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Mid-Century French Rush-Seated Chair with Rustic Modernity, 1950's

About the Item

"Perfection is achieved not when there is nothing more to add, but when there is nothing left to take away." — Antoine de Saint-Exupéry. France, 1950s. A pure expression of French vernacular design, this rush-seated chair by Georges Robert embodies a delicate balance between rustic tradition and sculptural modernity. Crafted from solid, hand-turned wood, its subtly bleached finish accentuates the natural grain, softening the silhouette while preserving the material’s raw integrity. The woven rush seat, arranged in a meticulous star pattern, adds an element of warmth and artisanal craftsmanship, making it as tactile as it is timeless. The defining feature, however, lies in its distinctive finials—two perfectly rounded, wood-turned boules perched atop the backrest. These sculptural details lend the piece a sense of balance and quiet rhythm, subtly elevating its rustic elegance. Echoing the French modern rustic movement, Georges Robert’s work is a seamless dialogue between the past and present. Inspired by the principles of Charlotte Perriand and Jean Royère, his designs reinterpret traditional provincial forms through a modernist lens, distilling them to their essential beauty. The ladder-back silhouette, with its fluid crossbars and spherical finials, recalls the honesty of rural craftsmanship while introducing a bold, architectural presence. Signature boules finials feature two rounded spheres crowning the backrest, a sculptural motif that defines Georges Robert’s signature style. The ladder-back silhouette incorporates three gently curved crossbars, balancing structure with organic flow. Sculptural proportions create a bold interplay of cylindrical legs and fluid linearity. The hand-woven rush seat is traditionally crafted for breathability, comfort, and rustic charm. A bleached wood finish lightens the piece while preserving its raw, tactile essence. Robert’s work embodies the poetry of everyday objects, where material honesty and careful proportion transform functional furniture into art. The boules add a sense of playfulness and balance, evoking the tactile qualities of turned wood, while the chair’s construction remains deeply rooted in French countryside craftsmanship. More than a seat, this piece is a testament to the enduring harmony between tradition and modernity. This piece has been carefully restored to preserve its integrity while respecting its original patina and traces of time. Signs of age remain as a testament to its history and authenticity. For further details, we welcome inquiries from discerning collectors and invite you to consult our design specialists. A rare discovery in mid-century French design. For those seeking an extraordinary addition to their collection, inquiries are welcome.
  • Similar to:
    Charlotte Perriand (Designer)
  • Dimensions:
    Height: 37.6 in (95.5 cm)Width: 17.72 in (45 cm)Depth: 17.54 in (44.54 cm)Seat Height: 17.92 in (45.5 cm)
  • Sold As:
    Set of 6
  • Style:
    Brutalist (Of the Period)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    circa 1950
  • Condition:
    Refinished. Wear consistent with age and use. Meticulously preserved by Jada to maintain its structural integrity while honoring its original patina, this piece retains the quiet imprint of time, bearing witness to its history and authenticity. Inquiries from discerning collectors are welcome.
  • Seller Location:
    Kaštel Sućurac, HR
  • Reference Number:
    Seller: 4045112110171stDibs: LU4245143939482

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