1960s Hanging Brass Temperature Thermometer Gauge

AMBIANIC presents 1960s Japanese Wood Doll Narugo Kokeshi signed 17.5 h x 5.25 diameter Original vintage condition Refer to images listed.

For your consideration: Plaque Wall Art Sculpture Mother Mary & Child in Bronze + Pretty Color Detail 1960s Signed art Measures: 5 T x 1.75 W x .5 D Pr...

1960s Decorative Table Cigarette Lighter Teakwood BV NORWAY Stamped by maker 3 diameter x 4.5 tall Unable to test, likely will need servicing and or fluid. Unrestored vintage conditi...

1960s Modernist Blue Pendant Necklace Copper Enamel by Renoir Matisse Neck 8 and 9.5 long Preowned vintage, refer to images

A super set of experiment quality patent Negretti and Zambra max and min thermometers in the original mahogany case one with mercury ant other with alcohol  from the collection of...

Late 19th century Victorian brass wall hanging thermometer. Simple art nouveau styling with scallops and flowers. Indicates temperatures up to 120 degrees Fahrenheit and 50 degrees C...

Very nice round hanging Barometer, surrounded with stitch Brown Leather. Made in Western Germany in the 1960s. Good working condition.

Decorative, French vintage ceramic thermometer and casing by Mithé Espelt (circa 1960s). A delightful piece with stylised French coq and castle motifs. The hen is in a lovely deep green and a creamy white; the castles are yellow and green. With a thermometer that accurately measures the temperature in Centigrade, the ceramic is also in very good overall condition. The felt backing is intact and in pristine condition. A truly charming and stylish item for your home or work place. Please enjoy the many photos accompanying the listing. Upon request a video may be provided. These works do not generally bear any signature. Not signing her pieces was Espelt's way of shunning recognition and fame. Dimensions: H 45.5 cm / 17.9" W 12 cm / 4.7" D 1.5 cm / 0.6" About the artist: Born in 1923 in Lunel in the South of France, Mithé Espelt grew up in a family of affluent winegrowers and was very close to her grandfather who passed on his love for the arts and brought her into contact with major intellectuals and artists of the time. She rubbed shoulders with Jean Hugo, Jean Cocteau, Pablo Picasso, Christian Bérard and many others. She graduated from the Beaux-Arts school in Montpellier in 1942, and then studied at the Fontcarrade school where she took a special interest in ceramics. She began by designing buttons for fashion houses in Paris, before managing the entire production of buttons and jewellery at the Lydia Chartier workshop and collaborating with Line Vautrin, amongst others. At the end of the war, she returned to her native south, opened her studio and took advantage of the growing excitement around ceramics, particularly those from the town of Vallauris. To stand out and sustain the workshop business she started designing gilded jewellery...