Pair Ornate Handcarved Teak Curule Chairs

Pair of Spanish Colonial Parcel Gilded and Red Painted Wood Side Chairs, 18th century, with red velours covered backs and seats, carved shall crests, and ball-and-claw feet. 37" H x ...

Pair of Russian Empire Upholstered Mahogany Chairs, early 19th century, with green cloth seats, partial gilt lions paw feet, marquetry inlay to top of backrest. 35" H x 20.5" W x 20....

Pair of Mid-Century Modern Style Lucite "Z" Chairs, unsigned. 34" H x 16" W x 19.5" D; seat: 17.75" H. Provenance: From a Greenwich Village Estate.

Pair of Regency Style Giltwood Side Chairs, with blue mohair covered seats and backs on four tapered curved legs. 36.5" H x 21.5" W x 22" D; 20" H. Provenance: Philadelphia, Private...

Square drop light Curule chair by Nów Designed by Square Drop Dimensions: D 46 x W 67 x H 69.5 cm Materials: stained, solid ash wood, brass hardware, natural wool seat Agniesz...

We are delighted to offer for sale this stunning pair of very important looking hand carved with giltwood accents occasional chairs These are very decorative side chairs, I’m sur...

We are delighted to this very rare pair of Thomas Chippendale era circa 1760 Library chairs with period embroidered upholstery These are a very rare and highly collectible pair of Library chairs, they were made in the Chippendale era and closely after his designs, the fret work carving, ornate legs, all very finely executed by a master craftsman The upholstery is all original embroidery, the colours are very much of the period and not seen on later reproduction pieces. These are an exceptional example and would be highly prized in any collection The chairs have been lightly restored to include some work to the carvings, the timber has been sympathetically French polished to ensure none of the original charm and patina has been lost A period pair of Chippendales by the great man himself (which these could be) would retail for the high hundreds of thousands, however alas Chippendales are only originals if they come with iron clad provenance, a difficult thing to keep hold of for nearly 250 years. One of the chairs has a plaque to the base for Charles Tozer of 25 Brook street London, Mr Tozer was a very well respected Antiques dealer in the early 20th to mid 20th century that specialised in 18th century furniture Dimensions: Height 97cm Width 64cm Depth 65cm Please note all measurements are taken at the widest point Thomas Chippendale (1718–1779) was born in Otley in the West Riding of Yorkshire, England in June 1718. He became a cabinet-maker in London, designing furniture in the mid-Georgian, English Rococo, and Neoclassical styles. In 1754 he published a book of his designs, titled The Gentleman and Cabinet Maker's Director, upon which success he became renowned. The designs are regarded as representing the current British fashion for furniture of that period and are now reproduced globally. He was buried 16 November 1779, according to the records of St Martin-in-the-Fields, in the cemetery since built upon by the National Gallery. Chippendale furniture is much valued; a padouk cabinet that was offered for auction during 2008 sold for £2,729,250. Life "A Design for a State Bed" from the Director, 1762. Chippendale was born the only child of John Chippendale (1690–1768), joiner, and his first wife Mary (née Drake) (1693–1729). He received an elementary education at Prince Henry's Grammar School. The Chippendale family had long been involved with the wood working trades and so he probably received his basic training from his father, though it is believed that he was also trained by Richard Wood in York, before he relocated to London. Wood later ordered eight copies of the Director. On 19 May 1748 he married Catherine Redshaw at St George's Chapel, Mayfair and they had five sons and four daughters. During 1749 Chippendale rented a modest house in Conduit Court, near Covent Garden. In 1752 he relocated to Somerset Court, off the Strand. In 1754 Chippendale relocated to 60–62 St Martin's Lane in London, where for the next 60 years the family business operated, until 1813 when his son, Thomas Chippendale (Junior), was evicted for bankruptcy. During 1754 he also began a partnership with James Rannie, a wealthy Scottish merchant, who put money into the business at the same time as Chippendale produced the first edition of the Director. Rannie and his bookkeeper, Thomas Haig, probably cared for the finances of the business. His wife, Catherine, died during 1772. After James Rannie died in 1766, Thomas Haig seems to have borrowed £2,000 from Rannie's widow, which he used to become Chippendale's partner. One of Rannie's executors, Henry Ferguson...

Awesome vintage Spanish Revival Savonarola or Curule chair with velvety chenille fabric and hammered steel nail head details. Beautiful condition, keeping in mind that this is vintage and not new so will have signs of use and wear. Please see photos and zoom in for details. We attempt to portray any imperfections. Circa, 1960-1970’s. This is a chair fit for a KING… or a QUEEN!!! This is an absolutely fabulous chair… some call it a Savonarola or Curule chair, it may also be known as a Renaissance or Dante style chair. All correct, and all very similar in style with slightly different features. It is palatial in structure with a wide U-shaped seat and frame with curved legs which create an X style base. It is comprised of gorgeous dark stained wood with horizontal turned spindles under the arms and turned stretchers on the base. The seat and back is upholstered in a fantastic gold striped velvety chenille fabric with hammered steel nail head details, and it has a carved flower motif in the center under the seat. It is sturdy, richly carved, and has a spacious, splendid design! It is Spanish Revival in style with a bit of Medieval or Renaissance Revival flair and it is sure to be an eye-catching piece in any room of your home. It would be wonderful in a corner of your bedroom, in the study across from the fireplace, or as an accent chair in the living room. It would be awesome in a game room surrounded with medieval or Renaissance décor...