Midcentury Danish Modern Leather Sling Lounge Chair in Teak by Odd Knutson

An ultra sleek matching pair of slipper chairs made by Cappellini in Italy. They feature minimal steel frames and red fabric cushions. Very comfortable chairs. Price includes the pai...

A simple and sleek modern pair of slipper chairs after Florence Knoll circa 1970's. These feature their original upholstery with bronze f...

A classic pair of decorator slipper lounge chairs circa 1970's and made by Swaim. Well made chairs. Fabric is original and needs recovering. Foam and padding are soft.

An extremely comfortable rosewood and leather lounge chair designed by Sigurd Ressell in Brazil. It features a solid rosewood frame with a soft leather sling upholstery. Original & c...

Wrought iron and leather sling lounge chairs designed by Jerry Johnson for Leathercraft, circa 1954. Three available, two as pictured the 3rd can be custom fitted to your choice of c...

Clean Lined Danish Modern "Moduline" model slipper chair, designed by Torben Lind and Ole Gjerlov-Knudsen for France and Sons, Denmark, circa 1960s. This chair is currently being ref...

A midcentury cocktail chair by Theo Ruth for Artifort, 1950s. Upholstered with the original rust orange fabric. Lovely proportions and lines in a high end production.

Florence Knoll for Knoll International, lounge chair, model '51', teak, fabric, United States, 1955 This slipper chair model 51 is designed by Florence Knoll. The teak frame of the chair is sleek in form. The angled seat is placed upon the squared-off frame. Maximum seating comfort is ensured by the wide seat and tilted backrest. Florence Knoll (1917-) was trained as an architect and had a sense of style from a very young age. In 1936 she met Alvar Aalto and was trained by Marcel Breuer, Walter Gropius and Mies van der Rohe. This meant that although she was barely out of her teens, she was educated by the best of the European modernists. When she arrived in New York Knoll worked on interior projects (being the only female) which is how she came to know Hans Knoll. When Florence joined Knoll, the planning unit started. Florence also made sure that the designs where more 'American Modernist' instead of Scandinavian, When Hans Knoll died she...