Art and Trade Shop Unit Cabinet

Tall cabinet of solid and painted wood, with six drawers and two doors, by renowned architect and landscape designer Dan Kiley. Basically, a freestanding built-in from the Charles an...

Two-piece custom cabinet of birch with black-and-white lacquered fronts, designed by Elaine Lustig Cohen (1927-2016) circa 1961 for her own townhouse on the Upper East Side in New Yo...

"Segment Cabinet (square)” a sculptural work in torch-cut and polychromed steel with fused bronze, solvent dyes, and glass enamel, with a birch top. By American artist James Bearden. The square cabinet, with its dramatic composition and juxtaposition of shapes and colors drawn from Bearden’s evolving vocabulary, is perched atop four long legs; it has an asymmetrically set hinged front door. Signed and with a Certificate of Authenticity from the artist. Bearden's work was featured in a 2020 solo exhibition at the NY Design Center titled "James Bearden: Technical and Aesthetic Revelations," in an article in the January 2017 Interior Design Magazine; in an introspective feature on 1stdibs; and in a feature article in DSM Magazine. In an introduction to the 2020 exhibition, curator Kartrina Weinberg wrote: "In the two years after the artist’s last solo exhibition — where the material reality of steel was evident in both its title and monochromatic appearance — Mr. Bearden sought to break free from pre-conceived judgment of his medium, as well as the persistent misnomers applied to his art. While subtle color play has always existed in his previous works, the development in his coloring technique — from painted polychrome to dyed glass enamel — allowed for dramatic saturation and stunning complexity in his new palette, bringing heightened immediacy to his biomorphic and anthropomorphic imagery. The artist had always challenged the gravitational reality of steel, but he has found new expressions towards verticality and delicacy, transcending material and elevating function. The open compositions, ranging from ornamental tracery to dynamic use of negative space, allow for the interplay of light and air, animating the environment with ever-changing viewing possibilities. This exhibition took inspiration from the naturalist traditions and fantastical imagery of Early Netherlandish paintings...

Stacked and fastened modular units composed of walnut, angled steel, and lacquered masonite. with sliding doors at top and an open compartment at bottom. The “Curtainwall” principle ...

Modular cabinet of walnut with a white micarta top, lacquered masonite doors and panels, and angle-steel pulls and frame. The “Curtainwall” principle applied to furniture, allowing easy extension in either a vertical or horizontal direction. An elegant riff on the Eames ESU, designed by Norman Cherner (along with Matthew Cooper) and manufactured by the Multiflex Corp circa 1954. The Studio Group was featured in George Nelson’s Storage book and was a MoMA Good Design selection in 1954. The present unit has two sliding door cabinets flanking a bank of three drawers. Behind each pair of sliding doors is a black masonite bottom and white masonite back. The frame, which disassembles to a large degree, is held together with brass buttons that are optionally visible on the outside (MoMA preferred visibility as expressive and suitable to the piece). Cherner famously designed the narrow-waisted Plycraft armchair along with an award-winning furniture line for Konwiser and was the author of the 1953 book Make Your Own Modern Furniture. Along with a nine drawer chest of drawers and a double-tall unit...

Unit furniture of Philippine mahogany with white Masonite panels consisting of a module with sliding Masonite doors and a double wide module with an open front. Designed by Harvard-educated, Boston-area architect, designer, and urban planner Carl Koch as a corollary to his prefabricated Techbuilt houses and produced in 1955. Koch was a pioneering champion of prefabrication in housing in mid-century America, first with his much-publicized but ill-fated all-steel Lustron houses in the late 1930’s, then with his more successful wooden Tech-Built houses, introduced in 1953. In At Home with Tomorrow, his 1958 paean to prefabrication, he lays out his opposition to the traditional hammer-and-handsaw construction methods that remained dominant even with conceptually modernist structures. His designs generally hewed to a regional brand of modernism rather than orthodox international style, taking into account local topography and climate—his iconic form is an A-frame with a pitched roof, more sensible in New England winters than a flat roof (though there are such Techbuilt designs). The basic Techbuilt formula suggested that modular, industrial production methods of the components combined with knock-down shipping and on-site assembly equalled lower cost and less waste. Variety and individuality could be achieved in how the elements were combined. This underlying philosophy involving modularity, flexibility, and industrial production methods applied to Spacemaking furniture as well, although interestingly enough, the furniture design preceded the architectural application, as Koch (et al) had submitted a version to the 1947 MoMA Low-Cost Furniture Competition (and so these units also preceded the famous 1951 Eames Storage Unit, a conceptually similar idea executed with metal framing). The furniture line began with requests for freestanding wardrobe...

This amazing French country pine shop cabinet is from the late 1800's and stands 9.5' tall. Newer custom painted layered finish in burgundy with a white interior, distressed fitting ...

Art Deco cadbury’s sweet shop display cabinet This a small but charming cadbury’s sweet shop display cabinet it is a counter top piece, it is in the shap...

Smiths Watchmakers shop display cabinet A lovely piece, the cabinet has been made to sit on a shop counter The interior has 3 long drawers accessed from the back and a glazed sloping front section . This is divided into 3 and Has the iconic Crown set over “SMITHS DE LUX WATCHES...

For sale is a top quality Victorian mahogany bow ended showcase, having two drop doors at the back, opening to a red velvet lined interior, the cabinet stand...

MacFarlane. Lang & Co’s Biscuits Shop Display Cabinet This is a large glazed Biscuit tin Display Cabinet is made in walnut, it would have held t...

A set of mid century modern furniture designed by Milo Baughman, made by Thayer Coggin: A cabinet in rosewood with two ebonized shelves and two shelf or display units with chrome re...