Cannocchiale ottone e cuoio con messa fuoco a due allunghi Inghilterra 1870 circ

Bussola nautica da tasca in ottone, firmata 5m LANCERS COMPASS, manifattura inglese degli anni venti. La bussola è dotata di coperchio e di anello per la catenella. Rosa su carta a o...

Grande bozzello in legno e acciaio con puleggia in legno duro cassetta, ovoidale in legno con una cavatoia apribile in parte con cerniera e gancio di chiusura, nella quale è imperni...

Bussola da rilevamento magnetico, firmata Medium Landing Compass N. 1738 H Inghilterra anni quaranta. Sulla Rosa dei venti, completa di cerchio goniometrico è raffigurato lo stemma ...

Rara bussola nautica e orologio solare insieme, manifattura inglese della prima metà del XIX secolo, alloggiata in una scatola tornita in ottone completa di coperchio a vite. Rosa a sedici venti su carta da incisione su lastra di rame, meridiana in ottone con incise le ore diurne in numeri romani e gnomone mobile al centro. Orientando la bussola verso nord...

A very pleasing set of thirty-seven volumes in uniform leather bindings of the works of Edward Bulwer-Lytton. The works of Edward Bulwer-Lytton, a stunning collection in thirty-seve...

Grande appendiabiti da parete interamente in legno con quattro appendini in ottone lavorati e decorati. Il mobile si presta benissimo per ingressi o saloni, adattabile ad ogni gener...

Alta quasi 51 inches, questa grande bilancia italiana del XIX secolo è realizzata con un capitello corinzio intagliato a motivi folgiati, scolpito con foglie di acanto e laccato, u...

This Pleyel concert grand piano crafted in Paris in 1870 is a timeless masterpiece that embodies the elegance and craftsmanship of 19th-century French piano manufacturing. Pleyel instruments are renowned for their exceptional quality and rich musicality, representing the pinnacle of piano design in the Romantic era, and this piano – an early example of the technological innovation of cross-stringing that was burgeoning during the period – is one in a series of only six ever produced. This piano is in extraordinarily immaculate condition with nearly every original part, including the soundboard, pristine ivory keys, and the brass inlay in its beautifully figured walnut cabinet. Candle stands slide forward on either side of the collapsable music desk. This piano was first purchased by the French Count Charles Étienne Gustave Le Clerc, count of Juigné (1825-1900), one of the wealthiest landowners in Brittany and a member of the French National Assembly, later a member of the House of Representatives, and in late life, the Senate. The piano was restored in 1997 at Maison Erard by master restorationist Frits Janmaat in Amsterdam, and later conditioned by Edwin Beunk. In recent years, some of Europe's finest historically-informed musical artists played this Pleyel in PBS concert performances in collaboration with the late Sergiu Luca. Standing on substantial carved legs and brass wheels, the piano exudes a majestic presence through the graceful lines of its Second Empire style cabinet that embodies the period's aesthetics. The keyboard, meticulously crafted from ivory and ebony, is a testament to the attention to detail in every aspect. Its 85 keys...