Knole Settee, English, Morant & Co., Green Strie Velvet

- This is an early 20th century interpretation of the infamous, sumptuously, upholstered, 17th century, couch with hinged arm rests, found at Knole Park, Sevenoaks, Kent, the ancestral seat of the Sackvilles made by the most eminent upholsterer of the early 20th century. - The original couch served the Dual purpose of bed and settee, and is one of the earliest examples of English, upholstered, seat furniture. In the late-19th century this model of settee was revived, particularly for Great Halls, bedrooms and galleries in large country houses for its early aesthetic, comfort and draught exclusion from the high backs. - These settees are extremely comfortable as well as injecting period atmosphere into the interior. They sit equally well within contemporary and historical interiors and jutapose with contemporary and modern pieces and art. - This is a particularly fine example, with a Grade II* listed Jacobean manor house provenance and almost certainly made by Morant & Co. It retains the original iron ratchets so the wings can be lowered to different heights. The inside and outside back, wings, seat and cushion are upholstered in a strie velvet and trimmed in the traditional manner with matching braid and fringe and studs. The strie velvet probably dates from the 1950's, as there is significant fading from the original pale green/aqua to a pale olive/old white. The adjustable padded wings are joined to the arms with original ratched iron hinges which are attached to the back. The arms are supported by oak turned uprights. The seat has a large loose cushion. Standing on original castors. English, circa 1900. During the late 16th-early 17th century a new form of daybed was introduced to match the contemporary upholstered 'X' chairs and stools. They were padded and upholstered throughout and the ends were let down on a toothed steel ratchet to enable the occupant to repose at full length. They were generally destroyed when the coverings had worn out at the woodwork was of little value. Similar couches were plentiful in France under Louis XIII and can be seen in Abraham Bosse's engravings of domestic interiors but they were only found at court and the houses of great noblemen in this country. When the contents of the Royal Palaces were dispersed after Charles I's execution a number of couches were included in the sale. PROVENANCE : Barrow Court, a Grade II* listed Jacobean manor house with origins dating back to the 13th century. MORANT & CO Upholsterers, Decorators. 91 New Bond St., London. With Royal Coat of Arms, dated 1825, 1831, 1837 and 1890, founded 1790. The dictionary of English furniture makers 1660-1840, published by the Furniture History Society informs that Morant Snr. was a maker of carved and gilded frames from early in the reign of George IVth, and his trade card describes the company as 'Ornamental Painter and Paper Hanging Manufacturer to their Royal Highnesses'. Work was executed for Sir Thomas Lawrence, Sir Robert Peel...

- EXCEPTIONALLY, RARE, MUSEUM QUALITY PIECE, THE COWDRAY PARK KNOLE SETTEE, INVENTORY NUMBER D2029 - Supplied by Lengyon & Co, the pre-eminent maker, to ...

The straight, padded back re-upholstered in a modern linen to give a contemporary aesthetic. Originally with red velvet and embellished with 18th century, braid, fringe and tasse...

Incorporating 'Stones of Bath' into this settee is inspired the pipers use of one of the five designs commissioned for their centenary, ‘The Glyders’, as loose covers for the chairs at their home Fawley bottom which John Betjeman called ‘Fawley Bum’. 'Stones of Bath' is one of five John Piper (1903-1992) designs commissioned by Arthur Sanderson & Sons in 1959 for their 1960 centenary celebrations. In 1962 Sanderson's screen printed ‘Stones of Bath’ on their Sanderlin fabric, a satinised linen which gave the design a shimmering, restless texture. This was ideally suited to the play of light depicted on the stone in the architectural repeat of buildings in the city of Bath. A piece of this fabric which is in the collection of the V&A was exhibited at the John Piper retrospective held at the Tate Gallery, London, 1983. Reference: 'Artists’ Textiles in Britain 1945-1970', Cat. No. 74. From the late 1950s-early 1960s there was interest in painterly textiles that demonstrated the unique potential of screen printing, with its ability to capture the quality of brush-stroked color. 'The monumental grandeur of many artists' textiles in the early 1960s was necessary if they were to work in the large scale architectural interiors of the era which witnessed a rapid growth in new public buildings, all which required furnishing with suitably prestigious fabrics'. Artists' Textiles in Britain 1945-1970 by Geoffrey Rayner, Richard Chamberlain...

Ward Bennett Style Mid Century Green Velvet Sofa Settee This sofa measures: 61 wide x 29 deep x 30.5 inches high, with a seat height of ...

Elegant and restrained, this loveseat is perfect for a study, entrance or a bedroom sitting area. Although the existing upholstery is serviceable, it is not the original, and as such a "face-lift" would make a huge difference. Of the late 19th century revivals, examples of Baroque revival are more sedate and less ornate that its cousin, Renaissance Revival. Crafted of solid walnut and fir with select French walnut veneers...

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