Exceptional Regency Bonheur Du Jour Attributed to John Maclean

A very fine Chippendale-period satinwood and marquetry desk. English, George III-period, circa 1770. The considerable use of the best quality mahogany in the carcass is typical of the very fine work of Thomas Chippendale. It is rare today to find an 18th-century satinwood and marquetry-inlaid desk of this quality. (Most offered on the market are 19th/ 20th century). Major, period satinwood pieces have become almost unobtainable. The superbly-controlled and delicate marquetry inlays are reminiscent of the fine decoration on the famous Diana and Minerva Commode by Chippendale at Harewood House...

An early-18th century English walnut secrétaire kneehole desk. George I-period (1714-1727), circa 1720. Of exceptional waxed honey colour and lovely old patina, with well-matched veneers. With a quarter-veneered top. Six short drawers below a hinged fall revealing a writing section, all surrounding a central recessed cupboard. There is a small, shaped pull-out drawer fitted in the apron. All finely inlaid with herringbone lines. Raised on its original bracket feet. Swan-neck handles probably fitted later in the 18th century. Locks and keys are mostly original. Walnut veneered and crossbanded sides. Nb. Having a fitted secrétaire (secretaire) drawer distinguishes this antique walnut kneehole desk...

A very well-drawn, highly decorative and sophisticated pair of Regency-style window seats. Finely decorated by hand, in grey, with anthemions (anthemia) and lines on an ebonised grou...

A fine and rare pair of English Regency period torchères, or stands (or candle stands) in the manner of Thomas Hope. Circa 1810. Both are raised on tapering simulated-bronze column supports with circular tops and fluted gilt collars, on concave-sided triform bases with winged-panther mask monopodia. The column bases issue from spreading, gilded, carved lotuses. These antique torcheres might also be referred to as columns, ornamental stands, candle sticks, or candelabra. In superb condition throughout. Literature: ‘Thomas Hope – Regency Designer’ ed. David Watkin & Philip Hewat-Jaboor, Yale University Press, New Haven and London (2008). The Aurora Room, Duchess Street, photo from V & A Museum, fig. 68-1, p. 378. The Royal Collection, HM Queen Elizabeth II, RCIN 588- 1-2, 45- 1-2, figs. 78-2, 78-3, p. 396. The Faringdon Collection, Buscot Park, Oxfordshire, illustr. 88, p. 414. The pair of stands we are offering here correspond closely to the pair in the Faringdon Collection (see above). Watkin and Hewat-Jaboor state; ‘’A ‘Roman’ stand of this precise design, perhaps an imaginative variation on one published by Visconti*, is illustrated in ‘Household Furniture’, plate L, number 2… Hope also owned several classical Roman candelabra...

With rectangular shelf superstructure with two shelves and three drawers with ebony trim , the base with a flip up writing surface thats felt lined over a drawer and raised on square...

For sale is a good quality 19th Century Rosewood and Marquetry Inlaid Bonheur Du Jour. The piece has an inlaid up stand to the back, decorated with original ormolu mounts and edging,...

Rare pair of 19th Century French Kingwood and Tulip wood veneered Bonheur du jours, each with pierced three quarter brass galleries, gilded ormolu mounts, three drawers either side o...

For sale is a French 19th Century Amboyna and Ebony Cabinet, with three quarter balustrade gallery, above two panelled doors set with Paris porcelain po...