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Vintage Pair Regency Revival Mahogany Bar Back Dining Chairs 20th Century

$1,066.72per set
£775per set
€908.43per set
CA$1,456.28per set
A$1,620.05per set
CHF 849.25per set
MX$19,796.62per set
NOK 10,814.15per set
SEK 10,180.03per set
DKK 6,781.05per set
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About the Item

A superb English made pair of Regency Revival side chairs dating from the late 20th century. These chairs have been masterfully hand crafted in beautiful solid flame mahogany throughout and the finish and attention to detail on display are truly breathtaking. They both feature an attractive bar back design with hand carved decoration and 'drop in' seats that are upholstered in the finest olive green suede effect fabric. Transform the fine dining experience in your home with this set of dining chairs fit for a king. THE BOTANICAL NAME FOR THE MAHOGANY THAT THIS ITEM IS MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION AND DOES NOT CONTAIN ANY RESTRICTED MATERIALS. Condition: In excellent condition having been beautifully polished in our workshops, please see photos for confirmation. Dimensions in cm: Height 86 cm x Width 48 cm x Depth 43 cm - Chairs Dimensions in inches: Height 2 foot, 10 inches x Width 1 foot, 7 inches x Depth 1 foot, 5 inches - Chairs Flame Mahogany Thomas Sheraton - 18th century furniture designer, once characterized mahogany as "best suited to furniture where strength is demanded as well as a wood that works up easily, has a beautiful figure and polishes so well that it is an ornament to any room in which it may be placed." Matching his words to his work, Sheraton designed much mahogany furniture. The qualities that impressed Sheraton are particularly evident in a distinctive pattern of wood called "flame mahogany." The flame figure in the wood is revealed by slicing through the face of the branch at the point where it joins another element of the tree. Our reference: 04232k
  • Dimensions:
    Height: 33.86 in (86 cm)Width: 18.9 in (48 cm)Depth: 16.93 in (43 cm)
  • Sold As:
    Set of 2
  • Style:
    Regency Revival (In the Style Of)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
    1990-1999
  • Date of Manufacture:
    circa 1990
  • Condition:
  • Seller Location:
    London, GB
  • Reference Number:
    Seller: 04232k1stDibs: LU950637962122

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A superb and striking pair of Sheraton Revival mahogany and satinwood banded chairs, Circa 1900 in date. The high back chairs feature satinwood banding with boxwood and ebonised line inlay and wonderful foliate carved decoration. The square tops are supported by a pair of ionic columns which frame rails above criss-cross splats. The overstuffed golden upholstered seats are above satinwood banded seat rails and the chairs are raised on reeded taping legs that terminate in decoratively carved spade feet. It is rare to find such a perfectly sculpted pair of chairs. THE BOTANICAL NAME FOR THE MAHOGANY THESE CHAIRS ARE MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION. Condition: In excellent condition having been cleaned, polished, and waxed in our workshops. Please see photos for confirmation. Dimensions in cm: Height 96 x Width 47 x Depth 49 - Chairs Dimensions in inches: Height 3 foot, 2 inches x Width 1 foot, 6 inches x Depth 1 foot, 7 inches - Chairs Thomas Sheraton (1751 - 1806) was an English cabinetmaker and one of the leading exponents of Neoclassicism. Sheraton gave his name to a style of furniture characterised by a feminine refinement of late Georgian styles and became the most powerful source of inspiration behind the furniture of the late 18th century. His four-part Cabinet-Maker and Upholsterers’ Drawing Book greatly influenced English and American design. Sheraton was apprenticed to a cabinetmaker, but he became better known as an inventor, artist, mystic, and religious controversialist. Initially he wrote on theological subjects, describing himself as a “mechanic, one who never had the advantage of collegiate or academical education.” He settled in London c. 1790, and his trade card gave his address as Wardour Street, Soho. Supporting himself mainly as an author, Sheraton wrote Drawing Book (1791), the first part of which is devoted to somewhat naive, verbose dissertations on perspective, architecture, and geometry and the second part, on which his reputation is certainly based, is filled with plates that are admirable in draftsmanship, form, and proportion. In 1803 Sheraton, who had been ordained a Baptist minister in 1800, published his Cabinet Dictionary (with plates), containing An Explanation of All Terms Used in the Cabinet, Chair and Upholstery Branches with Dictionary for Varnishing, Polishing and Gilding. Some of the designs in this work, venturing well into the Regency style, are markedly unconventional. That he was a fashionable cabinetmaker is remarkable, for he was poor, his home of necessity half shop. It cannot be presumed that he was the maker of those examples even closely resembling his plates. Although Sheraton undoubtedly borrowed from other cabinetmakers, most of the plates in his early publications are supposedly his own designs. The term Sheraton has been recklessly bestowed upon vast quantities of late 18th-century painted and inlaid satinwood furniture...
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