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Fine 19th Century Northern Italian Marquetry Cassapanca or Hall Bench

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Fine 19th Century Italian Venetian Carved Giltwood Armchair
Located in Benington, Herts
Finely carved mid 19th century Italian giltwood open armchair of wide proportions in the Rococo manner. Italy, Venice Circa 1860. The asymmetrical scroll and leaf-carved top rail, centred on a stylised shell within over scrolled uprights, above a newly upholstered grey silk padded and dished seat between scroll-ended arms, raised on a decorative foliate carved scrolling X-frame base with a conforming central stylised shell. In excellent condition having a wonderful look to the gilt work this gondola style chair...
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Antique 19th Century Italian Rococo Armchairs

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Silk, Giltwood

Exceptional 19th Century Marquetry Centre Table, Edward Holmes Baldock
By Edward Holmes Baldock
Located in Benington, Herts
An exceptional marquetry and ormolu centre table of exhibition quality attributed to Edward Holmes Baldock. English, circa 1840. Finely co...
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Antique Mid-19th Century British Early Victorian Center Tables

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Ebony, Maple, Tulipwood

Fine Matched Pair of 19th Century Italian Scagliola Siena Marble Columns
Located in Benington, Herts
A Fine Matched Pair of 19th Century Italian Scagliola Columns in Imitation of Siena Marble, of Excellent Quality, Colour and Proportion...
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Antique 19th Century Italian Pedestals and Columns

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Fine Pair of 19th Century Decorative Italian Painted and Parcel Gilt Armchairs
Located in Benington, Herts
Extremely fine pair of decorative 19th century Italian painted and parcel gilt armchairs of neoclassical design, Italian, late 19th century, circa 1880. Oozing style these very...
Category

Antique 19th Century Italian Armchairs

Materials

Silk, Giltwood

Fine Italian Early 19th Century Marble Group of Bacchus and Ariadne After the An
Located in Benington, Herts
Extremely fine marble group of Bacchus and Ariadne after the antique attributed to Carlo Albacini (1734 – 1813) Italy Rome circa 1800 Provenance A French Private Collection Carved in the round of white marble, the young couple shown walking and apparently exchanging words, his left arm gently wrapped around her shoulder, upholding part of her drapery, a wreath of fruit-bearing vines placed on his head, while hers shows no berries, from her right shoulder suspended a suggestive skin of a goat. In excellent condition having a restoration on Ariadne's left index finger. This finely carved sculptural group is one of a number of known examples of this subject, all inspired by a Greco-Roman classical original 1st and 2nd centuries A.D which is now in the Museum of Fine Arts in Boston (inv.68.770). Demonstrating the beginning of Bacchus' courtship of Ariadne and illustrates the “Return to Antiquity” which was expressed in numerous archaeological works in Rome at the end of the 18th Century. The subject matter made it perfect for a wide variety of settings and fine copies of the subject which survive in such collections as the Rothschilds at Waddesdon Manor, the Pitti Palace in Florence, the Musée des Beaux-Arts de Nantes, the Musées royaux des Beaux-Arts de Belgique and the National Trust property Erddig in Wales. This marble is exemplary of neoclassical aesthetics, by its ancient origin and by the creativity of the sculptor who perfectly links these two figures in the manner of Antonio Canova's standing groups (see Daedalus and Icarus or Venus and Adonis). This marble represents a moment of tender complicity illustrating the ability of neoclassical sculptors to detach themselves from ancient rigour in order to introduce an ideal of softness into their works. These two figures are not simply next to each other, but marry through the fusion of their drapes, through the play of glances and through the embracing gesture of Bacchus. Of the surviving 18th and early 19th century examples of this group, the finest are signed by or attributed to the Italian master Carlo Albacini (1734-1813). Albacini was a restorer of ancient marbles who worked extensively on such aristocratic assemblages as the Charles Townley collection, later to form the basis of the fine sculpture collections at the British Museum, whilst also creating copies of these antique pieces for his elite clientele. Aside from Townley, one of the most interesting and important English collectors of this period was the Earl of Bristol who had a fine house in Naples, a London townhouse and his Suffolk family seat Ickworth which he intended to fill with exceptional examples of art of all kinds. Bristol was a great patron of Italian artists and a chimneypiece from his collection that was supplied for his Italian home and later fitted at Ickworth was sold at Sotheby's on the 26th of November 2003 lot 87. This exceptionally carved chimneypiece...
Category

Antique 19th Century Italian Statues

Materials

Marble

Fine 19th Century Mahogany Leather Upholstered Wingback Armchair in the George I
Located in Benington, Herts
A well proportioned and substantial late 19th century carved mahogany wing-back armchair in the George II manner upholstered in a tan leather. English circa 1880. A fine quality and well drawn carved mahogany wing chair inspired by William Kent of the early 18th Century. Upholstered in a hand dyed natural leather with a feather cushioned seat, having grand proportions making this a very comfortable reading chair. The shaped sides with scrolled arms being finished with brass stud work, upon a finely carved mahogany base having a central satyr mask surrounded by foliage and ribbons raised on hipped cabriole legs with shell to the knee terminating on ball and claw feet. This impressive antique leather chair...
Category

Antique 1880s English George II Armchairs

Materials

Leather, Mahogany

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