registers.
This piano's tone is beloved for its sweetness in the treble range and a robust quality in the bass, while also allowing for an especially nuanced and expressive interpretation of the musical repertoire of its era.
The ebony and ivory keyboard is a testament to the meticulous attention Erard paid to the tactile experience of playing. Each key is precision-weighted, providing a responsive touch that allows the pianist to articulate a wide range of dynamics and expressiveness.
An interior faux tableau latches to the outer case lid in an open position for maximum concert volume, and rests in a lowered position to maintain a softer, more muted experience.
The year 1845 places this Erard instrument in the heart of the Romantic era, a period marked by a surge in musical creativity and emotional expression. Composer/performers like Chopin and Liszt were drawn to Erard grand...
Category
French Romantic Antique Mid-19th Century Musical Instruments
Materials
Wood
Erard Grand Piano Egyptian Revival Neoclassical Style by William Lomax Walnut
Located in Leeds, GB
An 1861, Erard grand piano with an ornate burr walnut, black and gilt cabinet. Piano casework features Egyptian Revival and Neoclassical elements. Th...
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English Neoclassical Antique Mid-19th Century Musical Instruments
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Porcelain, Walnut, Giltwood
Charles Bruguier singing bird box, fusee movement, silver gilt and enamel case
Located in London, GB
Antique Bruguier fusee singing bird box in silver gilt and enamel. First quality Swiss fusee singing bird box by Bruguier in silver gilt and hand painted enamel in perfect condition....
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Antique Mid-19th Century Musical Instruments
Materials
Silver, Enamel
Important Ormolu-Mounted Amaranth, Kingwood and Satine Parquetry Grand Piano
By Henry Dasson
Located in New York, NY
Attributed to Henry Dasson (d. 1896)
Origin: French
Date: circa 1885-q890
Dimension: (H) 35 1/4 in x (W) 54 in x (W) 78 in.
Provenance: Acquired by Dr. J. T Nieto-Gomez from fi...
Category
French Louis XVI Antique Mid-19th Century Musical Instruments
Materials
Bronze
Grand Format Four Overture Antique Cylinder Music Box by Nicole Freres, c. 1865
Located in London, GB
A rare and spectacular grand format four overture cylinder music box made by the prestigious firm of Nicole Freres in Geneva, Switzerland in c. 1865. Musically sumptuous, visually st...
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Swiss Victorian Antique Mid-19th Century Musical Instruments
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Brass, Enamel
Fine Antique William IV circa 1830 Hardwood Piano Stool with Decorative Base
Located in West Sussex, Pulborough
We are delighted to offer for sale this stunning hand carved William IV circa 1830 Hardwood Piano stool
A very good looking and well-made piano stool, its exactly what collectors ar...
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English William IV Antique Mid-19th Century Musical Instruments
Materials
Upholstery, Hardwood
Old Tibetan Bronze Bell or Cymbal
Located in Alessandria, Piemonte
Antique Bronze bell or Cymbal, hand hammered - Tibet - half XIX century - can be hung from the ceiling, hanging and hitting it.
CYMBAL is a percussion instrument. Now it is used in m...
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Tibetan Tibetan Antique Mid-19th Century Musical Instruments
Materials
Bronze
Musicians and Bajadere Dancers from Pondicherry, India, ca.1845
Located in Langweer, NL
Antique print titled 'Bajaderen von Pondichery, Bajadères de Pondichery'.
This print depicts musicians from Pondicherry, India.
Europeans referred to exotic Indian dancers as...
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Antique Mid-19th Century Musical Instruments
Materials
Paper
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C. Bechstein Pianofortefabrik
C. Bechstein Pianofortefabrik AG (also known as Bechstein) is a German manufacturer of pianos, established in 1853 by Carl Bechstein.
Before Bechstein
Young Carl Bechstein studied and worked in France and England as a piano craftsman, before he became an independent piano maker. His first pianos were made for other companies.
C. Bechstein
C. Bechstein piano factory was founded on 1 October 1853 by Carl Bechstein in Berlin, Germany.
Carl Bechstein set out to manufacture a piano able to withstand the great demands imposed on the instrument by the virtuosi of the time, such as Franz Liszt. In 1857, Hans von Bülow (Liszt's son-in-law) gave the first public performance on a Bechstein grand piano by performing Liszt's Piano Sonata in B minor in Berlin
By 1870, with endorsements from Franz Liszt and Hans von Bülow, Bechstein pianos had become a staple in many concert halls and private mansions. By that time three piano makers, all of which were founded in 1853, became established as the industry leaders across the world: Bechstein, Blüthner and Steinway & Sons.
In 1881 Bechstein began supplying pianos to Queen Victoria. A gilded art-case piano was delivered to Buckingham Palace, followed by several more Bechstein pianos to Windsor Castle and other royal residences. By January 1886 they were among the piano manufacturers holding a Royal Warrant as a supplier to the Queen. Several British embassies across the world acquired Bechstein pianos.
In 1885, Bechstein opened a branch in London, that eventually grew to become the largest showroom and dealership in Europe. By 1890 showrooms had been opened in Paris, Vienna, and Saint Petersburg. On 31 May 1901, Bechstein Hall, built at a cost of £100,000, was opened next to the company's London showroom at 36-40 Wigmore Street. Between 1901 and 1914, C. Bechstein was the largest piano dealership in London. At that time, Bechstein was patronized by the tsars of Russia, the royal families of Spain, Belgium, the Netherlands, Italy, Sweden, Norway, Austria and Denmark, and other royalty and aristocracy. The list of royal clients of Bechstein may be found on the soundboard of vintage Bechstein pianos made before the Second World War. The list is part of the original Bechstein trademark logo; it can be seen under the strings in the center of a piano's soundboard.
The signature of Carl Bechstein
The years from the 1870s through 1914 brought Bechstein their most dramatic increase in sales. In 1880 a second Bechstein factory was opened in Berlin, and the third factory was opened in 1897 in Berlin-Kreuzberg. Production reached 3,700 pianos annually in 1900, and 4,600 in 1910, making Bechstein the largest German manufacturer of high-end pianos. At that time, about three quarters of production went to international markets, especially Britain and the Commonwealth, and Russia.
Carl Bechstein died in 1900, and the Bechstein company continued to operate under the management of his sons.
Between 1900 and 1914 C. Bechstein was one of the leading piano makers in the world, employing 1,200 craftsmen and workers by 1913 and making five thousand pianos per year.
First World War
C. Bechstein suffered huge property losses in London, Paris, and St. Petersburg during World War I. The largest loss was in London. Although the company's position in the United Kingdom was initially unaffected, with the company still listed as holding a Royal Warrant in January 1915, Warrants to both King George V, and his wife Queen Mary were cancelled on 13 April 1915. Bechstein was not the only musical concern to be affected by growing anti-German sentiment: there were earlier attempts, led by William Boosey, to boycott German music altogether. In 1915, despite being a Baronet and Privy Counsellor, Sir Edgar Speyer, who was then funding the Proms, was forced to leave the country. Following the passing of the Trading with the Enemy Amendment Act 1916 the British arm of the company was wound-up on 5 June 1916, all Bechstein property, including the concert hall and showrooms full of pianos, were seized as "enemy property" and closed. In 1916 the hall was sold as alien property at auction to Debenhams for £56,500. It was renamed Wigmore Hall, and then re-opened under the new name in 1917. All 137 Bechstein pianos at the Bechstein showrooms were confiscated too, and became property of the new owner of the Hall. After a dispute with his brother, Edwin Bechstein left the company and was paid off.
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