1950s English Tall Slim Oak Multi Drawer Chest of Drawers, Fourteen Drawers

1940s tall chest of drawers – bank of drawers – twenty eight drawers 1940s tall chest of drawers – bank of drawers – twenty eight drawers Sourced from a bank in the North Of England this chest was tucked away in the store room. It is a heavy and substantial piece made from pitch pine throughout and luckily retiming all its original cast brass cup handles and name marker...

1950’s Tall English Haberdashery Shelved cabinet – Sixteen drawers (Model 1244.1) 1950’s Tall English Haberdashery Shelved cabinet – Sixteen drawers. An early 1950’s tall haberdashe...

1950’s tall English Haberdashery shelved cabinet – sixteen drawers (Model 1244.2) 1950’s tall English Haberdashery shelved cabinet – sixteen drawers. An early 1950’s tall haberdas...

1940’s Tall Multi Drawer Workshop Cabinet – Omega OFP 1940’s Tall Multi Drawer Workshop Cabinet – Omega OFP. Sourced in the Czech Republic the cabinet came from an engineering works...

Teak chest of drawers with six drawers, carved handles and original key lock on the first drawer. Vintage Scandinavian chest of drawers made between the 1950s and 1960s, made of tea...

- Item has been Carefully refurbished - Minor signs of use

19th century English oak tall turned shelf from England. The top is decorated with hand turned finials, following down to four shelves, separated by nicely hand turned shelf support...

Boston, Massachusetts Seven-drawer tall chest, circa 1825. Mahogany (secondary woods: mahogany, pine, and poplar) Measures: 45 5/8 in. high, 27 5/8 in. wide, 14 5/8 in. deep Inscribed (on six drawer locks): SECURE; (on seventh lock): CHUBB’S / PATENT / 57 St PAULS CHY / LONDON / CHUBB & SON / MAKERS TO / HER MAJESTY / 632284; (on one hinge): [BUR?] NE PATENT; (on master lock): 2 LEVER. Although some Boston furniture of the Neo-Classical period is elaborately decorated with ormolu mounts, brass moldings, and carved and gilded elements, other pieces are more simple and are said to reflect the “conservative” taste of many of Boston’s great families. The simplicity evident in these pieces is not an indication of a less-expensive line of furniture or a less-sophisticated patronage, but, like the so-called “Grecian Plain Style” of Duncan Phyfe’s furniture...