Inlaid Wood Music Cabinet by François Linke

A unique late 19th century gilt bronze mounted parquetry cabinet by François Linke and Léon Messagé François Linke and Léon Messagé This unusual cabinet features a cube parquetry top with a back splash centered with a plume of bronze feathers and flowers, above a long single drawer with a bronze leaf-clasped scallop shell and two handles shaped as wings, the sides headed by foliate and flower-cast clasps. The cabinet was most likely made to store magazines or original phonograph records. Stamped FL under many of the bronze mounts, the lock stamped CT LINKE/PARIS Linke was born in Pankraz in Bohemia and was celebrated by the French as one of the greatest ébénistes of meubles de style at the turn of the century. He began his apprenticeship with a Bohemian master at the age of thirteen. Four years later, he toured Austria, settling and working in Vienna for two years. Linke arrived in Paris 1875, and by 1881 he had established his own small workshop at 170 rue du Faubourg St. Antoine. Taking 18th century styles as his starting point and adapting earlier styles to contemporary taste, Linke produced fine quality furniture, steadily expanding his business during the next 20 years. He firmly established his reputation after receiving a gold medal at the Paris Universal Exhibition of 1900 for his extraordinary Grand Bureau. He continued to use international fairs as a means of exploring new markets, exhibiting at the 1904 World’s Fair in St. Louis, the Liege in Belgium and the 1908 Franco-British exhibition in London. Linke’s highly original designs sprang from the Régence and Rococo styles but were imbued with something quite new, Rococo curves were laden with gilt-bronze sculptural mounts in the tradition of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke’s fusion of the Rococo with the liveliness and the fluidity of the ‘art nouveau’. The Revue called Linke’s creations entierement nouveau, and continued to say that ‘Linke’s stand...

A Late 19th Century Louis XVI Style Gilt Bronze Mounted Mahogany Cabinet By François Linke François Linke – Index no. 1108 Surmounted with a Brèche d’ Alep marble top, above a frie...

A jaw-dropping and confident 19th century Indian teakwood cabinet with a bold ebonized crown, two doors, each with marquetry inlaid ebonized flowers,...

A fine late 19th century gilt bronze mounted Transitional style Marquetry cabinet By Durand The marble top above two long inlaid floral doors which o...

A William IV cabinet attributed to Town and Emmanuel Constructed in a strongly grained olivewood and dressed with gold brass inlays and an etched and engraved brass panel; rising from a plinth base, the lockable single door having an inset panel in the manner of Jean Berain, enclosing a shelved interior, and flanked by narrow vertical conforming panels; the apron being dressed with three bronze rosettes, and the Jura Jaune marble is dressed with a three quarter arcaded brass gallery, circa 1830 The cabinet is illustrated and discussed in Christopher Payne’s “British Furniture 1820 to 1920” published in 2023. Payne singles out the rarity of the olivewood timber used as well as the necessity for hand cutting the large marquetry panel. Literature: Payne, Christopher. British Furniture 1820 to 1920 : The Luxury Market. ACC Art Books, 2023, pp. 38-39 (illus. fig. 1.33). Town and Emanuel Recorded in the 'Dictionary of English Furniture Makers 1660-1840', published by the Furniture History Society, as being situated at 103 New Bond Street between 1830 and 1840, and apart from being manufacturers of furniture, also dealt in 'curiosities and antiques'. The late renowned connoisseur Christopher Gilbert records in his 'Pictorial Dictionary of Marked London Furniture' London 1997, also published by the Furniture History Society, a writing table in the Transitional manner with similar plaques. Their label reads 'Town and Emanuel, manufacturers of Buhl Marquetrie, Resner (sic) & Carved Furniture, tripods, screens & c. of the finest and most superb designs of the Louis 14th. Splendid cabinets and tables inlaid with fine Sevres and Dresden china...

Very decorative inlaid cabinet. The upper part containing two doors, inlaid with architectural trompe-l'oeil of imaginary towns, two drawers, open lower section. Overall decorated wi...

William James Neatby Attri. An English Art Nouveau music cabinet, with parquetry panels depicting Art Nouveau women and men playing musical instrumen...

F. Linke style Louis XV Curio / Vitrine cabinet, 19th-20th century. This bombe shaped parquetry and floral inlaid curio is simply stunning with the fine...

Nanda is the first piece of the Parvati storage collection, designed by Serena Confalonieri for Medulum. The word Parvati, in Indian mythology, means “daughters of the mountains”: Nanda, Uma and Aparna are some of these deities who give their names to the pieces in the collection. The name Parvati, however, also identifies another very important figure, the bride of Shiva, the deity of marriage, to whom Indian women pay homage by wearing precious gold nose rings...

A Lovely Late 19th Century Louis XV Style Gilt Bronze Mounted Marquetry Cabinet By Francois Linke Item # CC1528 The fleur de pecher marble top above four doors, each with beautifu...