French 19th-20th Century Empire Style Gilt Bronze Mounted Desk, Bookcase & Chair

A Very Fine French Louis XV Style Mahogany, Rosewood and Satinwood Gilt-Bronze Mounted Figural Cartonnier Bureau-Plat (Desk). The shaped rectangular top inset with a recent tooled le...

A French Louis XV style gilt bronze-mounted kingwood bureau plat (desk). The gilt banded rectangular top set with gilt bronze acanthus mounts at the corners centering a gilt banded i...

Palatial French 19th-Century Louis XV style figural gilt bronze mounted tulipwood marquetry three-drawer bureau-plat cartonnier with Dual clock-works by Lenoir, Paris, surmounted wit...

A very fine French 19th-20th century Louis XV style tulipwood and mahogany marquetry gilt bronze-mounted petit-bureau de dame (secretary). The bombe´ structure surmounted by a pair o...

This is an absolutely gorgeous and superb quality diminutive secretary desk from France. The desk features a bookcase top with adjustable shelf and a marble top and trimmed in bronze...

A very handsome French 19th century Empire st. mahogany and ormolu Bureau Plat. The desk is raised on straight tapered legs with ormolu sabots and pierce...

Antique French bronze D' Ore mounted Escritoire writing desk, Circa 1890.

Gorgeous antique secretaire a abattant, desk, French Empire style, mahogany, gilt, 1800s, 19th century! This stunning French Empire style marble-top mahogany fall-front desk, 19th century, projecting frieze drawer, with gilt metal crossed sword pulls, turned column supports flanking the fall-front panel, opening to gilt embossed leather writing surface, mirrored interior gallery, over dual cabinet doors, opening to reveal three drawers, above lower apron drawer, approximately 56.5" height 37.25" width, 17" depth. Dominated by Greco-Roman models, the Empire style - spare, noble, massive - had a studied dignity consistent with Napoleonic majesty. The characteristic furniture types were a bit stiff but imposing: their flat surfaces and sharp corners, together with their lack of moldings, produced an effect of grandeur that was not without beauty as per Timothy Corrigan The Empire style was deliberately propagandistic, and embraced what was most monumental in ancient art as suitable analogies to the new French Empire. Napoleon imposed a tyrannical centralization on artistic production, decreeing that it would be subject to control from Paris and overseen by the architects Percier and Fontaine...