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Set of 6 Dining Room Chairs by Carlo Ratti in Plywood and Metal, Italy, 1954
$8,033.88
£6,021.89
€6,800
CA$11,037.18
A$12,321.98
CHF 6,456.53
MX$150,833.08
NOK 81,998
SEK 77,313.70
DKK 51,764.08
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About the Item
We fully restored this set by adding new small pieces of veneer (where needed) to all the chairs and lacquering them three times. More than 10% of the veneer had to be replaced but hey you want to be circular and sustainable right? The result is a fully up-cycled set of the famous Carlo Ratti dining room chairs. A professional restorer has spent days cutting the right pieces of veneer and putting them back in place. So 90% of the chairs are intact and for the other 10% we gave them the old Levi's 501 look where you can clearly see the multiple different restorations if you look from close by. From a small distance it's hard to see. As a dealer I buy a lot of pieces and very often you can see former reparations in the veneer. When this is nicely done and you see these nice details after a while, I always get a bit delighted by this. It contributes to the value because labor and craftsmanship is something luxurious nowadays and it means that someone has put time and energy into something. It also contributes to the environmental and circular mindset that people have nowadays. Why not making old chairs beautiful again instead of buying new ones? Such a restoration project just feels very right somehow. We hope you feel the same and that you like the end result just as much as we do.
About the chairs themselves: They have some similarities with the Medea chais by Vittorio Nobili because of the curved and bended wood. In the 1950's this became increasingly popular when new methods of production were invented. By steaming the multiplex and putting them in a mold you could bend them in almost any shape. The difference with the Medea chairs are the straight top of the backrest and and the seating and also the slit in the middle seating part where the wood comes together. The slit is held in place by the metal frame. Note that this metal frame is still very original and still has the small metal cross connection at the bottom. Not many sets have this and it's still in very good condition.
Smart shipping: we can detach the seating from the frame making it much cheaper to ship them. Please let me know if you are interested in this because the price is now based on an assembled state.
Note that we still have the Carlo Ratti dining table available as well so you can make a congruent set. The last picture shows this. The table is not part of this lot.
- Creator:Società Compensati Curvati (Maker),Carlo Ratti (Designer)
- Dimensions:Height: 31.5 in (80 cm)Width: 18.12 in (46 cm)Depth: 21.66 in (55 cm)Seat Height: 15.75 in (40 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1950's
- Condition:Refinished. Wear consistent with age and use. Very nicely restored and newly lacquered wood.
- Seller Location:Uithoorn, NL
- Reference Number:1stDibs: LU5211239848742
About the Seller
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- ShippingRetrieving quote...Shipping from: Uithoorn, Netherlands
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In 1919, in Milan, the first Lombard Exhibition of Decorative Arts was set up (later to become the Triennale) and the Ratti brothers exhibited their furniture in solid wood but also in curved panel with a new system of curvature, the one in Telo.
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The Expo became meeting places to verify and present the novelties in the furniture and industrialization sector and, with the development of Industrial Design, the first architects joined in the design of the furniture industries.
The Ratti Brothers, in the various international and national exhibitions, also presented incredible objects in their realization with the system in Telo.
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In Italy, at the beginning of the XX century, industries of curved solid wood arose under license of Michael Thonet, and through the International Exhibitions the processing of curved wood became more and more widespread.
The Expo of the first decade was also attended by the wood manufacturers of Monza, while in 1905 Otto Helzer, in Switzerland, patented wooden structures in curved laminated, whose strength was equivalent to those in steel.
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The brothers Ratti, Carlo and Mario, also began to follow the young artistic avant-gardes (cubism, futurism and abstractionism).
The mastery of wooden sculpture influenced Carlo in the design and realization of furniture of fine neo-plastic artistic workmanship and decò, receiving honors from the Prince of Piedmont Umberto di Savoia.
In 1919, in Milan, the first Lombard Exhibition of Decorative Arts was set up (later to become the Triennale) and the Ratti brothers exhibited their furniture in solid wood but also in curved panel with a new system of curvature, the one in Telo.
The canvas system was developed by the Ratti brothers with the help of a friend, Cesare Cantù.
They developed an elastomer bag in which the mould was inserted with the panel to be bent and, closing it with clamps, the air inside was removed, thus making the panel adhere to the mould.
Carlo and Mario found in the Telo system a means by which they could make objects and furniture in the three spatial directions with large surface curvatures, without limits of thickness and minimum radii of curvature.
In 1921 in Stuttgart the first Salone del Mobile was inaugurated and the Fratelli Ratti of Monza made itself known internationally by presenting solid wood furniture and also furniture in load-bearing plywood, flanked by furniture with framed and interchangeable covers.
The Expo became meeting places to verify and present the novelties in the furniture and industrialization sector and, with the development of Industrial Design, the first architects joined in the design of the furniture industries.
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