16th Century Scientific Instruments

Holy Face. Oil on canvas. Spanish School, 16th century. A canvas depicting a face on a light background with no other elements. Iconographically, this is what is commonly called a ...

A truly exceptional pair of Memento Mori 'remember you must die' painted on board, these date to the 16th century and were originally housed in an North Italian Monastery, this incre...

Spanish - Moorish Gothic bronze mortar and pestle with ribs, most likely from Andalusia. Of conical shape, resting on a circular uneven base, the exterior decorated with a series of ...

Set of two 16th century oak panels, one representing a character accompanied by a dog, the other a character in flames, probably saints. These ...

Antique Middle Eastern Islamic art Moorish brass bowl engraved with Thuluth Arabic calligraphy.The polished brass bowl is profusely chased with vines and vegetal motifs and inscribed with Islamic verses of the Holly Koran.This bowl has been professionally cleaned and polished.Measures: Diameter 7.25" x 4" height Mouth opening: 5".Great Middle Eastern brass metalwork decorative Islamic art objects.Handcrafted Moorish hand-etched Islamic metal brass bowl.Engraved, incised and hammered with very fine Arabic Islamic calligraphy writing and geometric designs on brass vessel.Very Intricate fine Middle eastern Moorish Islamic Art metalwork, museum quality artwork.Late 19th Century.Date of Manufacture: Circa 1880.Condition: Wear consistent with age and use. Islamic brass metalwork is an intricate and beautiful form of art that originated in the Islamic world. It encompasses a wide range of decorative objects made from brass or other metals such as copper, bronze, and silver. Brass trays, in particular, are highly regarded for their craftsmanship and intricate designs. Islamic brass metalwork has a rich history that dates back to the early Islamic period, with its roots in the metalworking traditions of ancient civilizations such as the Persians, Greeks, and Romans. However, Islamic artisans developed their own unique styles and techniques, blending elements from various cultures and creating distinctive motifs that reflected Islamic aesthetics and religious beliefs. The process of creating brass trays involves several steps, each requiring specialized skills. Here is a general overview of the traditional techniques involved: 1) Design: A skilled artist or calligrapher creates the design for the brass object. Islamic brass metalwork often incorporates intricate geometric patterns, arabesques, floral motifs, and calligraphy inspired by Quranic verses or poetry. 2) Metalworking: The object is typically made from a sheet of brass or another metal. The metal is cut into the desired shape and then hammered or pressed to create the object. Traditional techniques such as repoussé (hammering from the reverse side) or chasing (hammering on the front side) may be employed to shape the metal. 3) Engraving: The surface of the metal is often decorated with intricate engravings or etchings. Skilled artisans use chisels, gravers, or other specialized tools to create fine details and elaborate patterns. 4) Filigree and Inlay: Some brass trays feature additional decorative elements such as filigree or inlay work. Filigree involves shaping thin wires of brass into delicate patterns and soldering them onto the tray's surface. Inlay work, on the other hand, involves embedding contrasting materials such as silver or copper into the brass, creating intricate designs. 5) Surface Treatment: After the main decorative work is complete, the tray may undergo surface treatments to enhance its appearance. This can include processes like polishing, buffing, or applying various chemical patinas to create an aged or oxidized effect. While this bowl has certainly witnessed the passage of time, it remains in remarkably good condition, with only minor signs of age that add character to its appearance. The patina on the brass enhances its antique allure, making it a truly authentic and captivating collectible. Arabic Calligraphy: The Arabic writing on the bowl is a work of art in itself. The calligraphy showcases the mastery of the scribe's hand, with flowing curves and intricate details that form an elegant script. The script may include Quranic verses, blessings, or poetic verses, depending on the bowl's origin and purpose. The inscriptions are not only visually striking but also carry profound meaning, making this bowl a beautiful representation of Islamic heritage. Intricate Patterns: In addition to the Arabic calligraphy, the bowl features intricate geometric patterns and motifs that further enhance its visual appeal. These patterns are a hallmark of Islamic art and reflect the mathematical precision and artistic creativity that defined Islamic craftsmanship. This antique Islamic brass bowl...

16th Century Spanish Terracotta Vase Hand made marks around the vase.

A cast iron mortar with a bas-relief band in the center.

Asian Mughal Rajasthani Large Polished Round Brass Tray with Crest Edges. Asian Antique Islamic Mughal Rajasthani Large Polished round Brass Tray with crest edges, 3o inches in diameter. Rare find, large antique...

Spanish school of the sixteenth century. "Saint Paul". Carved and polychrome wood. Devotional image of a round piece carved in wood, polychrome and gilded, representing the Apostle ...

Paper holder bronze. 16th century. Portapaz made of bronze with a flat handle in "that" on the back that presents a decoration in light relief framed in an architectural composition of classic taste. Under the columns of the sides two heraldic shields are presented; the center shows a Birth of Christ under a winged dome with heads of winged angels in the corners; flanked by two birds, at the top and under a semicircular arch, is the bust of Saint Dominic...

Dream of a saint. Carved and polychrome wood. Flemish school, 16th century. Relief made of carved and polychrome wood that shows an old man with a particular headdress (reminiscent of some chaperones) lying on a bed and accompanied by two friars dressed in habits, who talk to each other. Iconographically, the figure of the old man lying on the bed (note the cushion that raises the upper part of the body, following the common use of the time) who has not died (probably) because he was not completely lying down, is reminiscent of how he was usually represented, for example, to San Antón, San Jerónimo, etc. It is not very likely that it is the subject of the Transit or Death of Saint Francis of Assisi due to the absence of the Stigmata and due to age. It would be part of a cycle of scenes in the altarpiece of a church, an accompaniment that would give the viewer more clues about the identity of those represented. Stylistically, Flemish sculpture...

19th century Middle Eastern Islamic Moorish pierced brass and copper floor lamp. Beautiful Middle Eastern Islamic Syrian, Persian style brass floor lamp is handcrafted with Moorish calligraphy Arabian designs. Extremely fine antique Islamic floor brass lamp with Kufic Mamluk revival pierced foliate openwork’s chased and chiselled with Arabic calligraphy and figures. The Moorish brass shade is intricately hand-pierced with Islamic Tuluth writing and designs. Great exquisite Middle Eastern Asian Museum quality piece, beautiful desirable patina. Same floor lamp could be found at the Doris Duke Islamic Art Museum. Hand-hammered decorative collector Islamic brass Moorish folk art Antique 19th century Middle Eastern floor lamp...