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Antique European French Heavy Organic Linen Grain Sack, circa 1930s
$350
£265.76
€303.92
CA$489
A$543.88
CHF 283.99
MX$6,618.39
NOK 3,627.05
SEK 3,401.53
DKK 2,268.27
Shipping
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About the Item
Antique European French long grain sack homespun linen organic fabric.
A large grain bag made of a narrow woven length of homespun linen that was folded over and hand-stitched along the long sides.
Antique grain sack, handwoven and hand loomed bags in linen all pure handwork (hand-woven) sewn with rustic seam and chute.
Great linen fabric, coarse, rustkal, very heavy quality natural linen, here is a gorgeous large grain sack that dates circa 1930.
The fabric is a vintage European heavy weight linen and hemp blend, hand woven on a warm natural ground.
Beautifully woven rustic look makes it a brilliant fit for any country style or farmhouse decor.
Wonderful for so many different projects, these textiles were made to stand the test of time and are ideal for pillow covers, bath mats, table runners, this grain sack is very long and would make a fantastic floor pillow, they are strong enough for upholstery, gorgeous on a patio, garden, terrasse.
Wonderful antique handwoven and hand-loomed linen grain sack that open on one side.
Antique European grain sack dating from the circa 1930. This sack was used for storing grains.
It's a hand woven, homespun linen, this grain sack has a heavy, floppy and somewhat coarse texture.
Hand-loomed grain sack is heavy weight and has a more rustic looking texture.The original ties are at the top and the color of the body is a lovely natural oatmeal tone.
100% machine washable.
Linen Grain Sack fabric upholstery feed sack Grain sack Linen, vintage bag hemp striped textile European washed Fabric
Measurements: This vintage grain sack measures 20 inches wide by 47 inches long ( it's double sided, so if using for cutting there are 2 panels)
Antique French Linen grain Sack fabric, organic Hemp Bolt.
Condition: a few repairs patches see pictures.
- Dimensions:Height: 47 in (119.38 cm)Width: 20 in (50.8 cm)Depth: 0.5 in (1.27 cm)
- Style:French Provincial (In the Style Of)
- Materials and Techniques:Linen,Hand-Woven
- Place of Origin:
- Period:
- Date of Manufacture:1930
- Condition:Wear consistent with age and use. antique condition, repair, some rust stain, review pictures.
- Seller Location:North Hollywood, CA
- Reference Number:Seller: LB2231stDibs: LU906832770792
About the Seller
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- ShippingRetrieving quote...Shipping from: North Hollywood, CA
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Antique European French long grain sack homespun linen fabric with red striped.
A large grain bag made of a narrow woven length of homespun linen that was folded over and hand-stitched along the long sides.
Antique grain sack, handwoven and hand loomed bags in linen all pure handwork (hand-woven) sewn with rustic seam and chute.
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African Batik Cloth Natural Hand-woven Hand-Printed Cotton Fabric Ghana 10 Yards
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African Batik Cloth Natural Hand-woven Hand-Printed Cotton Fabric Ghana 10 yards.
Colors are organic earth tone beige and light brown in geometric design.
Non waxed fabric circa 1950s.
Hand made in Ghana Africa.
Museum Quality Original Long Piece.
380 inches, (30 ft 10 yards Long) x 46 inches Inches Wide( 4ft).
Could be use to make pillows or upholstery.
History of Batik in Africa:
Batik, a traditional fabric art technique, has a rich history in Ghana, West Africa. The practice of batik involves using wax to create intricate patterns on fabric, which is then dyed to achieve the desired design. While batik has its origins in Asia, particularly in Indonesia, it has been embraced and adapted by various African countries, including Ghana.
In Ghana, batik-making can be traced back to the mid-20th century when it gained popularity as a form of traditional textile art. The craft was introduced by artists and artisans who were inspired by the vibrant and expressive nature of batik. These early practitioners experimented with different designs, colors, and patterns, infusing local themes and motifs into their creations.
Over time, batik became an important part of Ghanaian culture and identity. It is not only used for clothing but also for various decorative and functional items such as wall hangings, tablecloths, and accessories. The art form often reflects the rich cultural heritage of Ghana, incorporating symbols, proverbs, and traditional stories into the designs.
Ghanaian batik artists often employ a combination of traditional and contemporary elements, creating a unique fusion of styles. The process of making batik involves applying hot wax to the fabric using various tools to create the desired patterns. The wax acts as a resist, preventing dye from penetrating the waxed areas. After dyeing, the wax is removed, revealing the intricate designs on the fabric.
Today, batik-making in Ghana continues to thrive as both a traditional craft and a form of artistic expression. Many artisans and designers draw inspiration from Ghana's diverse cultural landscape, incorporating elements from different regions and ethnic groups into their batik creations. The art form has also gained international recognition, with Ghanaian batik products being sought after both locally and abroad.
In summary, the history of batik in Ghana is a testament to the creativity and adaptability of artists who have embraced and transformed this traditional technique into a vibrant and culturally significant art form within the country.
HISTORY OF BATIK
In the mid-nineteenth century, the Belanda Hitam, or "Black Dutchmen," are said to have introduced batik to West Africa after serving as indentured soldiers for the Dutch in Indonesia. Returning from their conscriptions with trunks of fine Javanese batik, the opulent patterns captured the imagination of their friends and relatives. However, textile history is complex, and only a handful of recruits returned to West Africa with batik due to delayed payments.
Batik, with roots traced to Egyptian mummies, is a tradition found globally, from Southeast Asia to Japan and India. Europeans, particularly the Dutch, played a significant role in industrializing batik from the seventeenth century onward.
In West Africa, Dutch Scholar Ineke van Kessel suggests that batik arrived from India over trans-Saharan routes. Local populations, like the Yoruba in Nigeria, incorporated wax printing into their textiles. European traders brought wax and non-wax fabrics to West Africa in the seventeenth century, targeting a population ready for their consumption. European designers adapted prints for the African market...
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