Vintage G Plan Housemaster Swivel Lounger Armchair Teak Chrome Wool No1

Teak sleigh leg lounge chair by Danish architect-designers Peter Hvidt & Orla Mølgaard for France & Son. Model FD130. Labelled. Circa 1960. The chair having the original charcoal gr...

Arne Hovmand Olsen Set of Four Teak & Leather Dining Chairs. Danish - Circa 1960. The chairs have sculptural curved backs, and the teak frames are in very good condition. There are...

19th Century oak & leather Burgermeister armchair. English. Circa 1880. Of unusual form, this style of chair was previously known as a 'round chair', and was first made in the forme...

An antique Chinese open hardwood armchair. Circa 1880. The chair shows good patina and age related wear to the finish. An upright design with an arched splat following the curve of ...

An absolutely stunning English mid-century Housemaster swivel chair in teak with original patterned fabric and chrome. Circa 1970, this design classic was conceived by K M Wilkins...

• Model 6250R most comfortable chair is named after the year in which it was designed 1962 by G Plan. It was marketed as "The World's Most Comfortable Chair". • It is an iconic design, recognised as one of the great modern pieces of furniture • Possibly one of the most famous chairs ever to be captured on celluloid, the 6250 was supervillain Blofeld’s chair in the Bond movie You Only Live Twice (1967), Blofeld uses the chair in the control center of his Volcano lair in Japan. Similar or the same model chairs can also be seen in Goldfinger (1963) in Goldfinger's private jet that brings James Bond (Sean Connery) and Pussy Galore (Honor Blackman) to the United States. A 6250 chair can also be seen in the Beatles film Help! (1965), where it's part of the furniture in the Beatles house. At some point in the film, John Lennon sits in the chair playing a guitar. • Its distinctive big wings and soft foam cushioning with deeply buttoned back provide the ultimate in comfort. For added luxury it rocks, glides and swivels too. • This striking vintage armchair, order 0481174 30, is in exceptional original condition, retaining its original Vandyck draylon brown upholstery, G-Plan label, star design oak base and castors. The chair used in YOU ONLY LIVE TWICE was auctioned at Julien's on December 5th 2014, selling for $16,250. The auctioned chair...

We are delighted to offer for sale extremely rare and important lightly restored, original, Herman Miller No1 1960's black leather and Rosewood lounge armchair and ottoman This is...

We are delighted to offer extremely rare and important pair of fully restored, original, Herman Miller No1 & Herman Miller Hillie circa 1958-1960 black leather and Rosewood lounge armchairs and ottomans These are pretty much the most iconic and well known armchair and ottoman ever made, exhibited countless times, displayed in the V&A, Metropolitan Museum of Art, winners of countless awards these are the simply put the finest suite around They have been on a journey, I’ve had all pieces stripped to the bare shells, the frames have been washed back and traditionally French polished, the leather all restored and hand dyed the original nero black, they are the finest example pair anywhere in the world today One suite has the black Herman Miller No1 label, the other, the earlier redish Herman Miller Hillie label Condition wise, the restoration has been done in such a way to keep all the original charm and patina but make them gallery ready, they will have age and use related patina marks here and there but mostly they are in very fine order Dimensions armchairs Height:- 80.5cm Width:- 85cm Depth:- 86.5cm Seat height:- 41cm Dimensions ottomans Height:- 42cm Width:- 65.5cm Depth:- 53.5cm Please note all measurements are taken at the widest point, MUST READ! The Eames Lounge Chair and ottoman are furnishings made of molded plywood and leather, designed by Charles and Ray Eames for the Herman Miller furniture company. They are officially titled Eames Lounge ( 670 ) and Ottoman ( 671 ) and were released in 1956 after years of development by designers. It was the first chair that the Eameses designed for a high-end market. Examples of these furnishings are part of the permanent collection of New York's Museum of Modern Art. Design Charles and Ray Eames sought to develop furniture that could be mass-produced and affordable, with the exception of the Eames Lounge Chair. This luxury item was inspired by the traditional English club chair. The Eames Lounge Chair is an icon of Modern style design, although when it was first made, Ray Eames remarked in a letter to Charles that the chair looked "comfortable and un-designy". Charles's vision was for a chair with "the warm, receptive look of a well-used first baseman's mitt." The chair is composed of three curved plywood shells covered with veneer: the headrest, the backrest and the seat. The layers are glued together and shaped under heat and pressure. The shells and the seat cushions are essentially of the same shape, and composed of two curved forms interlocking to form a solid mass. The chair back and headrest are identical in proportion, as are the seat and the ottoman. The products have changed in various ways over time. Beginning in 1956 and running through the very early 1990s, the shells were made up of five thin layers of plywood which were covered by a veneer of Brazilian rosewood. The use of Brazilian rosewood was discontinued in the early 1990s, and current production since then consists of seven layers of plywood covered by finishing veneers of cherry, walnut, palisander rosewood (a sustainably grown wood with similar grain patterns to the original Brazilian versions), and other finishes. Small changes include the sets of spacers between the aluminum spines and the wood panels, originally of rubber, later hard plastic washers, and the number of screws securing the armrests, originally three, changed to two in second-series models, while the "domes of silence" (glides/feet) on the chair base originally had thinner screws attaching them to the aluminum base than those on later chairs, and the zipper around the cushions, either brown or black on early models, was later black only. Further, early ottomans had removable rubber slide-on feet with metal glides, and early labels are of oblong foil. History The Eames Lounge Chair first...