Brutalist Solid Oak Cabinet, Spanish Colonial, 1940s

Introducing a captivating vintage french riviera oak credenza from 1940s France. This exquisite piece showcases the beauty of solid oak craftsmanship with its elegant design and meti...

An exceptional French Brutalist Art Deco vitrine cabinet from the 1940s, crafted in solid oak with striking architectural details. Discovered in Normandy, this piece reflects the cra...

Credenza, solid oak, France, 1940s. Large Art Deco Brutalist sideboard. This heavy Brutalist credenza seems to float on its elegant base. The credenza consists of two large storage ...

Credenza in Carved Oak with Marble Top, France, 1940s A sculptural monolith in sun-bleached oak, this credenza evokes the quiet grandeur of pastoral life, its façade animated by a deeply carved bucolic scene—a cottage, trees in leaf, a solitary figure mid-walk—etched with reverence into the very grain. The silhouette is solemn yet generous, framed by beveled moldings and resting on curled feet, each adorned with stylized foliage. A slab of black marble crowns...

Lovely 1940s cabinet in sycamore with two pull tabs. The doors are adorned with two panels in carved wood. Original top in marble. Interior and shelves ...

Exquisite Art Deco cabinet consitsing of two parts manufactured by french furniture maker Charles Dudouyt, one of the best first half of the 20th century french furniture...

Cabinet, oak, glass, Italy, 1940s A design that quietly bridges the gap between sleek modernism and handcrafted warmth. The cabinet’s facade is composed of four tall, narrow doors e...

Pier luigi Colli oak sideboard, Mid-Century Modern, Italy, 1950s Beautiful oak sideboard. The oak has lovely patina throughout the piece. It is a large-scale sideboard with four doors and architectural details throughout. Amazing oak grain visible throughout the piece. Smoked glass mirrors cover the front doors. The piece is in original vintage condition. Measures: 19 inches deep 93 inches wide 33 inches high Hays Company/Pier Luigi Colli The firm was founded in Turin in 1850, as a laboratory that embroidered for the upholstery of armchairs and sofas. The manufactory collaborated with the Martinotti and C.ia furniture manufacturer, Giuseppe and then Luigi Martinotti, who since 1831 produced luxury furniture in style and from the end of the century in the most up-to-date liberty style. At the death of Federico Martinotti, the last male descendant of the family, in the twenties, the widow gave way to Teresa and Maria Colli and the two companies reunited, assuming the name "Colli da 1831" (with the date they referred To the foundation of the firm Martinotti). Then came Pier Luigi Colli (1895-1968), younger brother of the two holders who had attended the courses of the École des arts décoratifs. Pier Luigi Colli, thanks to his close relationship with Paris, imported Lalique glasses and Jean Perzel decor lamps in Turin. The company took care of the real train setup, built by Fiat Ferroviaria and the technical office, led by Pier Luigi Colli, designed and produced the chairs of the Magna University of Turin and the furniture of the Turin seat of the Bank Italy and the Prefecture. In addition to the furniture, the company produced embroidery for coverings and curtains, carpets, lamps with Seguso glasses, door locks and door handles. The company also carried out works designed by external architects: Gio Ponti (partition walls and windows in the Turin headquarters of Vembi), Giovanni Gariboldi (furnishings for the Richard Ginori showroom in Rome), Carlo Mollino (railing of the RAI auditorium and window frames Of the Royal Theater), Domenico Morelli (furniture of the Rai skyscraper); Gabetti and Isola (neoliberty furniture on the stock exchange) Aldo Morbelli (furniture of Fasano jewelery in Via Roma...