Wonderful Turn of the Century Gilt Bronze Mounted Six-Leg Grand Erard Piano

A Very Special and Palatial Early 20th Century Louis XV Style Gilt Bronze Mounted Mahogany and Bois Satine Parquetry Bureau a Cylindre By François Linke François Linke – Index Numbe...

An exceptional and rare late 19th century gilt bronze mounted Louis XV Style Bureau Plat Attributed to Zwiener Attributed to Joseph Zwiener The serpentine case with a rectangular top with gilt-tooled leather writing-surface within a molded border above a quarter-veneered frieze, three drawers to the front and three simulated drawers to the reverse each flanked by a large putto, the sides centered with a fine bronze Apollo mask, the cabriole legs mounted with sea shell bronze designs with foliate-cast sabots. Born in Herdon, Germany, in 1849, Joseph Emmanuel Zwiener followed the tradition of some of the best ébnistes of the nineteenth century. He moved to Paris establishing a workshop at 12, rue de la Roquette, between 1880 and 1895. He produced a wide array of the very finest furniture, modelling in his own interpretations of the eighteenth century Louis XV Rococo style, veneered with the highest and finest quality marquetry and ‘Vernis Martin’ panels. Exhibiting at the Exposition Universelle, Paris, in 1889, Zwiener was awarded a gold medal for what the jury reported as ‘dè ses dèbuts à une Exposition Universelle, [il] s’est mi au premier rang par la richesse, la hardinesse, et le fini de ses meubles incrustés de bronze et fort habilment marquetés.’ Zwiener was closely associated with François Linke, and the two houses produced work which, at first glance, is remarkably similar and with occasionally identical mounts. The similarities are made more likely by the fact that the brilliant sculptor, Léon Messagé, worked initially for Zwiener and subsequently, upon Zwiener’s departure for Berlin to work on furniture commissioned by Freidrich Wilhelm II , he was employed in the workshop of François Linke. It appears that Zwiener, unlike Linke, did not sign all his work, although some stamped pieces with his name and/or his “Z” initial are documented. There is some uncertainty between the recorded stamp E. Zwiener and the work of a Julius Zwiener...

An Exquisite Late 19th Century Louis XVI Style Gilt Bronze Mounted Inlaid Marquetry and Parquetry Bureau a Cylindre The stepped rectangular top with pierced three quarter gallery ab...

A Nice Late 19th Century Louis XV Style Gilt Bronze Mounted Bureau Plat The rectangular top with gilt-tooled leather writing-surface within a molded border, above a quarter-veneered serpentine frieze, three drawers to the front and three simulated drawers to the reverse, each drawer with acanthus scroll handles, the sides centered with a floral motif, the cabriole legs mounted with sea shell bronze...

This Erard parallel-strung grand piano, crafted in Paris in 1845 (serial number: 18725), has been extraordinarily well-tended, restored and maintained, enduring today as not only a spectacular example of the pinnacle of 19th Century piano design - characterized by its innovative construction and exceptional sonoral qualities - but also as a premium instrument by the most advanced modern standards, concert-ready for world-class, discriminating performers and their audiences. Erard was a renowned piano manufacturer established by Sébastien Erard, and for much of the 19th Century, the company produced some of the most exquisite and innovative European pianos of the era. The sound produced by this parallel-strung grand piano is characterized by a clarity and transparency that distinguishes it from its contemporaries. The parallel arrangement of strings contributes to a more direct transfer of sound energy, resulting in a balanced and articulate tone across the instrument's registers. This piano's tone is beloved for its sweetness in the treble range and a robust quality in the bass, while also allowing for an especially nuanced and expressive interpretation of the musical repertoire of its era. The ebony and ivory keyboard is a testament to the meticulous attention Erard paid to the tactile experience of playing. Each key is precision-weighted, providing a responsive touch that allows the pianist to articulate a wide range of dynamics and expressiveness. An interior faux tableau latches to the outer case lid in an open position for maximum concert volume, and rests in a lowered position to maintain a softer, more muted experience. The year 1845 places this Erard instrument in the heart of the Romantic era, a period marked by a surge in musical creativity and emotional expression. Composer/performers like Chopin and Liszt were drawn to Erard grand...

This piano was made in the Hamburg Steinway & Sons factory and decorated in France. It is a beautiful instrument. As with most pianos, special shipping will be needed.

This beautiful grand piano was built by Erard in Paris in 1895. With irreplaceable original cabinet art created and signed by an artist named Finel - specifically commissioned by th...

Attributed to Henry Dasson (d. 1896) Origin: French Date: circa 1885-q890 Dimension: (H) 35 1/4 in x (W) 54 in x (W) 78 in. Provenance: Acquired by Dr. J. T Nieto-Gomez from fi...