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Mother of Pearl Cabinet by Marten and Joost, Sustainable Design
$15,810.17per item
£11,716.20per item
€13,200per item
CA$21,583.88per item
A$24,011.18per item
CHF 12,586.96per item
MX$293,410.79per item
NOK 160,279.27per item
SEK 150,880.76per item
DKK 100,503.64per item
Quantity
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About the Item
Mother of pearl cabinet by Marten and Joost
Sustainable design: Plastic waste into timeless design...?
- L 140 x W 37 x H 83.5cm
- Limited Edition of 10
- Signed and numbered
- Design: Marten van Middelkoop and Joost Dingemans
Plasticiet
Plasticiet originated from an idea that was formed during a field trip in India where we saw various micro-economies popping up based on local demographic waste streams such as cotton clothes, plastic bottles and metal parts. All in their own unique way the craftsmen there were able to find their own unique translation of these waste materials into something functional and recognisable with added value. They then made these products available for other local industries resulting in personal revenue and providing means of production for other craftsmen, keeping both industries thriving on a small scale.
When we were trying to find solutions for people’s and industry’s disposed of plastics, looking back at the idea we studied in India we knew that the outcome should not be a final product. Inspired by the primal beauty and longevity of natural stone we then aspired to create a sheet material that would inspire other creators to build objects that can last. To make a waste material appealable we underwent a thorough research on how to give these plastic products a distinct super-natural marbled or terrazzo appearance, for if the material isn’t beautiful it won’t sustain.
For the past two years we have underwent some challengers working with recycled plastic. Each plastic has a different viscosity even when it’s of the same type. Besides that we often work with plastic that contain some sort of contamination. Hence we always need to test our material intensively before we are able to resell it as a sheet material. This hands-on approach allows for quite a bit of experimentation which gives way for us to broaden our knowledge. Manifesting this collection was about stretching the boundaries of our know-how, creating a craft with a highly industrialised material yet at the same time we wanted to show that plastic waste used as a raw material is able to stand out next to other high-end materials. Given that Plasticiet’s key inspiration always comes from natural stone and rock formations it was only logical to find inspiration in the Neolithicum - the last part of the Stone Age - where our predecessors used more primitive means to come about. The collection currently holds three pieces; a cabinet, stool and chair. Three basic yet essential pieces of furniture that everyone recognizes instantly.
To create the marbled or pearlescent dessin we first melt the material, and then start kneading and mixing it when it’s still warm. The technique we use is very similar to taffy making for sugary candy canes. During this process the material is stretched and folded numerous times, aerating it. The tiny stretched air bubbles captured within the translucent plastic reflect light resulting in an iridescent glow resembling mother of pearl.
Every part of the mother of pearl collection is individually moulded and when all the parts are completed they’re joined together. We can create much larger pieces than what the collection currently shows by playing with the composition and holding in mind that polycarbonate is an extremely tough material. Currently the largest single block we’ve made was around 15 kilograms, which is twice the size of the chair’s seat. At that weight it’s quite a tough job stretching and folding the material but we’re planning to go bigger still! Four hands are better than two, so 30kg should definitely be achievable.
To source the material we partnered up with several Dutch companies such as LC Plastics, Suez and PRC. We often drive by to visit their shredding facilities to see what’s in stock. Other times we receive a call when a batch of plastic arrived that’s contaminated with leaves, water or a wrong plastic type mixed within; the regular plastic industry can often not deal with this because it will damage their machinery. Normally batches like this end up in ‘thermal recycling’ or in other words; incineration. Greyish - one of our previous stock materials – was one of these batches we’ve saved from the furnace! Each sheet material in our collection tells a different origin story. For instance Chocolate Factory is made of discarded moulds from the chocolate industry where the pastel tones are used as colour coding. Nova mainly contains off-cuts from the production of air cleaning units. The Mother of Pearl collection is made out of polycarbonate, a highly technical plastic used in construction, electronics and even bullet-proof “glass”. Hence the slightest amount of contamination renders it almost useless for its current purposes. We’re happy to craft this material into pieces that allow it to shine again.
- Creator:Joost Dingemans (Designer),Marten van Middelkoop (Designer)
- Dimensions:Height: 32.88 in (83.5 cm)Width: 55.12 in (140 cm)Depth: 14.57 in (37 cm)
- Style:Organic Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:2022
- Production Type:New & Custom(Limited Edition)
- Estimated Production Time:Available Now
- Condition:
- Seller Location:Geneve, CH
- Reference Number:1stDibs: LU1219232460462
Galerie Philia
Galerie Philia is an international contemporary sculptural design and art gallery representing emerging and established designers and artists. The gallery is the brainchild of two brothers who share a lifetime passion for art, literature and philosophy. Their distinct academic background sets them apart from their peers, as it sees them following a rhizomatic and transcultural approach in the way they select works. This involves combining elements from multiple cultures in what becomes a network of harmoniously interconnected roots, ultimately revealing the beauty of each unique creation. The gallery’s non-hierarchical curation sits apart from the ephemerality of trends and focuses instead on the true aesthetic quality of the piece – alluring and timeless. Unlike others, Galerie Philia does not focus on a single style – whether minimalist, organic or raw – but rather embraces heterogeneity. The Galerie Philia takes pride in discovering new talents, providing them with multiple international platforms to showcase their latest creations. As well as propelling the newest generation of 21st century collectible design, Galerie Philia also works with internationally known design artists. Galerie Philia has a strong international presence, with galleries in Geneva, New York and Singapore. In addition to their permanent spaces, the gallery organizes temporary group exhibitions and artists residencies in first-class locations around the world.
Made to order creations can be done: please contact us for any request.

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Plasticiet originated from an idea that was formed during a field trip in India where we saw various micro-economies popping up based on local demographic waste streams such as cotton clothes, plastic bottles and metal parts. All in their own unique way the craftsmen there were able to find their own unique translation of these waste materials into something functional and recognizable with added value. They then made these products available for other local industries resulting in personal revenue and providing means of production for other craftsmen, keeping both industries thriving on a small scale.
When we were trying to find solutions for people’s and industry’s disposed of plastics, looking back at the idea we studied in India we knew that the outcome should not be a final product. Inspired by the primal beauty and longevity of natural stone we then aspired to create a sheet material that would inspire other creators to build objects that can last. To make a waste material appealable we underwent a thorough research on how to give these plastic products a distinct super-natural marbled or terrazzo appearance, for if the material isn’t beautiful it won’t sustain.
For the past two years we have underwent some challengers working with recycled plastic. Each plastic has a different viscosity even when it’s of the same type. Besides that we often work with plastic that contain some sort of contamination. Hence we always need to test our material intensively before we are able to resell it as a sheet material. This hands-on approach allows for quite a bit of experimentation which gives way for us to broaden our knowledge. Manifesting this collection was about stretching the boundaries of our know-how, creating a craft with a highly industrialized material yet at the same time we wanted to show that plastic waste used as a raw material is able to stand out next to other high-end materials. Given that Plasticiet’s key inspiration always comes from natural stone and rock formations it was only logical to find inspiration in the Neolithicum - the last part of the Stone Age - where our predecessors used more primitive means to come about. The collection currently holds three pieces; a cabinet, stool and chair. Three basic yet essential pieces of furniture that everyone recognizes instantly.
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To source the material we partnered up with several Dutch companies such as LC Plastics, Suez and PRC. We often drive by to visit their shredding facilities to see what’s in stock. Other times we receive a call when a batch of plastic arrived that’s contaminated with leaves, water or a wrong plastic type mixed within; the regular plastic industry can often not deal with this because it will damage their machinery. Normally batches like this end up...
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