Rut Bryk Plaque

Meditations and observations on architecture and life by a transcendent figure in 20th century architecture and design. Section titles include The Politics of Architecture; Personal ...

1949 survey of small modernist houses in America, compiled and edited by William J. Hennessey based on selections by a jury of architectural photographers in...

First edition of Bernard Rudofsky’s idiosyncratic and iconoclastic discussion of modern living conditions in postwar America, published by Oxford University Press in 1955. 201 pages, 8vo, hardcover with pictorial dust jacket. Several black-and-white illustrations. Rudofsky (1905-1988), an Austrian/American architect, curator, critic, industrial designer, exhibition designer, fashion designer, and author is best-known for his controversial exhibitions and accompanying catalogs, including Are Clothes Modern? (MoMA, 1944), Architecture Without Architects (MoMA, 1964), and Now I Lay Me Down to Eat (Cooper-Hewitt, 1980). He is also famous for his mid-century Bernardo sandal designs, which are popular again today. Behind the Picture Window...

Catalog accompanying an exhibition held in the United States in 1961, sponsored and published by the Japan Export Furniture Manufacturer Association (JEFMA), a trade organization of 48 leading furniture makers in Japan, in collaboration with their government-run National Industrial Arts Institute, with the dual purpose of stimulating the production of Japanese “Good Design” in furniture, and introducing the results to the U.S. market. According to the introduction to this, the second iteration of this exhibition, “it is full three years since the First Exhibition was held in the United States in 1958…these recent years, we Japanese furniture manufacturers have increasingly equipped with facilities for mass production, so that we are now in a position to offer the products of better quality at lower prices. At the same time we have been making efforts to create furniture of graceful design with Oriental taste, using Japanese traditional craftsmanship. We have mainly selected the furnitures which are ready for mass production, and added some pieces of Japanese taste.” The 24 page catalog presents chairs, tables, and case pieces by prominent Japanese architects and designers including Katsuo Matsamura, Taichiro Nakai, Kozo Asari, Hideo Saito, Takeshi Mineo, Yujiro Yamaguchi, Ryuchi Ise, Fukuji Suzuki, Masaharu Ito, Keisuke Nakamura, Yo Yamagishi, Shigeru Imai, Shiro Kodo, Tadao Kawanami, Akira Sogi, Tomoichi Yoshida, Sori Yanagi, Taichiro Nakai, Toshio Miyake, Motoi Kojima, Fukui Suzuki, Akira Takayabu, Selichi Watanabe, and T. Nii, along with works from the Industrial Arts Institute and an armchair by American ex-pat Noemi Raymond, wife of architect Antonin Raymond. Manufacturers include. Manufacturers represented in the exhibition include Akita Mokko Co, Bokai Industry Co, Fuji Furniture Co, Haneda, Kosajujo Co, Inada & Co, Iwai Kogyo Co, Imada Mokko Co, Kobe Wood Chemics Assoc., Kosuga & Co, Kotobuki Seating Co, Kobyashi Fukuzo & Co, K.K. Shimada Seisakusho, Kubo Shoten Co, Kassai Manufacturing Co, Miyoshi Mokko Co, Okamura Mfg. Co, Sakigake Furniture, Santa Kogyosho Corp, Tendo Mokko, Tsuji Mokko Co, Tottori Kagu Kogyo Co, Taihei Mokko Co, Toki Mokko Co, Toyohashi Mokko Co, Yamaguchi Co...

Marcello Fantoni rare studio wall plaque. Marked: Fantoni, Italy.

A carved wood wall plaque based on a design by Thomas Hope. Bespoke sizing, design adaptations and finishing available. We are currently working to a...

Marcello Fantoni Modernist Centurian Motif Plaque circa 1950s Italy, decorated with slip glazes primarily in tones of red, black, white and blue on charcoal gray finish made to repli...

A patinated bronze round plaque in relief depicting the mythological figure of Medusa by Pal Kepenyes who was originally from Hungary but emigrated to Mexico . Ring on verso for han...