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3 Dimensional Diamond Front 2 Piece Credenza Cabinet after Vladimir Kagan

About

Exceptional 1950's-60's Vintage Mid Century Modern 2 Piece Credenza/China Cabinet/Bookcase with remarkable 3 dimensional diamond front doors. This fine item features a removable upper cabinet with 2 spring loaded diamond front doors and 2 sliding glass doors. The lower cabinet features 4 spring loaded cabinet doors, tapered and angled legs, 3 hidden drawers, and stunning modernist form. This item is unmarked but looks to be of Danish or American origin with the design and style being very similar to the works of Vladimir Kagan. Item measures approximately 70"h x 84"w x 18.75"d in total. The top cabinet alone measures 37"h x 66"w x 15.75"d and the bottom cabinet alone measures 33"h x 84"w x 18.75"d.

Details

  • Materials and techniques
  • Condition
    Good. Very Good Vintage Condition. Structurally sound and sturdy with some minor dings on the right lower side as pictured. The spring loaded mechanism on the right upper door needs some adjustment as it does not fully catch which is a minor fix. Some of the interior shelves on the upper cabinet are covered in contact paper..
  • Wear
    Wear consistent with age and use.
  • Dimensions

    H 70 in. x W 84 in. x D 18.75 in.

    H 177.8 cm x W 213.36 cm x D 47.63 cm

  • Seller location
    Philadelphia, PA
  • Reference number
    LU9341743840

Shipping, Returns & Payment

  • Shipping

    Global Shipping Available

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  • Return Policy

    Returns can be initiated within 7 days of delivery by contacting 1stdibs.

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About Vladimir Kagan (Designer)

The pioneers of modern furniture design in America in the mid-20th century all had their moments of flamboyance: Charles and Ray Eames produced the startling, biomorphic La Chaise; George Nelson’s firm created the Marshmallow sofa; Edward Wormley had his decadent Listen to Me chaise. But no designer of the day steadily offered works with more verve and dynamism than Vladimir Kagan. While others, it seems, designed with suburban households in mind, Kagan aimed to suit the tastes of young, sophisticated city-dwellers. With signature designs that feature sleekly curved frames and others that have dramatic out-thrust legs, Kagan made furniture sexy.

     Kagan’s father was a Russian master cabinetmaker who took his family first to Germany (where Vladimir was born) and then to New York in 1938. After studying architecture at Columbia University, Kagan opened a design firm at age 22 and immediately made a splash with his long, low and sinuous Serpentine sofa. Furniture lines such as the Tri-symmetric group of glass-topped, three-legged tables and the vivacious Contours chairs soon followed.

     Kagan’s choices of form and materials evolved through subsequent decades, embracing lucite, aluminum and burl-wood veneers. By the late 1960s, Kagan was designing austere, asymmetrical cabinets and his Omnibus group of modular sofas and chairs. For all his aesthetic élan, Kagan said that throughout his career, his touchstone was comfort. “A lot of modern furniture was not comfortable. And so comfort is: form follows function. The function was to make it comfortable,” he once commented. “I created what I called vessels for the human body.”

     A diverse group of bodies have made themselves at home with Kagan designs. Among the famous names who commissioned and collected his designs are Marilyn Monroe, Gary Cooper, Andy Warhol, David Lynch, Angelina Jolie and Brad Pitt, and firms such as Gucci and Giorgio Armani. His work is in numerous museum collections, including those of the Victoria & Albert and the Metropolitan Museum of Art.

     Because of its idiosyncrasy, Kagan’s work did not lend itself to mass-production. Kagan never signed on with any of the major furniture-making corporations, and examples of his designs are relatively rare. As you will see from the offerings on these pages, even decades after their conception, Kagan pieces still command the eye, with their freshness, energy, sensuality and wit.

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