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Teak Slatback Chairs with Woven Danish Cord Seats, Denmark ca 1960s

About the Item

The designs of most of Danish mid-century modern furniture designers and architects aimed at functionality, an equally minimalist and appealing appearance and easy accessibility. This pair of slatback chairs with woven Danish paper cord seats is perhaps one of the best examples of these principles of the Danish modern design. These beautifully shaped armchairs with a Shaker-like design clarity and honesty not only exude mid-century modern charm but also the organicity of wabi-sabi and japandi style pieces. The most attention-grabbing visual element of this pair’s design are the backrests, with six wooden spindles that create an airy look that recalls the traditional slatback chair style. The lightly curved top rails and arms have a sculptural look, mimicked by the armrests that are also supported by a single bent slat in the front. This creates a unified appearance that highlights the diverse shapes and the natural beauty of the teak wood and its versatile grain. Interesting details are to be found everywhere in the design, including the perfectly fitted, woven paper cord seats and the uniquely arranged stretchers connecting the legs. As the lower structures with the legs and stretchers combine straight lines with smooth surfaces and a geometric arrangement, the design gains a sculptural look that is appealing from all angles. The structure displays a beautiful contrast between the smooth teak frames and the organic and textured Danish paper cord seats. One material that is often vastly underrated is Danish cord. Noteworthy for its durability, Danish cord is also beloved for its functional and aesthetic qualities. As the name implies, it is a product of Denmark that became an important material in the Danish Modern period of the 1940s and 1950s. Danish cord is a strong, three-ply, paper cord roughly 1/8” in diameter. Renowned designers such as Hans Wegner and Børge Mogensen employed Danish cord in some of their most iconic designs. The woven or basket form of seats of this pair of armchairs have a tight, visually pleasing pattern in great condition. Extremely modest and confident at the same time is how these chairs can be best described. The most renowned Danish designers of the era preferred to work with traditional and natural materials, but also liked to experiment with new techniques; the resulting models - such as this pair - are Danish Modern classics. Condition: In good vintage condition. Wear consistent with age and use. Some small marks and scratches on the wood and the paper cord. Dimensions: 24.8 in W x 24.01 in D x 33.66 in H; Seat height 16.14 in; Arm height 24.01 in 63 cm W x 61 cm D x 85.5 cm H; Seat height 41 cm; Arm height 61 cm
  • Dimensions:
    Height: 33.67 in (85.5 cm)Width: 24.81 in (63 cm)Depth: 24.02 in (61 cm)Seat Height: 16.15 in (41 cm)
  • Sold As:
    Set of 2
  • Style:
    Mid-Century Modern (Of the Period)
  • Materials and Techniques:
    Cord,Teak,Woven
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    ca 1960s
  • Condition:
    Wear consistent with age and use. Some small marks and scratches on the wood and the paper cord.
  • Seller Location:
    Utrecht, NL
  • Reference Number:
    Seller: 202321191stDibs: LU2947337893142

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Beech Slatback Chairs by Børge Mogensen for FDB Møbler, Denmark 1960s
By FDB Møbler, Børge Mogensen
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The designs of Borge Mogensen aimed at functionality, minimalist appearance and easy accessibility. This pair of slatback chairs is perhaps one of the best examples of these principles of the Danish master with a rustic yet modern design. The most attention-grabbing visual element of this rare model is the backrest with eight wooden spindles that create an airy look that recalls the traditional slatback chair style. The curved top rails have a sculptural look mimicked by the armrests that are also supported by individual slats. This creates a unified appearance that highlights the diverse shapes and the natural beauty of the beech wood and its versatile grain. Interesting details are to be found everywhere in the design, including the perfectly fitted seat cushions and the uniquely arranged stretchers connecting the legs. As the lower structure with the legs and stretchers combine straight lines with round shapes, the design gains a sculptural look that is appealing from all angles. The structure displays a beautiful contrast between the smooth beech frame and the elegant and textured bouclé fabric of the cushions. The chair’s manufacturer, FDB Møbler is a Danish furniture company established in 1942, and Børge Mogensen served as the design studio’s manager. Mogensen and the designers he employed came from the Copenhagen Cabinetmaker's Guild tradition and were unwilling to prioritize anything over craftsmanship and quality. Extremely modest and confident at the same time is how these chairs can be best described. Mogensen preferred to work with traditional and natural materials, but also liked to experiment with new techniques; the resulting models are Danish Modern classics. Condition: In good vintage condition. The chairs’ cushions have been reupholstered recently in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information. Dimensions: 23.42 in W x 24.4 in D x 32.48 in H; Seat height 18.11 in; Arm height 25.39 in 59.5 cm W x 62 cm D x 82.5 cm H; Seat height 46 cm; Arm height 64.5 cm About the designer: Borge Mogensen is without a doubt one of the most famous Danish designers. Born in 1914 in Aalborg, Mogensen was trained as a cabinetmaker and studied at the Danish School of Arts and Crafts in Copenhagen from 1936 to 1938, and architecture at the Royal Danish Academy of Fine Arts’ School of Architecture between 1938 and 1942. At the beginning of his career, he became head of F.D.B. Mobler’s furniture design studio. In 1950, he started his own design studio, collaborating with manufacturers Soborg, the Swedish company Karl Andersson and the famous manufacturer Fredericia from 1955. The collaboration with the latter resulted in many of Mogensen’s most famous furniture pieces, including the “Spanish Chair” and the “Ambassador Sofa...
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Mid-century designers were eager to break free from the aesthetics of the past and experiment with new forms, and techniques. At the same time, especially in Europe, the modernist design movement was often based on traditional styles and techniques, such as turned chairs. Turned chairs — sometimes called thrown chairs or spindle chairs — represent a style of Elizabethan or Jacobean turned furniture that had a vogue in the late 16th and early 17th century. The technique was carried on to the 20th century and was widespread in Europe as well, where craftsmen created durable pieces for various interiors and purposes. In turned furniture, the individual wooden spindles of the piece were made by shaping them with chisels and gouges while they were being spun, or turned between the centre points of a lathe. The construction of this pair is evocative of the more robust Arts and Crafts Movement, featuring subtle decorative elements such as the finials atop the backs. The sphere-shaped finials aren’t the only ornamentations on the design; the shape of the two splats on the back, the carved stretchers and carving on the feet are all decorative features that make this pair visually arresting. In later turned chairs, like this pair, rush seats were common. Here, the seats are woven around the frames with a light colour that beautifully contrasts to the dark, patinated wood. The partnership of the two natural materials is very effective as well; the wood and rush pair...
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