Woven Rush Amsterdamse School Chair by Jac. Levee, The Netherlands 1930s

In 1920, the term "Nieuwe Haagse School" was first mentioned by the architect C.J. Blaauw. And not in a positive way, incidentally. Blaauw thought nothing of the latest developments ...

The Amsterdamse School was an influential Dutch architectural and design movement that emerged in the early 20th century, leaving an indelible mark on the cultural landscape of the N...

Inspired by the British Arts and Crafts movement, Dutch designers adopted a commitment to handcraft and the idea that artistic talent should benefit society. Following the international Art Nouveau movement, they practised integration of all the arts and drew motifs from nature, rather than eclectic historical precedents. This rare pair is a beautiful representation of the movement’s heritage in the Netherlands. The Dutch Arts & Crafts movement borrowed from the indigenous patterns and techniques of the Dutch East Indies colony, as well as the sober Old Dutch furniture...

Mid-century designers were eager to break free from the aesthetics of the past and experiment with new forms, and techniques. At the same time, especially in Europe, the modernist design movement was often based on traditional styles and techniques, such as turned chairs. Turned chairs — sometimes called thrown chairs or spindle chairs — represent a style of Elizabethan or Jacobean turned furniture that had a vogue in the late 16th and early 17th century. The technique was carried on to the 20th century and was widespread in Europe as well, where craftsmen created durable pieces for various interiors and purposes. In turned furniture, the individual wooden spindles of the piece were made by shaping them with chisels and gouges while they were being spun, or turned between the centre points of a lathe. The construction of this pair is evocative of the more robust Arts and Crafts Movement, featuring subtle decorative elements such as the finials atop the backs. The sphere-shaped finials aren’t the only ornamentations on the design; the shape of the two splats on the back, the carved stretchers and carving on the feet are all decorative features that make this pair visually arresting. In later turned chairs, like this pair, rush seats were common. Here, the seats are woven around the frames with a light colour that beautifully contrasts to the dark, patinated wood. The partnership of the two natural materials is very effective as well; the wood and rush pair...

Nice Gerrit Rietveld 'Crate' chair. This chair is designed in 1934, however, we think this is a Cassina edition from the 1970s. This chair is made out of ash wood and has a colorless lacquer. 'Gerrit Rietveld designed the 'crate' series of furniture built from standardized pine boards – cheap material for packing crates – which were soon well-known as ‘crate furniture’. 'From 1935 on the progressive designs appeared at Metz & Co, where furniture by Rietveld had already been sold since 1930. The crate desk...

Rare and unusual Amsterdam School Dutch Art Deco armchair, attributed to Michel de Klerk, circa 1930s. This sculptural armchair features a stai...

Originally designed by Mel Smilow in 1956 and officially reintroduced by his daughter Judy Smilow in 2013, the Woven Rush Lounge Chair is class...

These two oak chairs stand as striking examples of the New Hague School's craftsmanship. Their design reflects a balance between functionality and refined simplicity, encapsulating t...