Rare Copper Engraving of Female with Five Breasts Lactating onto Others, 1686

Antique map Myanmar (Birma) titled 'Les Royaumes de Pegu et d'Aracan'. Rare map of Pegu and Arakan made after a map engraved by Pieter van den Keere and published in the 1628 edi...

Attractive minature map of Greece or 'Graecia" Maker/Publisher: A. Ortelius/A. en F. Arsenius / M Coignet / J. van Keerbergen - 1601-1620 With a si...

Description: Antique print, titled: 'To Ralph Macro of Clapton (…)' This original old antique print shows people at an anatomy display with a human skeleton, ecorche, male body. ...

Antique print titled 'A true Representation of sveral microscopes with some objects (..)'. Print of various microscopes, illustrating several microscope parts. This print originates ...

Print by engraving on copper plate Tav III TIX fig. 17-22 from the volume Navigazione; with frame 28 x 33. Some calculations are depicted. Very good condition. Shipping is insured by...

More Massachusetts Towns, illustrated with wood engravings of fifty-three Massachusetts Towns, drawn in 1840 by J. W. Barber. Commentary by Ivan Sandrof, and a special foreword by Mr...

Cartographer from Germany 1678-1757. Hand colored. Gilt wood frame. Estate of William Hodgins.

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...