Anglo-Indian Mughal Mother of Pearl Inlaid Dining Chair with Ram's Head

Anglo-Indian Mughal Mother of Pearl Inlaid Klismos Armchair with Ram Head. 1 of 2 available. Anglo-Indian Mughal black and white mother of pearl inlaid armchair with ram's head. Mother-of-pearl klismos style armchair with ram head detail. This stunning armchair feature a wooden frame inlaid with intricate and detailed floral design in white mother of pearl, camel bone and black color with scrolling ram's heads finish. A very good looking and well made Anglo Indian armchair. These are highly collectable, they must have taken hundreds of hours to craft, imagine hand cutting thousands of pieces of mother of pearl into just the right shape to make these Moorish Mughal mosaic inlay work. Chair seat was newly upholstered in a eggplant, lavender, purple colors fabric from Clarence House. Great to use in any exotic decor, Moorish, Moroccan Bohemian or as an accent in any modern or traditional decor. Vanity chair or desk chair or dining chair sure to be a conversation piece. 2 available, price is for one. Dimensions Height: 34.5 in. Back width: 25 in. Depth: 21 in. Seat height: 19.5 in. Seat width 20.5in. Petite armchair...

Nice and unusual Indian Mughal style large decorative box, filigree and carved horn. Anglo-Indian footed domed box with exceptional engraved details throughout with filigree and carved veneered bone plaques with arabesque carving. Vizagapatam, late 19th century. History of the Anglo-Indian Boxes Beginning in the early part of the 18th century, Indian artisans made what came to be known as Anglo-Indian boxes for the English residents living in India, who eventually brought or sent them back to England. At the beginning of the 19th century, India began exporting these boxes commercially, although not in any significant numbers until the 1850s. People valued them so highly that manufacturers of tins copied the designs on them in the late 19th and early 20th century. Anglo-Indian boxes fall into four groups: Rosewood or ebony boxes inlaid; sandalwood boxes veneered; sandalwood boxes covered with Sadeli mosaic; and carved boxes often combined with Sadeli mosaic/ The first two categories came from Vizagapatam in East India while the last two came from Bombay in West India. English traders discovered the rich woods and intricate workmanship of Indian artisans, so colonial government officials began to recognize the work of the Indian artists and craftsmen as a source for satisfying the need for furniture and boxes, which would both serve to enhance English households in India. This gave rise to the cabinetmaking workshops in Vizagapatam between Calcutta and Madras. Craftsmen made the first boxes to be decorated with Sadeli mosaic of rosewood or ebony, incised to give further definition to the decoration, directly inlaid into the wood. The shape of the early boxes was either sloping at the front with a flatter section at the back, reminiscent of English writing slopes, or rectangular. Artisans inlaid the borders with stylized floral scrolls and the centers with a single floral motif following a circular or oval symmetrical or asymmetrical pattern. The edging was ornamental and protective, both helped protect the end grain against the weather. Made in Vizagapatam, situated on the south east coast of India, near Madras These exotic boxes...

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