Gothic front gallery chest, Westphalia around 1500 - 1550, oak

Marburg finch chest Biedermeier around 1800/10, cherry wood and other precious woods richly veneered and marquetry on an oak body, hunting motif, 2 small drawers in the base area, or...

Louis Seize chest of drawers, circa 1790 Walnut and plum veneered on a softwood body, band inlays, the edges inlaid all around with maple and ebony, three drawers, original fittings...

Chest of drawers, Biedermeier around 1820, birch veneered, 3 drawers, extendable on both sides with additional shelf, upper drawer with birch root wood inlay, lower drawer with arche...

Hall cabinet from the Budde Warendorf cabinetmakers, Westphalia, around 1770, walnut and plum veneered on oak, elaborate geometric veneer pattern, banded decoration, prismatic body...

Spanish Gothic Cathedral Chest, Circa 1600, decorated with Gothic motifs and a central cross. Built from solid oak , showcasing a beautiful aged patina. It shows reassuring signs of ...

This standing chest is of clamp-front construction, extensively decorated with long, ironwork straps with quatrefoil finials which ‘wrap’ around it, and has an ornate, central lockplate, and front legs with full, height stiles. The ironwork straps and finials are fixed with convex, headed nails: running along the front, five long straps; the two side straps; and the five straps on the top. On the chest front, centrally placed, is a large, iron lockplate with four outer, radiating spade finals in each corner and three, superimposed spade finials (a symbol of nobility) which are pierced with the initials ‘BB’. The lockplate receives a corresponding, external hasp fitted to the lid. Below the floor of the chest, the two front stile legs retain most of their original height. The lid is supported by substantial iron strap hinges that extend right down the back of the chest. Inside the chest at the left end is a shallow, oak till. Construction The chest is of joined, 'clamp-front' construction, reinforced by the nailed, iron mounts. In total it uses ten, oak boards which were riven and planed. The back and front are each formed from a large single plank held to the full height stiles by long, pegged tenons. The sides are also single boards joined into the stiles using long tenons held by dowels, and extend down below the chest bottom, concealing the ends of the bottom boards. The bottom consists of a single board cut into the sides and shallow rebates in the stiles. The front and back boards are dowelled into the bottom boards. The lid which overhangs the sides has a narrow cleat at each end, and consists of one wide plank which has bowed a little as a result of shrinkage. Ironwork : The wrought ironwork straps, lockplate, hasp and lock all appear all appear to be early, and of the same original manufacture and are fixed with convex headed nails. There is mild dark staining of the oak around the iron mounts, possibly because of low tannin content in the oak. Length 172 cm., 67 ¾ in., Height 71.5 cm., 28 ¼ in., Depth 63 cm., 24 ¾ in., Related to: No 900:2-1904 V&A Museum, London. Stadtmuseum Dusseldorf. Decorative Arts Museum Berlin. Museen Schleswig-Holstein & Hamburg. A related example featuring elaborately-carved feet and formerly in the Horsham Museum, West Sussex, sold at Christie's in 2010 for £97,250 and another example, again with carved feet sold at Sothebys in 2006 for £48,000. Literature: A similar example is illustrated in H. Lüttgens, Alt- Aachener Wohnkultur; Ein Rundgang durch ein altes Aachener Haus im Wohnstil des 18. Jahrhunderts, Aachen, n.d., ill. 12, and another comparable iron-bound chests...

This large chest stands on high legs prolonging the lateral jambs. Presenting a sober and severe appearance the chest still belongs to the Medieval tradition. The piece is made from very high quality Hungarian wood. The jambs are joined to the facade and the lateral sides thanks to pegged mortise and tenon securing a great stability and squareness between each parts. The upper lid is made of two joined parts and so is the facade. The ironwork is present all over the surface of the chest and brings both an additional stability to the construction as well as a rich decor. The lid is secured with hinges. Hinges also run all over the chest in horizontal and vertical lines, ending in a floral motif. The hasp lock is also very ornamental. Those chests always present important proportions especially when they are made early in the period. This model was very popular in Germany and stayed in vogue until the 16th century. However the feet Gothic decor...

A verry rare and quite large Gothic chest in untouched condition. Strongbox like these where made for the safekeeping of money, important documents and pr...