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A Rare Renaissance Walnut Cabinet With Its Freestanding Carved Columns

About the Item

A RARE RENAISSANCE WALNUT CABINET WITH ITS FREESTANDING CARVED COLUMNS ORIGIN : FRANCE, BURGUNDY PERIOD : 16th CENTURY Height : 218 cm Length : 152 cm Depth : 67.5 cm Walnut This two parts and two drawers cabinet is inspired by Hugues Sambin with his personages sculptures and also reflects the influence of Jacques Androuet du Cerceau by two monumental columns adorning its façade. The upper part Presenting a ternary scansion, three terms are interspacing the central carved panels. A female and male caryatid figures hanging with drapery are ending by three-swags river of fruits concealing the stiles. On the central one, a bearded old man is holding a bunch of fruits in his right hand and a undulating snake’s head with the other one. The front door panels are richly carved and adorned with antic architectural designs, on the style of Renaissance spirit. They are framed by a double moulded frieze of semi-paterae patterns and a briquette one inside. Each panel depicts a triangular broken pediment from where is raising a beautiful spreaded wings eagle, above a semicircular niche flanked by two winged chimeras resting on bunch of fruits. Fruits are applied on the spandrels too. The entablature consists of an alternance of cartouches and swag of fruits, centred by a double leaf-cast corbel, sumonted by an acanthus frieze below the nicely molding ovehanging cornice. On the top, the pediment depicts two winged putti sounding the trumpet flanking a Lion mask carved in hight-relief rising from a medallion supporting a step moulded cornice. The lower part To keep the ternary rhythm, the lower section is also scanded by three terms like on the upper part. It boasts on the waist two richly ornated drawers with a nice composition of scrolling acanthus leaves. On the sides, terms hanging by drapery knotted on the bust, are coming out of quill-feather gains, followed by vegetal designs. In the center, under the leonin mask, the third shorter term displays a young man dressed with a large pleated coat, holding a fruit on his right hand and a undulating snake’s head on the other one. The carved doors present a different ornamentation. A central semicircular recess is flancked by two headless winged chimera figures. They are supporting a top of pediment with a laurel woman mask below an acanthus leaf extending in scrolling vegetal branches ending by an high-relief carved rosace. On each side of the facade are rising two monumental freestanding columns adorned of scrolling laurel leaves on the upper part, briquette patterns on the lower one. In the middle, two friezes made of acanthus leaves above strapworks. Coming from the base of the Cabinet, the columns raise toward the entablature ending by a Ionic capital. The apron inserted between two mouldings is more strict on the style. Two projections on the extremities support the columns, concealing the feet of the Cabinet. The sides On the sides, a molded panel in centered by a boss surrounded by beautiful undulating foliage strapworks. Each one of them displays another ornate arrangement. Thanks to the powerful sculpture of its columns and its drawers, this unusual piece of furniture has a strong presence. Analogy It is worth considering the similitude of design concerning the gain of term bodies on the lower section with the ones of the Cabinet displayed on the Cloture de la Chapelle du Saint Esprit au Palais de Justice de Dijon, the unique attested artwork executed by the hand of Hugues Sambin, with the porte du Scrin. On the gain, the superposed acanthus leaves is carved with a perfect stiffness and high quality of execution, similiar to the present Cabinet. Bibliography Les Cahiers du Musée National de la Renaissance, Hugues Sambin (vers 1520-1601), Réunion des Musées Nationaux, 2001. New 2019 publication : Jean Pierre Jacquemart, Hugues Sambin, Architecteur, editions de la Passerelle, Dole, 2019. Some furnitures in the gallery illustrate this publication.
  • Dimensions:
    Height: 85.83 in (218 cm)Width: 59.85 in (152 cm)Depth: 26.58 in (67.5 cm)
  • Style:
    Renaissance (Of the Period)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    1500-1600
  • Condition:
    Wear consistent with age and use.
  • Seller Location:
    Saint-Ouen, FR
  • Reference Number:
    Seller: 551stDibs: LU3115341306612

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This rare Renaissance cabinet is richly decorated on the doors and drawers with carvings depicting the four seasons, and on the uprights and the entablature, alternating flower bouquets inlaid with mother of pearl. This is a beautifully conceived piece of furniture, representing a crowned portico with its entablature and cornice. The upper body Articulated separately in a ternary rhythm, as with the lower body, the upper part opens with two carved doors. The doors are framed by both the lateral uprights and the casing. There are cartouches carved into the casing in which mythological figures are depicted with flower bouquets. On the doors: On the right: Spring, a female figure crowned with a wreath of leaves, holding a basket full of flowers. She is wearing necklaces and bracelets on each arm, with drapery discretely wrapped around her body and is standing on a winged putti’s head. On each side are depicted a tree and a village with a steepled church. Above her head floats the three signs of the zodiac corresponding to the season: Aries, Taurus and Gemini. On the left: Summer, a bearded man crowned with ears of corn and bearing armfuls of corn. He is standing on a similar winged putti, flanked by a tree and an ear of corn. The following three signs of the zodiac appear: Cancer, Leo and Virgo. On the uprights and the central casing a number of smaller figures seem to represent virtues and vices that newly wedded couples should aspire to and avoid. On each side, at the bottom of the uprights, there is a dog representing fidelity. Above, a lion embodies power, wisdom, and justice. In between, on the left upright, there is a figure of noncombatant Athena wearing a helmet and holding a spear, an arrow pointing down and in her left hand, a shield, symbol of protective power. On the right upright, the goddess Venus controls the arrow of Cupid. The iconography here acts as a clear reminder of the required virtues that both parts of a young couple need to fulfill: fidelity, power, wisdom and justice. For him, the goddess Athena focuses on the power. Whereas for her, it is Venus who shows how to control Cupid’s arrow. On the central casing at the bottom, by way of contrast, there is a peacock, a symbol of pride and at the top, a monkey representing lust and mischief. In between, a woman holding a chain and a cup full of precious stones while on the floor sits a half empty opened casket. This can be interpreted as a symbol of extravagance. Above, the entablature, decorated with male figures resting on leaking urns, may symbolize the passing of time. They are flanked by two consoles decorated with acanthus leaves and separated by flower bouquets (inlaid with mother of pearl). Finally on top, a cornice acts as a crown for the piece of furniture. The lower body The moulded base stands on four round, flattened feet. Represented on the doors: On the left: Autumn, a stocky, naked man crowned with vine leaves, holding fruits in his right hand and with his left, picking a bunch of grapes from a climbing vine. Standing on a mound, he is surrounded by a vine and a hill, at the foot of which a man presses the grapes in a big vat after the harvest. Above the climbing vine appear the signs of Libra, Scorpio and Sagittarius. On the right: Winter, an elderly man wearing a fur cloak...
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