"Japonisme" Vitrine Attributed to A. Giroux, France, Circa 1880

Rare pair of Louis XV style gilt-bronze mounted curved shape vitrines attributed to J.E Zwiener. Glazed on all sides, they open with two doors framed by gilded and chiseled Rocaille style foliated bronze mounts. Resting on four cabriole legs ending with lion’s paws, the whole is covered by a « brèche de Benou » marble top. This model was probably designed by L. Messagé. Joseph-Emmanuel Zwiener was born in Germany in 1849. In 1880 he sets up his extensive workshops in rue de la Roquette in Paris where he creates many original pieces of furniture. He imitated practically every style, ranging from ‘’Boulle’’ to Louis XVI and including extraordinary personal interpretations of the Louis XV ‘’exuberant’’ style. He participated in the 1889 Universal Exhibition, held in Paris, and was awarded the gold medal for his remarkable copy of that most famous piece of furniture, Louis XV’s desk. The catalogue of the exhibition included a wonderful elegy qualifying the work as perfect : « No criticism what-so-ever could be made ». As that other famous cabinet-maker François Linke, Zwiener had most of his bronzes modelled by Léon Messagé whose work was considered as being of the best possible quality. Léon Messagé is a renowned designer and sculptor who integrated in his ornaments related to the Rocaille asymmetry, new lines and shapes announcing the “Art Nouveau” style. But even though, Messagé found inspiration with these 18th century artists, such as Nicolas Pineau or J. A. Meissonier, he didn’t simply copy their work and showed great originality, even extravagance, with some designs contained in "Cahier des dessins et croquis style Louis XV". He realized numerous sketches on grey paper before the execution of a reduced or life sized model of his ornaments, made of wax or terra-cotta. From 1885, Léon Messagé started working with important Parisian cabinet...

Charming Japanese-inspired « pagoda » table in tinted and carved wood attributed to G. Viardot. The rectangular top rests on four slightly curved legs adorned with openwork and sculpted geometric interlacing, joined by an engraved stretcher with a stylized cutout. Gabriel Viardot career began as a wood carver and he produced small furniture, sculpturally carved with naturalistic motifs and animals. In the 1855 Universal Exhibition in Paris, his finely sculpted objects were well received. However, with the increasing importation of similarly produced Swiss and German articles, he found less opportunity for these and decided to innovate. G. Viardot succeeded to his father's business in 1861 installed rue Rambuteau in Paris. Around 1870 he turned to the idea of producing « Meubles genre Chinois et Japonais ». The taste in Europe for exotic furniture, incorporating sometimes authentic Chinese or Japanese objects...

A Kingwood vitrine attributed to Maison G. Grimard, a well known French Ebenistes de art in the 19th century. The Ormolu mounted cabinet and frame are mounted with acanthus leaves an...

Marble Top French Ormolu Kingwood Inlaid Marquetry Vitrine Attributed To Linke Dimensions : 55" Wide X 47" Tall X 16" Deep This gorgeous vitrine was made in the 19th century in Fra...