East Asian Furniture

A stunning pair of late 20th century life-size Chinese cloisonné tigers from the Baron Estate. In Chinese symbolism, these tigers represents the ma...

Both jars are hand-painted in traditional Imari designs. They feature beautiful waterside scenes painted in cobalt blue and two shades of iron red, all with gilded accents. The colors are vibrant, and the scenes are complex. One jar features a shoreline, while the other scene features a cresting wave. Above the main scenes on each jar, there are medallions adorned with gilded floral decorations. Additionally, a ring of patterns inspired by Japanese textiles encircles the shoulder and base of each jar. The hand-painted panels on the reverse side mirror the designs on the front but include many subtle variations. On the side of each jar, there is a classic Imari depiction of a vase set on a garden terrace. These exquisite pieces were crafted in Japan during the Meiji Period, around 1880. Dimensions: 15" tall x 7" diameter at the widest point Condition: Excellent. Price: $2,800 Background of Late Imari Porcelain: Imari porcelains were first exported from Japan to Europe in the 17th century. In the third quarter of the 19th century, Imari porcelain found an eager export market in Europe as the style was compatible with the colors and designs of the oriental rugs used...

Japanese Large Cloisonné Vase in Midnight Blue w/ Flowers and Birds, Ca. 1900/1910 DIMENSIONS: Height: 46 inches Diameter: 51.5 inches ABOUT This exquisite vase is a remarkable te...

A large antique Chinese Qing porcelain jar and cover hand painted with birds amidst flowering shrubs dating from the 19th century. The large rounded bulbous jar stands raised on a ro...

Handwoven in a wool flatweave, this 9x14 contemporary rug is a new unveiling from the European rug collection by Rug & Kilim—one of its earliest works, inspired by antique Aubusson r...

Outstanding contemporary large Japanese porcelain vase featuring a fascinating and detailed geometric progression that is hand painted in...

An impressive depiction of Guanyin, the Bodhisattva of compassion, whose name bears the meaning ‘One who hears the cries of the world.’ The rather androgynous figure is adorned with beaded jewellery and the princely regalia of a dhoti, draped across her body and spilling out over to partially obscure what she is resting upon. The goddess’ profile exhibits idealised features of Asian artistic convention; her face is soft and rounded, with full lips and relaxed eyes that provide a serene quality of youthfulness to the figure. Adhering to Chinese iconography of Guanyin, the figure is marked by an urna on her forehead, denoting her own enlightenment, as well as a diadem displaying Buddha Amitabha, the spiritual teacher of Guanyin. Seated in the Lalit asana pose, translated as ‘royal ease’, the figure exudes a fine example of the relaxed majesty typical in the characterisation of Guanyin. Whilst the figure’s left hand is placed restfully upon the left leg pendant, the right is raised in the gesture shuni mudra, the second finger held gently against the thumb. Otherwise known as the seal of patience, this gesture indicates the figure as one intended to bestow this virtue, along with compassion and understanding, upon the beholder. Notes on the item: Guanyin is the Chinese interpretation of Avalokiteshvara, the Indian Bodhisattva of compassion. The term “Bodhisattva” is derived from the Sanskrit “Bodhi”, meaning ‘awakening’ or ‘enlightenment’, combined with “Sattva”, meaning ‘spirit’ or ‘being’, referring to one on the path to achieving enlightenment. Bodhisattvas in Mayahana Buddhism are recognised as figures who have effectively achieved enlightenment yet relinquish their accension to nirvana in order to remain amongst mankind in the ultimate act of compassion to aid as spiritual guides. As such, the Bodhisattva inhabit a liminal space between samsara and nirvana; enlightened beings that maintain a relationship with humanity that buddhas cannot, as attaining Buddhahood necessitates the abandonment of all worldly attachments, including mankind. Guanyin’s very name, ‘One who hears the cries of the world’ highlights this role as a compassionate figure who acknowledges the suffering and strife of man. Along with Mahāsthāmaprāpta, a fellow bodhisattva, Guanyin serves as an attendant to Buddha Amitabha, with these three deities recognised as the Three Sages of Western Pure Land Buddhism, a sect of Mayahana Buddhism popular in East Asia. Avalokiteshvara is commonly posited to have been adopted from Indian Buddhism into China as Guanyin around 200-400 CE, however it was the Tang dynasty (618-907) which saw the popularisation of the deity. By the Ming (1358–1644) and Qing (1644–1911) dynasties, Guanyin held the position as the most popular female deity in China. The unique state of religion in China held no monolithic canon regarding Buddhism and saw the assimilation of several belief systems, primarily Daoism, Buddhism and Confucianism. Consequently, Guanyin became a deity to be revered beyond Buddhism alone, appointed as both an official imperial deity and Daoist deity in the 12th century. Guanyin may also be seen to fulfil the role of idealised femininity as prescribed by Confucianism, with the scarcity of female Chinese deities perhaps accounting for the gradual gender shift Guanyin underwent. The Indian Avalokiteshvara is unequivocally recognised as male, whilst the supposed gender of Guanyin remains contentious. Although there is a clear shift from the masculine Avalokiteshvara towards a more feminine representation, it is unclear if Guanyin is understood to be entirely feminine, to inhabit qualities of both genders or to be elevated beyond gender entirely, embodying neither. Depictions of Guanyin are highly androgynous, which some believe lends credence towards Guanyin symbolising the unity of dualistic forces as recognised in Daoism, displaying the anthropomorphism of yin and yang. Comparative Analysis: Market comparisons of similar Qing Dynasty polychrome figures of Guanyin include lot 767 (no.2) From Christies ‘Important Chinese Ceramics and Works of Art,’ New York, 25 March 2022, with the price realised USD 52,920 (Estimate USD 20,000 – USD 30,000). Christies also auctioned a comparable polychrome Guanyin...

Navy blue and tan antique Chinese Art Deco rug with flowers and vases, rug l11-0805, country of origin / type: China / Art Deco, circa 1920. Handwoven in the first part of 20th ce...

Faboulous japanese earthenware vase of small size. Mark at the base: Yasui. Additional information: Material: Porcelain & Pottery Type: Vas...

19th Century antique Chinese hand painted gold lacquer scene gilt fan 100 faces with original wood case and stand, fan is 13 inch x 8 '', the fan in ...

This Chinese hand-carved room divider features six intricately designed panels, showcasing traditional artistry and vibrant painted details. Perfect for ad...

A beautiful unglazed Han dynasty style vase of a very elegant form. Expectedly mounted as lamp - US WIRED. High quality mount with a brass adjustable pivot joint. The vase is from Z...

A fine antique Chinese export porcelain ginger jar. With a white ground and blue decoration. With a depiction of a Chinese phoenix (Fènghuáng, 鳳凰) amongst the clouds, along with de...

Akari model 24N light sculpture by Isamu Noguchi. The shade is made from handmade washi paper and bamboo ribs with Noguchi Akari manufacturer's stamp. Akari l...

This is an old Japanese storage shelf. It is made of chestnut and cedar wood. The wood color has darkened over the years. The beautiful wood grain is visible throughout, making this ...

A striking Bandaji from Nothern part of the Korean peninsula circa 19th century of late Joseon Dynasty. Bandaji is known as drop front half-opening chest that was used in traditional...

Rare one-of-a-kind collection Japanese Connoisseurs Collection of Five (5) Fine Antique Smoking Pipes, Kiseru. You dont need to be a conn...

This tall blue and white Chinese altar vase features a boldly hand-painted double happiness motif, surrounded by floral scrolls and geometric patterning in traditional cobalt glaze. ...

are Japanese Negoro Lacquer Table with Curved Legs (Late 17th–18th Century) Japan, Edo period Dimensions: H 26.5 cm × W 43.1 cm × D 27 cm (Top surface: W 42.7 cm × D 25.7 cm) This e...

This is a beautifully crafted lacquer box with a cloisonné enamel mount, featuring an intricate design that combines traditional craftsmanship with vibrant artistry. The lid showcase...

Lovely Chinese Porcelain Famille Rose/Fencai plate with flower petal decoration. The decoration and painting style are quite unusual, possibly for the Indian market. Condition 1 ha...

A beautiful Japanese Mingei Nezumi Shino Ware (志野焼, Shino-Yaki) pottery Chawan tea bowl for tea ceremony that features a sumptuous glaze with wonderful subtle shifts in color, patter...

This round, porcelain storage jar is brightly glazed in the classic blue-and-white manner with allover pattern of abstract florals, reminiscent of chrysanthemums, clouds or auspiciou...

Vintage Panasonic toot-a-loop-radio is an original decorative object realized in the 1970s by Panasonic R-72 (R72) and built by Matsushita Electric Industrial Co This radio is the...

The barrel drum form with coin cutouts on top and overlapping on opposing sides has raised bosses in the enameled border bands top and bottom. Glazed overall with various multicolore...

Set alongside the four treasures of the study - the calligraphy brush, ink, paper, and inkstone - a brush pot, or bitong, was an essential fixture of the scholars' desk. This stonewa...

Clear the coffee table! Rihanna invites you into her world with this stunning visual autobiography that comes with a limited edition stand created in collaboration with the artists T...

A superb Meiji Era (1867-1912) intricately hand carved Japanese hardwood writing table with beautifully aged patina, warm wood coloring, richly figured grain patterns, and interestin...

Made of carved wood with transparent fences and scrollwork panels, two dragons at the front and pagoda roofs on top. A beautiful realization by the Chinese woodcarver and furniture m...

Pair of Large Asian Bronze Foo Dogs or Kylin Dragon, probably Chinese, circa 1950s or earlier. They retain their warm original patina. These were purch...

From renowned interior designer Vicente Wolf, the Wallis flatware set combines high quality, modern simplicity and timeless elegance into a unique set of flatware. Made by Sasaki Kor...

'8' paperweights in terrazzo (Black / white / red). Brass detail. Set of three pieces. Measures: 8.3 x 6 x 6 cm Bentu design furniture and lightings derive its uniqueness fro...

A fine quality late 19h Century Meiji period (1868-1912) Silver wired Cloisonné enamel vase, having this wonderful classical Cobalt blue ground, with exotic birds flying among prunus...

Vintage large rare Blanc de Chine reticulated Italian table lamp. A very imposing and beautiful piece.

Early 19th century Japanese Edo/Tokugawa period four panel folding byobu table screen featuring peony, prunus, and magnolia. Painted with ink and natural color pigments on silk with ...

Exquisitely carved antique Chinese amethyst peach amulet pendant on 14K yellow gold, natural pearl and faceted amethyst long chain necklace 19th Centu...

A pair of Antique Chinese pottery lion panel with stand. Age: China, Song Dynasty, 10th - 12th Century Size excluding stand: Height 23.6 - 24.3 C.M. / Width 18.8 - 20.5 C.M. / Thick...

A mid-18th century Chinese export porcelain punch bowl, hand-painted with "The Judgement of Paris" after Rubens. European ceramicists borrowed motifs from Chinese porcelains through...

Playfully carved out of boxwood, this Meiji period hyottoko noh mask netsuke features a figure of a crouching man on the reverse. In Iwate Prefecture, there is a myth about the origi...

The symbol for double happiness adorns this round tea leaf jar with best wishes for love, companionship and marital bliss. Glazed in the classic blue and white manner, the porcelain ...

26A ceiling lamp, designed by Isamu Noguchi. Manufactured by Ozeki & Company Ltd. (Japan.) Bamboo ribbing structure covered by washi paper manufactured according to the traditional p...

A rare and large Japanese Meiji period porcelain dish or charger. Japan, Late 19th – early 20th century. Why we like it Great scale combined with its traditional decoration make th...

A gorgeous Chinoiserie blue and white porcelain fishbowl planter with butterflies China, Circa late 20th century Measures: 9.63"W x 9.63"D x 6.75"H Very good vintage condition.

A small Korean ceramic celadon bottle vase with inlay design from Goryeo Dynasty (918 to 1392AD) circa 12th century. The vase has a classic baluster form with a slightly flared mouth...

Wall lamp called LISEUSE Acrylic and brass Around 1970, from Japan, brass, iron and acrylic structure Switch on and off with the switch on the side Completely new electrified.

Introducing an exceptional Japanese Shibuichi vase from the early 20th century, adorned with a striking scene of a magnificent bird of prey. The vase bears the Seifu mark on the side...

The Reagan chandelier from visual comfort signature, formerly known as Visual Comfort, is a sweeping modern construction of crystal and steel. A Chapman & Myers design descending fro...

77624, antique Chinese green Art Deco Rug with Qing dynasty style 09'00 x 11'04. This hand-knotted wool antique Chinese Art Deco rug features a r...

Large antique Kyoto-Awaji point bottle vase in sky blue crackle glaze with color draining away from the pale mouth rim. 33" high, 16" diameter. The rim, at some point damaged, has be...

an enchanted portable lamp that evokes the poetic beacon of hope. It is highlighted by a distinct hand-blown glass globe garnished with fluid ribbon patte...

A fine large round Meiji bronze jardiniere with rooster decoration, accented with geometric shapes around the rim and foliate designs around th...

Chinese Mother of Pearl Inlaid Round Wood Drum Side Table Offered for sale is a Chinese mother of pearl finely and intricately inlaid r...

Mid-20th Century Chinese export chrome colored porcelain garden stool or flower pot seat. Features raised dot detail and Chinese geometric cut-out symbols on the sides and top.

A fine Japanese lacquer Takamakura Geisha pillow, first half of the 20th century. Depicting Shi-Shi Lion between peony and rock in gold, silver, red and ...

This modern organic bedside table, meticulously crafted from high-quality elm wood, combines functionality with natural elegance. Showcasing the wood's rich, warm tones and distincti...

Rare Antique Japanese Oversized Sleeping Kimono (Yogi) This is the outer shell of a type of shaped sleeping kimono known as a yogi. Yogi were in more common use during the Edo and M...

A luminous Chinese Art Deco rug from the 1920s–30s, hand-knotted with a striking palette of deep indigo, lavender, and soft blush. A bold rectangular navy field anchors the design, s...

A set of mid 20th century Japanese Sato Hakata Urasaki genuine clay dolls, hand woven textile, screen and othe pieces. The dolls are adorned with hand crafted and hand painted tradit...

A remarkable round cha'dansu (tea cabinet) crafted from a hollowed tree trunk, resting on an organically shaped three-root base. The exterior showcases a striking natural texture, e...

The first we have seen A spectacular and hard to find Inlaid mother of pearly - using the raden technique- and lacquered three-drawer Tansu complete with all original bronze accoutrement including a fine engraved antique long pipe and two removable covered bronze cylinders all executed by expert mid-19th century Edo samurai...