Early 19th Century rosewood, gilt and marble top cabinet

19th Century mahogany cabinet / bookcase, the open top section consisting of a decorative shaped and inlaid cornice and eight shelved com...

A lovely pair of 19th century rosewood pedestal cabinets, nice figured rosewood tops, the front of the cabinets having carved patraes either side at the top, columns either side with...

Early 19th Century mahogany cabinet / bookcase of nice proportions, having a figured rectangular top above two hinged doors opening to reveal two adjustable shelves, the moulded door...

An unusual and rare early 19th century bow ended freestanding French marquetry marble top cabinet / stand made from tulip wood and inlaid with exotic woods, having the original white...

A fine early 19th century Regency fruitwood marble top side cabinet of exceptional quality, beautifully hand carved with rich patination, fine grain and brass mounted throughout. The gorgeous, moulded Marquina Black marble top raised over frieze with centred finely cast brass mounted foliate motif detail flanked with two applied flowerhead paterae, raised over two pleated silk lined panelled...

Beautiful early 19th century French or Baltic neoclassical walnut and marble top 2 door cabinet with canted corners and turned legs. This cabinet came from an incredible apartment in...

A rather unique late 19th century American buffet / cabinet in a wonderful, bleached finish. With original rouge marble top. Featuring two drawers on top of two cabinet doors with me...

A very rare Regency period ebonised, brass inlaid and ormolu-mounted cabinet, with mirrored doors and Calacatta viola marble top, in the manner of James Newton. English, c. 1815. An outstanding opportunity to own a piece of history that will beautifully fit in both classical and modern interiors. Why we like it One of the most elegant designs from the early 19th century, inspired by the ancient Egyptian motifs. The brass ball-feet and ormolu mounted columns are rare and unusual features, and the beautifully oxidised mirror plates and antique marble tops add to their timeless elegance. Attribution Designed in the early 19th century ‘antique’ manner, popularised by Percier and Fontaine and relate to patterns for 'Chiffoniers' and 'Drawing Room' pier tables published in George Smith's Collection of Designs for Household Furniture, 1808, pls. 114 and 122. Ebonised in the Egyptian taste and with the stylised palm-flowered pillars, relating to those of tripod torcheres in Thomas Hope's Household Furniture and Interior Decoration, 1807, pl. 22. Identical columns and ball-feet are seen on a group of pier cabinets, including a pair, sold Sotheby’s London, 29 June 2005, Lot 125, which is traditionally associated with the output of the London firm of James Newton. He labelled a suite of very similar chiffoniers sold from the collection of Maureen, Marchioness of Dufferin and Ava, Christie's, London, 25 March 1999, lots 320-321. While stylistically these cabinets relate to the pieces ascribed to James Newton, their constructional features, such as the use of cedar linings for the secretaire fittings, is relevant to the practice of another highly esteemed London firm of the Regency period, John McLean and Son. James Newton (1773-1821) Upholder and cabinet maker, trained in the celebrated workshops of Lawrence Fell and William Turton - business rivals of the great Thomas Chippendale - and, in the tradition of ambitious men, married the daughter of the latter, which in part accounts for his meteoric rise to prominence; executing commissions, inter alia, for Matthew Boulton at Soho House, the Earl of Jersey at Osterley, and Sir Gilbert Heathcote; familiar with the fashions of the Regency period, he is listed as a subscriber to Thomas Sheraton’s 1803 ‘Cabinet Dictionary’; a pair of chairs with close concordances to a design of Thomas Hope’s Household Furniture’ (plate 22), and bearing his label may be viewed at the Royal Pavilion Brighton...