Chrome + Cowhide Tube Chair, Italy 1970s

Sold and priced individually.  One available/one sold. A striking ‘Omega’ armchair by Habitat, this iconic design was crafted in England between 1985 and 1997. Defined by a sleek tu...

A pair of Italian lounge chairs from the 1970s, embracing bold geometric shapes and plush forms. The cushions are complemented by rolled, cylindrical arm and backrests, balancing a p...

A 1960s Danish lounge chair, defined by its modernist silhouette and meticulous craftsmanship. The chair’s angular chrome frame contrasts beautifully with the rich, chocolate brown l...

A 1960s Danish lounge chair, defined by its modernist silhouette and meticulous craftsmanship. The chair’s angular chrome frame contrasts beautifully with the rich, chocolate brown l...

Vintage chrome chair, newly upholstered by previous owner. The upholstery shows some sighns of use (see photo). Seat hight is 43 cm. There is anot...

French modernist armchair from the '40s. Chrome-plated tubular steel frame, seat, back and armrests in beige imitation leather (original fabric). Beautiful vintage condition, with tr...

Vintage Leather and chrome Tubular Lounge Sling Chair, 1960s Wear consistent with age and use. Lounge chairs - Vintage - Seating Measures : 62x62...

Modernist lounge chair in tubular chromed steel, camel velvet, Italy, 1970 With their sleek cantilever structure and soft round forms, these modernist lounge chairs encapsulate the radical spirit of 1970s Italian design. The chromed tubular steel frame defines a low-slung silhouette that balances structural clarity with sculptural presence. A continuous loop forms the base and supports both seat and backrest, showcasing an expressive mastery of bent metal—a material language that traces its roots back to the revolutionary designs of Le Corbusier and Charlotte Perriand in the 1930s, such as the iconic LC7 chair for Cassina. The round backrests and wide seats are upholstered in a camel velvet, contributing warmth and tactility to the otherwise minimal composition. The contrast between the industrial frame and the sensual upholstery echoes the experimental ethos of postmodern design, reminiscent of the aesthetic explorations of Giandomenico Belotti or Cini Boeri, whose work often blended technical rigor with emotional appeal. Though the author of this piece remains unidentified, the chairs stand out as emblematic of the avant-garde production of the Italian furniture scene during the late 20th century, when designers sought new formal languages through material innovation and structural boldness. Comparable in spirit to Belotti’s “Spaghetti” chair...