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Leda Armchair, Salvador Dalí
$65,167.03per item
£48,512.62per item
€54,390per item
CA$89,262.54per item
A$99,279.43per item
CHF 51,840.63per item
MX$1,208,125.04per item
NOK 662,083.99per item
SEK 620,917.97per item
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About the Item
Leda armchair, Salvador Dalí
Design inspired on an artwork by Salvador Dalí
Dimensions: 47 x 60 x 92 H cm
Materials: structure in cast polished and varnished brass.
Design inspired on an artwork by Salvador Dalí: Femme à tête de roses, 1935.
BDB.
- Creator:(after) Salvador Dali (Designer)
- Dimensions:Height: 36.23 in (92 cm)Width: 23.63 in (60 cm)Depth: 18.51 in (47 cm)
- Style:Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:Contemporary
- Production Type:New & Custom(Current Production)
- Estimated Production Time:7-8 weeks
- Condition:
- Seller Location:Geneve, CH
- Reference Number:Seller: BDB1stDibs: LU1219234405892
(after) Salvador Dali
Salvador Dali (1904 – 1989) was a Spanish surrealist artist renowned for his technical skill, precise draftsmanship and the striking and bizarre images in his work. Born in Figueres, Catalonia, Dali received his formal education in fine arts in Madrid. Influenced by Impressionism and the Renaissance masters from a young age, he became increasingly attracted to Cubism and avant-garde movements. He moved closer to Surrealism in the late 1920s and joined the Surrealist group in 1929, soon becoming one of its leading exponents. His best-known work, The Persistence of Memory, was completed in August 1931, and is one of the most famous Surrealist paintings. Dali lived in France throughout the Spanish Civil War (1936 to 1939) before leaving for the United States in 1940 where he achieved commercial success. He returned to Spain in 1948 where he developed his "nuclear mysticism" style, based on his interest in classicism, mysticism and recent scientific developments. Dali's artistic repertoire included painting, graphic arts, film, sculpture, design and photography, at times in collaboration with other artists. He also wrote fiction, poetry, autobiography, essays and criticism. Major themes in his work include dreams, the subconscious, sexuality, religion, science and his closest personal relationships. Some trends in Dali's work that would continue throughout his life were already evident in the 1920s. Dali was influenced by many styles of art, ranging from the most academically classic, to the most cutting-edge avant-garde. His classical influences included Raphael, Bronzino, Francisco de Zurbaran, Vermeer and Velazquez. Exhibitions of his works attracted much attention and a mixture of praise and puzzled debate from critic
Galerie Philia
Galerie Philia is an international contemporary sculptural design and art gallery representing emerging and established designers and artists. The gallery is the brainchild of two brothers who share a lifetime passion for art, literature and philosophy. Their distinct academic background sets them apart from their peers, as it sees them following a rhizomatic and transcultural approach in the way they select works. This involves combining elements from multiple cultures in what becomes a network of harmoniously interconnected roots, ultimately revealing the beauty of each unique creation. The gallery’s non-hierarchical curation sits apart from the ephemerality of trends and focuses instead on the true aesthetic quality of the piece – alluring and timeless. Unlike others, Galerie Philia does not focus on a single style – whether minimalist, organic or raw – but rather embraces heterogeneity. The Galerie Philia takes pride in discovering new talents, providing them with multiple international platforms to showcase their latest creations. As well as propelling the newest generation of 21st century collectible design, Galerie Philia also works with internationally known design artists. Galerie Philia has a strong international presence, with galleries in Geneva, New York and Singapore. In addition to their permanent spaces, the gallery organizes temporary group exhibitions and artists residencies in first-class locations around the world.
Different dimensions or material variations could be made to order.

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Armchair model "Leda" By Salvador Dalí Spanish surrealist 20th century design
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Located in Barcelona, ES
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Structure in polished cast brass varnish.
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Taken from “Femme à tête de roses" (1935)” 1935 (Woman with a head of roses). It was sufficient for this sculpture to be made as a three dimensional piece, remaining faithful to every detail in Dalí’s painting.
Dalí affirmed: “A chair can be used even to sit on, but only on one condition: That we sit uncomfortably.” We can sit on the Leda, but due to the fact that it only has three legs and that the chair is heavy, it being made of solid brass, is more a work of art than a functional piece of furniture.
© Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres, 2022
Artworks by Salvador Dalí: © Salvador Dalí, Fundació Gala-Salvador Dalí, VEGAP, Barcelona, 2022
Salvador Dalí is the most versatile and prolific artists of the 20th century and the most famous Surrealist. Though chiefly remembered for his painterly output, in the course of his long career he successfully turned to sculpture, printmaking, fashion, advertising, writing, filmmaking and design.
Born in Figueres, Catalonia, Dalí received his formal education in fine arts in Madrid. Influenced by Impressionism and the Renaissance masters from a young age, he became increasingly attracted to Cubism and avant-garde movements. He moved closer to Surrealism in the late 1920s and joined the Surrealist group in 1929, soon becoming one of its leading exponents.
In the Paris of the 1930s, Dalí surrounded himself with a circle of friends working in the application of art to a number of varied disciplines, beyond the study of purely pictorial art. One of these, Jean-Michel Frank, an acclaimed furniture designer and decorator in Paris at that time, got on extremely well with Dalí, and together they developed a number of ideas. One example of this is the Bracelli lamp, a classic design in Jean-Michel’s manner of designing and working that Dalí adopted for his home in Portlligat.
Among Dalí’s projects, which add to his CV as a designer, are the garden furniture for his home in Portlligat, the complete architecture of the Night Club (in the shape of a hedgehog) for the Hotel Presidente in Acapulco (1957) and a project for a bar in California in the 1940s.
His creations were not limited to traditional furniture elements, but included taps, handles, knobs, prints and objects of indeterminate use. In 1933, Dalí even registered the patent for the design of a bench as an outdoor seat. In the 1990s, a team of experts led by Oscar Tusquets set out to bring to life the furniture that Dalí had sketched for Jean-Michel Frank, including the Leda chair and low table taken from the 1935 painting “Femme...
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Taken from “Femme à tête de roses" (1935)” 1935 (Woman with a head of roses). It was sufficient for this sculpture to be made as a three dimensional piece, remaining faithful to every detail in Dalí’s painting.
Dalí affirmed: “A chair can be used even to sit on, but only on one condition: That we sit uncomfortably.” We can sit on the Leda, but due to the fact that it only has three legs and that the chair is heavy, it being made of solid brass, is more a work of art than a functional piece of furniture.
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Born in Figueres, Catalonia, Dalí received his formal education in fine arts in Madrid. Influenced by Impressionism and the Renaissance masters from a young age, he became increasingly attracted to Cubism and avant-garde movements. He moved closer to Surrealism in the late 1920s and joined the Surrealist group in 1929, soon becoming one of its leading exponents.
In the Paris of the 1930s, Dalí surrounded himself with a circle of friends working in the application of art to a number of varied disciplines, beyond the study of purely pictorial art. One of these, Jean-Michel Frank, an acclaimed furniture designer and decorator in Paris at that time, got on extremely well with Dalí, and together they developed a number of ideas. One example of this is the Bracelli lamp, a classic design in Jean-Michel’s manner of designing and working that Dalí adopted for his home in Portlligat.
Among Dalí’s projects, which add to his CV as a designer, are the garden furniture for his home in Portlligat, the complete architecture of the Night Club (in the shape of a hedgehog) for the Hotel Presidente in Acapulco (1957) and a project for a bar in California in the 1940s.
His creations were not limited to traditional furniture elements, but included taps, handles, knobs, prints and objects of indeterminate use. In 1933, Dalí even registered the patent for the design of a bench as an outdoor seat. In the 1990s, a team of experts led by Oscar Tusquets set out to bring to life the furniture that Dalí had sketched for Jean-Michel Frank, including the Leda chair and low table taken from the 1935 painting “Femme...
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Structure in polished cast brass varnish.
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Taken from “Femme à tête de roses" (1935)” 1935 (Woman with a head of roses). It was sufficient for this sculpture to be made as a three dimensional piece, remaining faithful to every detail in Dalí’s painting.
Dalí affirmed: “A chair can be used even to sit on, but only on one condition: That we sit uncomfortably.” We can sit on the Leda, but due to the fact that it only has three legs and that the chair is heavy, it being made of solid brass, is more a work of art than a functional piece of furniture.
© Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres, 2022
Artworks by Salvador Dalí: © Salvador Dalí, Fundació Gala-Salvador Dalí, VEGAP, Barcelona, 2022
Salvador Dalí is the most versatile and prolific artists of the 20th century and the most famous Surrealist. Though chiefly remembered for his painterly output, in the course of his long career he successfully turned to sculpture, printmaking, fashion, advertising, writing, filmmaking and design.
Born in Figueres, Catalonia, Dalí received his formal education in fine arts in Madrid. Influenced by Impressionism and the Renaissance masters from a young age, he became increasingly attracted to Cubism and avant-garde movements. He moved closer to Surrealism in the late 1920s and joined the Surrealist group in 1929, soon becoming one of its leading exponents.
In the Paris of the 1930s, Dalí surrounded himself with a circle of friends working in the application of art to a number of varied disciplines, beyond the study of purely pictorial art. One of these, Jean-Michel Frank, an acclaimed furniture designer and decorator in Paris at that time, got on extremely well with Dalí, and together they developed a number of ideas. One example of this is the Bracelli lamp, a classic design in Jean-Michel’s manner of designing and working that Dalí adopted for his home in Portlligat.
Among Dalí’s projects, which add to his CV as a designer, are the garden furniture for his home in Portlligat, the complete architecture of the Night Club (in the shape of a hedgehog) for the Hotel Presidente in Acapulco (1957) and a project for a bar in California in the 1940s.
His creations were not limited to traditional furniture elements, but included taps, handles, knobs, prints and objects of indeterminate use. In 1933, Dalí even registered the patent for the design of a bench as an outdoor seat. In the 1990s, a team of experts led by Oscar Tusquets set out to bring to life the furniture that Dalí had sketched for Jean-Michel Frank, including the Leda chair and low table taken from the 1935 painting “Femme...
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