Georgian Furniture

Wonderful fluted detail work encompass these Caldwell doré´ bronze sconces in the Georgian style. The centre urn is 16" high with three arms on sweeping curved arms and are 8&qu...

Pair of English Adam-style (19/20th Century) brass balustrade design andirons with large finial sides. (PRICED AS Pair)

Rare and fine set of three 18th century steel fire irons comprising a shovel, tongs and poker, the handles each with a beautiful finial. The shovel of rare cupids bow form and fisht...

The round coaster with reeder lip border on 4 brass casters

English Georgian-style (19th Century) oak corner armchair with filigree splat back and needlepoint seat.

An elegant pair of George III style gilt bronze wall light sconces Each sconce with two arms issuing from a channeled oval backplate topped with an urn and plume finial, impressed m...

Traditional Georgian-style sterling silver candlesticks, circa 1950. Each: spool socket with detachable bobeche on knopped and flanged shaft; foot square. Gadrooned rims. Fully marke...

English Georgian sterling silver salver, 1727. Square with molded rim and curvilinear corners. Engraved armorial in well center. Rests on 4 corner hoof supports. Substantial with nice heft from the year the first Hanoverian king George I...

Mid-19th century Georgian style mahogany knee hole desk in very nice original condition. The case having a single top drawer with a knee hole center flanked by three by three drawers...

The puzzle jug consisting of a handle with pierced yellow painted decoration above and below the band of three spouts, floral painting on each side with int...

Elizabeth II sterling silver salver tray. Made by Pinder Bros in Sheffield in 1955. Square cartouche with curvilinear corners and molded rim. Corner leaf-capped volute scroll support...

Georgian Style Oak Lowboy, three short drawers above two, with brass pulls. 29.25" H x 30" W x 19.75" D. Provenance: From a 333 East 75th Street Estate.

Sheraton Style Parquetry Inlaid Mahogany Oval Tray and Drinks Table. Table: 27.5" H x 32.25" W x 21.75" D. Provenance: From a New York City Collection.

Pair of Georgian-style sterling silver candlesticks. Made by Currier & Roby in New York, ca 1920. Each: Faceted and tapering shaft with knops and flanges on raised foot in concave ci...

This large and impressive piece of furniture was intended to travel as the center of a Gentleman's of means packing requirements. Made circa 1750-1760 under the reign of George II an...

With rectangular mirror plate within a conforming surround with outset corners and enriched with gadrooned and egg and dart borders, foliate sprays to the corners and the sides with ...

Pair of antique style wingback chairs. The chairs have tufted backs and seats, with yellow leatherette upholstery, brass tacks to the front of the arms, and solid wood cabriole legs.

This antique hand mirror is a stunning piece that once added elegance to a stylish Georgian Lady’s Dressing table. Made in England about 1820, during the late Georgian period. It fea...

Georgian mahogany low boy with cabriole legs and slipper feet. Consisting of two short and one long drawer, with original pierced batwing brass handle...

Polished 18th/19th Century Mahogany Chest, Dresser or Commode, Bronze Accents Wonderfully polished having spindle legs leading to a group of four graduating drawers all with dore' ...

Set of 4 George II cast sterling silver candlesticks. Made by James Morison in London in 1756. Each: Spool socket with detachable bobeche and round bowl on knopped and flanged half-f...

Pair of Victorian Georgian sterling silver serving trays. Made by William Ker Reid in London in 1846. Each: Serpentine and gadrooned with oval well. On shoulder engraved armorial wit...

The rectangular top with molded edge, over two short and two long drawers lined with 18th century blue tissue paper, and mounted with brass pulls; raised on bracket form feet.

An early 1900s Georgian style chandelier with a globe centre matching chain and canopy. A wonderful bronze form twenty one light chandelier having four arms sets of five lights...

Of rounded flaring form with five concentric brass bands; with removable lid with molded edge surmounted by a centered brass knob with star-form backplate.

20th Century gilded bronze chandelier designed in a Georgian style with eight arms and an ornate acorn finial. Cleaned and rewired. Takes eight standard household medium base lightbu...

This 20th Century Georgian style lamp has a silver and gold finish over bronze. Comes with two adjustable sockets. Cleaned and rewired. Please note, this item is located in one of ou...

Pair of brass andirons circa 1880 ball and claw feet of twisted column-form.

A Magnificent, Exceptionally Rare, Museum Quality Pair of 18th Century English Ormolu Mounted, Hand-Carved and Hand-Polished Carrara Marble Cassolettes, By Matthew Boulton. These beautiful ormolu-mounted white marble cassolettes are by Matthew Boulton (1728-1809) and John Fothergill (1730- circa 1782) published in their Pattern Book No. 1 (page 171, figure t) and reproduced in Sir Nicholas Goodison's Ormolu: The Work of Matthew Boulton (New York, 1974, page 383, figure 161). Josiah Wedgwood (1730-1795) was a close friend of Boulton's and his patterns are thought to be the source for the medallions used on the plinths of these. Boulton's medallions of classical figures are almost identical to the cameos and intaglios made by Wedgwood and his partner James Tassie. Molds for these examples can be found in the Wedgwood Collection at the Victoria & Albert Museum. All derive from the same classical source of Renaissance gems. Many gem collections in Europe were widely published at this time and Boulton's library contained A. F. Gori's Museum Florentinum (1731-1766), in which gems from the Medici collection were engraved. The subjects of the medallions on this pair are: Pomona, a Roman goddess of fruit trees, gardens, and orchards, and depicted carrying a basket on her head overloaded with fruit, tumbling to the ground, shown once on each vase. Hygeia, once on each, with an olive branch in her right hand, as seen in Tassie's reproduction of Valerio Belli's gem, and holding a snake in her left hand over an altar. This was produced by Wedgwood both as an intaglio and as a cameo. Venus & Cupid, only on one vase, showing Venus leaning against a column with a pike, and giving a helmet to Cupid. Aesclepius, Greek GD of medicine, only on one vase, depicted with a snake wrapped around his staff .The last medallion subject is either Diomedes or Perseus, shown once on each vase, depicted as a conquering hero. Boulton asked patrons to choose from a limited repertoire of motifs, and therefore each vase or pair of vases is adorned with their own combination. Boulton used nine medallion subjects on recorded vases of this type. PROVENANCE & COMPS Another pair of this model, with slightly less elaborate lids and finials, from a private collection are illustrated in Goodison's Matthew Boulton: ORMOLU, (page 379, figure 153). A further example is in a private New York collection. This pair, which was acquired from Hotspur in 1981, was formerly in the Collection of Marjorie Wiggin Prescott, sold Christie’s, New York, 31 January 1981, lot 76. The Prescott Collection was one of the most important English furniture collections of its time. The sale consisted mostly of late 17th and 18th century English furniture...

These three Georgian boat-form sauce tureens are an exemplary Neoclassical set, each atop a spreading oval foot and with ring handles. The shaped lids are ornamented with urn-shaped ...

18th century mahogany low boy with cabriole legs and slipper feet. Consisting of one long and two short drawers, with original pierced batwing brass h...

A fine 18th-century Georgian rectangular mirror with mirrored sections in frame, and carved giltwood details including granulation, rosettes, and twist motifs.

These over-scaled chairs were said to have been designed by Chicago architect Sam Marx, but they were probably made by William Quigley, whose workshop ...

Set of 6 English Georgian-style (modern) black button-tufted leather armchairs with wooden frames and padded arm rests (PRICED AS SET).  

English Georgian-style (20th Century) brass wall sconce with two arms and leaf cast vasiform back plate.  

George III period mahogany fratework console table with white Carrara marble top. With inlaid Greek key in Sienna marble.

English Georgian-style (20th Century) gilt console table with fluted legs and apron with an urn & swag design center medallion and grey/brown marble top.

Late 19th century fine George II Sienna and White Statuary Marble Fireplace Surround In the Manner of Sir Henry Cheere In the Manner of Sir Henry Cheere Formerly in the Collect...

This very fine George III cut-glass footed bowl, from Cork, Ireland, is distinguished by a fluted fold-over rim, shallow-faceted body, cylindrical stem, and a square-mounted lemon-sq...

The bottle holder with a carrying handle. The stand on turned and fluted legs.

Nailsea Glassworks, in Somerset, England, was known for its distinctively colored and patterned pieces, which they produced from the late 18th century until the mid-19th century. Thi...

The alternating blue and amber faceted glass gems set into a metal oval frame.

George II sterling silver salver. Made by Robert Abercromby in London in 1741. Round with molded and scrolled piecrust rim with alternating big and small shells. Well has engraved ar...

Spode double handled sugar bowl and cover. Oval-shaped porcelain body, gilt with diamond and vine motifs, the base impressed with an “S” and numbered “6...

This large and dramatic blown and cast-glass candlestick, with a blue-and-white spiral in its stem, was most likely made in England around 1800. It comes from the collection of the legendary aesthete Baron Max Fould-Springer, who lived at the Palais de Royaumont outside Paris, which on his death was inherited by his sister Liliane, Baroness de Rothschild...