1970's Belgian bar / storage cabinet

1970's Italian wooden bookcase This open-backed bookshelf, purchased in Italy in the 1970s, exudes vintage charm. Though the maker is unknown, the craftsmanship is unmistakably high-...

1970's wooden Dutch desk This 1970s Dutch desk features a powder-coated cream-white frame and a solid wood top, combining sleek minimalism with functional design. Its form and struct...

Brass & oak Italian desk Very nice and compact desk from the 70's. This desk was made by an unknown italian maker. but it is a very nice piece of craftsm...

1970's wooden Italian etagere / sidetable This Italian oak étagère, designed with multiple functional platforms, offers both practicality and elegance. I...

Brutalist Bar Cabinet, De Coene style, Belgium, 1970s.

This striking black Brutalist bar cabinet, crafted in Belgium in the 1970s, is a stunning example of minimalist design. Made from black lacquered oak, the sideboard features two door...

Oak storage cabinet, circa 1970.

Verdoux Storage Bar Cabinet by Matteo Cibic is an amazing cabinet, with fine leather interiors, designed to hold a full bar. Available in different patterns and colours, with customised sizes upon request. India's handicrafts are as multifarious as its cultures, and as rich as its history. The art of bone and horn inlay is omnipresent here. Artisans from the Northern region of Sarai Tarin, to Bengal in the East, and Trivandrum in the South, have imbibed the ancient technique from Himalayan tribes, and have made their own mark along the way. The intricately crafted combs, vases, toys, and other objets d'art have long been a connoisseur's delight, and a means of livelihood for millions. When the founders of Scarlet Splendour and designer Matteo Cibic went on tour, in search of inspiration for their first collection, they were captivated by the exquisite bone marquetry. They decided to make a contemporary version of the playfully geometric designs, which would be accepted across the world. Cibic then developed a resin compound, and the company carried out trials with the material until they found the right mix. The resin would replicate ivory inlay, on a base of plywood, ultimately smoothened and lacquered to have no visible or tactile end. Each piece of the Vanilla Noir collection would then be made in India, by local craftsmen using locally sourced materials and pigments. The aim was to combine Indian workmanship and Western aesthetic in such a way that each piece appears timeless, and with multiple roots. In the unique decorative imprints one would recognize Indian styles, and also unexpected drifts to Italian design. The company's founders wanted to proudly showcase the fine art and making capabilities of their native India, and give the craftsmen due recognition. They have successfully paid homage to their heritage by elevating indigenous art...