Early 1900s Racks and Stands

This is a beautiful quality c.1900 bamboo hall stand in the Chinoiserie manner. The condition is very good for a piece made entirely of real bamboo. A few ...

Stunning Nouveau coat racks made in bent walnut wood. Two pieces available. This charming coat racks were designed by the mastery of Michael Thonet and produced in the early 1900s in...

An exceptional antique Mission or Arts & Crafts oak umbrella stand In the manner of Stickley USA, Circa 1900 Measures: 9.75"W x 9.5"D x 26.25"H. Good original vintage condition.

This very interesting modernist umbrella stand is made of brass. This is an Austrian work in the style of Joseph Hoffmann. Circa 1900

Circa 1900 period Edwardian oak still or umbrella stand that fits in a corner. The top is decorated with finials and a curved front rail and simple side rails. The top is supported...

A rare Arts & Crafts oak record cabinet for holding 1978 (LP's do not fit into this cabinet but singles do). With a roll up door retaining the original key ...

One beautiful, authentic and old, vintage Art Nouveau brass coat wall hook. These hooks were designed in 1909 by Adolf Loos for the store of the Viennese Gentleman’s Outfitter and Ta...

Stunning and elegant Vienna Secession umbrella stand. Striking Austrian design from the 1900s. Original patinated metal frame with original black lacquered metal drip section. This w...

Fabulous carved and paint decorated in the Arts & Crafts manner. Copper bottom with cutouts on all four sides. This item can be parcel posted. Feet to keep it elevated. In excellent ...

Gustave Serrurier-Bovy wall coat rack, circa 1905, Belgium. Oak, brass. Stamped at the back: Serrurier Liège. Dimensions: 104 cm W, 64 cm H, 36 cm D. All purchases are covered by our...

French Art Nouveau cast iron umbrella stand, circa 1900. Rare in this color. This exquisite French Art Nouveau umbrella stand dates back to circa 1900 and is crafted from high-qualit...

Art Nouveau wall holder for Umbrella, 1910s Very beautiful original patina Original condition.  

Circa 1900 French fedora hat form made from sycamore. The fedora was first introduced in the 1890's by a French hat maker named Victorien Sardou. It was named after the title chara...

Enhance your hallway decor with the elegant and functional Emile Gallé hallway tree coat rack. Featuring exquisite craftsmanship and a timeless design. the coat rack comes with its ...

An Arts and Crafts walnut Hall stand by Shapland and Petter with a copper panel depicting a mythical creature to the top, leaf cut-outs to the centre with circular ball uprights to e...

Very beautiful Art Nouveau Coat Rack in oakwood with solid brass hooks. The Coat Rack has a big umbrella stand as well as six clothes hooks. The Coat Rack...

Stunning and rare Vienna Secession magazine rack. Striking Austrian design from the 1900s. Patinated brass frame with decorative elements. This wonderful Vienna Secession magazine ra...

A French Beaux-Arts period wooden and enameled peg hat and coat rail, circa 1900. The wall mounted wood rail has three bent metal arms with white enameled ball-shaped upper pegs f...

Very beautiful Art Nouveau coat rack made of oak wood with solid brass hooks. The coat rack has a large umbrella stand and four solid brass coat hooks. There is a shelf in the middle...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning original Arts & Crafts Shapland & Petter Hall stand with hand hammered Copper panels over a Walnut frame with inset sheild mirror Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price A very good looking well made and decorative hat glove coat and scarf rack, this one is rare as it has the central mirror and its an earlier than usual example circa 1900 Made by Shapland & Petter, a full blub on their life and works can be found below In terms of the condition it is straight and solid, the piece sits well in any setting and looks decorative and very English country house, we have cleaned waxed and polished the timber, there is one hook slightly bent, otherwise its in fine order Dimensions Height:- 205cm Width:- 113cm Depth:- 40cm Please note all measurements are taken at the widest point, if you would like any additional or specific measurements please ask Shapland and Petter of Barnstaple Introduction This Barnstaple based company manufactured some of the finest pieces of furniture in Arts and Crafts style but very little has been written about the company or the pieces they produced. It a great shame that whilst Shapland and Petter pieces have been illustrated in books and auction catalogues they are invariably attributed to other makers such as Liberty and Co in London or Wylie and Lochhead in Glasgow. With this feature, we intend to inspire a more thorough appreciation of the work of the company; readers are invited to help with the task by sending photographs and information. Collectors and auction houses are now showing significantly more interest in Shapland and Petter pieces. The company, based in Barnstaple, England produced a very wide range of furniture in several different styles including many pieces in period reproduction and municipal style for town halls and commercial premises alongside their superb Arts and Crafts range Distinctive features of their superb Arts and Crafts style are the use of heart shaped piercing, geometric shapes with angled arches and the application of repousse copper panels. Decoration with marquetry, metal inlay, mounting of ceramic and enamel cabochons were techniques which they mastered with a combination of state of the art technology and traditional craftsmanship. Most distinctively, the pieces were extremely well made, with care and very best quality materials The growing interest in Shapland and Petter has raised many questions about the origins of the firm, and the sources of influence on their designs, some of which resemble designs by Ashbee, Ballie Scott, Voysey and Talwin Morris. Links have been assumed with Liberty and Co with the supposition Shapland and Petter worked on commissions for Liberty. There appears to be little evidence to support many of the assumptions which have developed around the company and this article is intended to help to start the discussion and to stimulate research The History of Shapland and Petter The Museum of North Devon in Barnstaple have an archive of Shapland and Petter which includes some company records and a small display of furniture and related items. The following text gives history of the company and is reproduced from the display boards in the museum with kind permission of North Devon Museums For over 100 years the Shapland and Petter factory has stood at the end of Barnstaple Long Bridge. Manufacturers of doors, door sets, and custom wood interiors, NT Shapland and Petter Ltd are still one of the towns largest employers. The company was established by Henry Shapland (b. 1823), a cabinet maker by trade. He embarked on a voyage to America in 1848, where he was inspired by an invention for a wave-moulding machine. He was only allowed to see it if he left the country immediately. Returning home with only rough notes, he reproduced the machine and in 1854 began a cabinet making business in one room at the Raleigh woolen mill in Pilton. Later the firm moved to Bear Street in Barnstaple. Henry Petter was an accountant who entered into partnership with Mr Shapland. The business progressed and in 1864 they bought the Raleigh Factory where Shapland first began his work. Success was rapid, but in 1888 the building burnt down. Immediately work began on a bigger and better factory - their present site by the Long Bridge - which included many modern inventions The two Henrys died within two years of each other - Petter in 1907 and Shapland in 1909. In 1924 Shapland and Petter merged with the Barnstaple Cabinet Company, producing North Devon's biggest industry. During the First World War Shapland and Petter's skilled craftsmen turned their hands to wooden propellers for the aircraft of the Royal Flying Corps. After the war, public tastes changed, and hand carved furniture was too expensive for many. Shapland and Petter's output now included elegant veneered pieces with smooth Art Deco lines. The company fitted out Pullman carriages and ocean liners and made hand-carved church furniture. The famous England Rugby Captain W. W. Wakefield was appointed Company Director in 1927. Throughout the depression of the late 1920's and early 1930's the company still managed to produce high quality work Furniture manufacturing continued until the outbreak of the Second World War in 1939. Many workers left to fight, while the factory worked on Air Ministry contracts for ammunition boxes. After the war came radio cabinets and laboratory and contract furniture, until eventually large quantities of doors were being produced for hospitals, hotels, schools, offices and other buildings. Examples of Shapland and Petter's work can be seen all over North Devon. In Barnstaple, the shop front at 109 High Street is a good example, and the interior of the old Lloyd's Bank, now Chamber's Brasserie, was also Shapland's work. Examples of carving by Shapland's men can be seen in two chairs and a reading desk in Barnstaple Parish Church As cabinet makers, Shapland and Petter employed up to 350 people at a time. There were designers, carvers, cabinet makers, machinists, polishers, and labourers. The company was one of the first to install American labour-saving devices and was keen to adopt the most up-to-date machinery The fire of 1888 at the Raleigh Cabinet Works was a huge loss for the company. However, it resulted in a new factory which was altogether more modern and better equipped. The new building by the river was arranged into blocks. The production line began with the saw mills and ended with the finishing rooms. There was modern machinery in every department - one of their saws was the first of its kind in Britain. Water sprinklers and electric lights were a necessity - this factory would not burn down As well as the furniture production, Shapland and Petter imported timber by sea and rail. The new factory 's facilities were exceptional Shapland and Petter were renowned for excellent design and workmanship. The carvers were highly skilled, serving seven year apprenticeships and attending classes at the Barnstaple School of Art. Ornately carved furniture required up to a hundred tools The factory produced made to order woodwork for banks, hotels, and shops; mantelpieces, paneling and staircases. They fitted out Pullman railway carriages, the London Guildhall, and Edgar Wallace 's dining room as well as houses like Tapeley Park in North Devon Much of the work involved intricate leaded glass panels, or inlaid fruitwood designs, like the white bedroom suite shown in the exhibition here. This type of work is typical of Art Nouveau 1895 to 1910, inspired by the fluid shapes of plants and flowers Many pieces were made from standard designs. There were hundreds to choose from, and a selection could be seen in local and London showrooms and in catalogues. Although mass-produced, this furniture was well-made by skilled technicians and modern machinery Arts and Crafts designs of Shapland and Petter The development of the Arts and Crafts Movement in the South West of England has not been written up in any detail though we do know of the Art Potters of Barnstaple from the excellent book of this name by Audrey Edgeler. Less is known of the Barnstaple Guild of Metal Workers. We know of the Bath Cabinet Makers and the Newlyn School of Industrial Art in Cornwall but very little has been written about the furniture makers of Barnstaple in Devon The establishment of a large cabinet making firm in Barnstaple is not remarkable in itself; there were several cabinet makers in the area. What is interesting is that this particular Barnstaple firm should become a leading maker of Arts and Crafts furniture, copying the styles of the leading Architect designers and creating their own unique style Critics may point out that as their work was commercially driven and reliant upon machines it therefore does not really qualify as Arts and Crafts. Whilst the company was highly innovative in machine technology, they also employed many craftsmen who worked with their hands in woodcarving, marquetry work, design and application of decorative copperwork and other artistic embellishment in the true Arts and Crafts tradition. Anyone who has experience of Shapland and Petter workmanship knows the level of craftsmanship invested in each piece Sources of inspiration There appears to be no evidence to link any known architect, artist or designer to the Shapland and Petter company. Their designs appear to have been created solely by their own internal design staff none of whom appear to have published or registered their work in any other context C. R. Ashbee who established the Guild of Handicrafts visited Barnstaple in 1893 and provided a twelve week course on the design and decoration of furniture. It is presumed that this visit was hosted by Shapland and Petter, and that their own staff and those from other local furniture makers attended the course. Ashbee appears to have been unimpressed by the commercial attitudes he encountered and apparently disappointed at the lack of interest in his (high minded) lectures. What is interesting however is the similarity between some of his designs and those used by Shapland and Petter, particularly in respect to inlaid floral design. Perhaps he left a lasting influence which has not yet been verified There has been some speculation on the influence of Scottish designers, particularly because of the use of Glasgow rose designs which are typical of the Glasgow School, and particularly of Talwin Morris. There are also several designs which use similar motifs to those used by Baillie Scott, the use of two doves in flight for example. More research is needed to trace possible links here. One thing that is clear is that there was a great deal of copying and selling designs in the furniture industry at the time and a nineteenth century survey on the furniture trade recorded that '' Barnstaple pays the best prices for designs ..'' Collaboration with other companies There is evidence that Shapland and Petter organised a wide network of companies to retail their products and hence many pieces have the labels of retail furnishers added. Little is known of their marketing in Europe and America but it may be that many Arts and Crafts pieces were sold abroad. Shapland and Petter had excellent access to rail and shipping lines for importing timber and presumably for exporting their finished products The extent of their collaboration with other companies is yet to be ascertained but there is evidence that their suppliers included the Della Robbia Pottery, Pilkingtons Tile...

This nice and simple square umbrella stand is made of brass with a cast iron base. This is a French. work. Circa 1900

Antique English Edwardian Towel Rail C.1910 A handsome example. presented in good condition commensurate with age. Please message for a shipping quote.

Cast brass made in Austria, circa 1900 Up to six available, price per piece.

Impressive French hand-carved solid oak wall hanging coat rack from the early 20th century. This beautiful coat rack or hall shelf features stunning carvings of two lion heads at eac...

Very beautiful small Art Nouveau Coat Rack in oakwood with original hooks. The Wall Coat Rackhas a big umbrella stand as well as six and two clothes hooks...

J. & J. Kohn Pedestal, Austria, Pre-1910 An exceptional pedestal by J. & J. Kohn, crafted in Austria before 1910. Standing at an impressive height of 131 cm (51.6 in), this piece ex...

Casting for the umbrella shop of Philadelphia PA. Inner diameter of hole is 1 5/8. Very heavy...maybe 80-100lbs.

An unusual French Beaux-Arts period wood and iron pegged hat and coat rack, with removable arms – circa early 1900s. Most often found in the entry ways of French homes or in the caf...

Antique quality C1900 pine towel rail stand. No loose joints and no woodworm. Would look amazing in the right location! Overall maximum dimensions: 68cmW x 28cmD x 84cmH. In goo...

Circa 1900 French Trilby hat mold made from sycamore. The hat's name derives from the stage adaptation of George du Maurier's 1894 novel Trilby. A hat of this style was worn in the ...

A top quality Arts and Crafts oak Hallstand by Shapland and Petter with bevelled mirror flanked by a circular copper disc with hat and coat hooks, stylised cut-outs and stylised flor...

A good Arts and Crafts oak Hall stand by Shapland and Petter with a seat to the left and a mirror and glove drawer to the right, the lower section with Shaplands typical square shape...

Late Victorian era Aesthetic Movement Bamboo and Grassmat Hall Tree with Mirror & Umbrella Stand features graceful, sinuous curves in its bamboo frame adding an elegant and unique to...

Stunning and elegant Art Nouveau hat and coat stand. Design in the style of Thonet and Jacob and Josef Kohn. Striking French design from the 1900s. Stained beech and bentwood frame w...

Stunning and rare Art Nouveau wall coat rack. Striking Belgium design from the 1900s. Solid oak with four original ceramic tiles. In very good condition with a beautiful patina.

This nice umbrella stand is made of brass with a cast iron and zinc base. This is a French work. Circa 1900

Art Nouveau coat hanger.

A masterful example of Swiss Black Forest craftsmanship, this c. 1900 linden wood hall tree is by the esteemed Seilar-Brawant workshop of Brienz. Towering in scale and rich in detail...

Antique, high-quality mahogany Arts and Crafts towel rail stand from circa 1900. This piece boasts solid construction with no loose joints and no signs of woodworm. Sure to make a ...

Antique Japanese umbrella stand, handmade in a unique design, decorated with hand carving and beautiful tile work. Decorative and collectible.

Wall-Mounted Art Nouveau Coat Rack / Hall Stand in Oak and Burl Elm, with Bronze Hooks and Beveled Mirror — Circa 1900 Discover this magnificent and rare wall-mounted coat rack, an ...

Gorgeous antique French circa 1900 clothes rack in elegantly shaped chrome with beautiful details. The clothes rack has a height adjustable bar to allow more room for shorter items. ...

Original massive brass coat hanger by Adolf Loos, designed in Vienna in the year 1907. This famous Elephant coat hanger was used in the apartment of Paul Khuner, 1040 Vienna. Docum...

Adolf Loos for Thonet Shoe Rest circa 1905, constructed of black stained steamed beech. "By beauty we understand the highest degree of perfection. For this reason it is completely o...

Magnificent and ultra rare Arts & Crafts Art Nouveau coat rack. Striking Dutch design from the 1900s. Solid walnut frame with original hand-carved veneered decorations. Ten original ...

Thonet Vienna most elegant music, newspaper and magazine rack High quality handwork, stunningly shaped bentwood, superb appearance Beech wood, dark mahogany stained, shellac hand...

Austrian Secession beech magazine rack Polished black bentwood set on ball feet Designed by Koloman Moser Executed by Jacob and Josef Kohn Remnants of a label to underneath Mo...

Very beautiful Art Nouveau Coat Rack in oakwood with solid brass hooks. The wall coat rack has a big umbrella stand as well as four massiv brass clothes hooks...

A beautiful whimsical early 20th century German Black Forest carved and hand painted head, mounted to a carved back with oak or marble leaves. Nice addition to a hunters loge or any ...

Antique tiger bamboo umbrella stands with a decorative square centerpiece. This stand features three slots for storing umbrellas and a vanity mirror. Dimensions: overall height: 78 ...

Very rare early 20th century magazine or paper stand by Jac. van den Bosch for 't Binnenhuis, ca. 1905. It's a very elegant as well as a functional piece, like van den Bosch intended...

Magazine holder no.33 by Thonet in very nice original condition.

Circa 1900-1910 Warm oak patina hand made barley twist cane stand with simple lines, six sectionals and original metal drip pans. Compact size and e...

Michael Thonet Coar rack Wiena 1905.

Shapland and Petter. An Arts & Crafts oak hall cupboard in the style of M.H. Baillie Scott, of tapering Architectural form. The flaring cornice with an open upper hat cupboard, flank...

Very nice early 20th century French walnut easel from the 1900s. Can be closed to save space and there is a brass chain to keep the easel open. The shell at the top has been brok...

Antique Fine Quality Art Nouveau Mahogany Towel Rail Bathroom Stand c.1900. Solid construction with no loose joints or woodworm, promising longevity and stability. This piece adds ...

A useful, simple, elegant coat rack from Jugendstil period produced in Austria. Composed of two solid brass coat hooks attached to a base plate...

Wonderful and rare Arts & Crafts Art Nouveau coat rack. Attributed to A.J. Kropholler. Striking Dutch design from the 1900s. Solid oak with five original bronze hooks. Please not...

Free standing wardrobe from the Gebrüder Thonet, Wien produced around 1900 . Made from bent beech wood and then stained in a dark colour. There are ...